Producing Women

Producing Women
Author: Michele White
Publisher: Routledge
Total Pages: 247
Release: 2015-03-02
Genre: Social Science
ISBN: 1317680243

Producing Women examines the ways femininity is produced through new media. Michele White considers how women are constructed, produce themselves as subjects, form vital production cultures on sites like Etsy, and deploy technological processes to reshape their identities and digital characteristics. She studies the means through which women market traditional female roles, are viewed, and produce and restructure their gendered, raced, eroticized, and sexual identities. Incorporating a range of examples across numerous forms of media—including trash the dress wedding photography, Internet how-to instructions about zombie walk brides, nail polish blogging, DIY crafting, and reborn doll production—Producing Women elucidates women’s production cultures online, and the ways that individuals can critically study and engage with these practices.

Women in the Studio

Women in the Studio
Author: Paula Wolfe
Publisher: Routledge
Total Pages: 229
Release: 2019-06-25
Genre: Music
ISBN: 1134776187

The field of popular music production is overwhelmingly male dominated. Here, Paula Wolfe discusses gendered notions of creativity and examines the significant under-representation of women in studio production. Wolfe brings an invaluable perspective as both a working artist-producer and as a scholar, thereby offering a new body of research based on interviews and first-hand observation. Wolfe demonstrates that patriarchal frameworks continue to form the backbone of the music industry establishment but that women’s work in the creation and control of sound presents a potent challenge to gender stereotyping, marginalisation and containment of women’s achievements that is still in evidence in music marketing practices and media representation in the digital era.

Producing Women's Poetry, 1600-1730

Producing Women's Poetry, 1600-1730
Author: Gillian Wright
Publisher: Cambridge University Press
Total Pages: 285
Release: 2013-04-18
Genre: Biography & Autobiography
ISBN: 1107037921

Gillian Wright combines literary and bibliographical approaches to examine the work of five English women poets in the period 1600-1730.

Visible Histories, Disappearing Women

Visible Histories, Disappearing Women
Author: Mahua Sarkar
Publisher: Duke University Press
Total Pages: 356
Release: 2008-04-25
Genre: History
ISBN: 9780822342342

DIVArgues that the discursive erasure of Muslim women within colonial and Hindu nationalist discourse underpinned the construction of other identity categories in late colonial Bengal and remains linked to violence against Indian Muslim women today./div

Never Done

Never Done
Author: Erin Hill
Publisher: Rutgers University Press
Total Pages: 299
Release: 2016-10-05
Genre: Art
ISBN: 0813574897

Histories of women in Hollywood usually recount the contributions of female directors, screenwriters, designers, actresses, and other creative personnel whose names loom large in the credits. Yet, from its inception, the American film industry relied on the labor of thousands more women, workers whose vital contributions often went unrecognized. Never Done introduces generations of women who worked behind the scenes in the film industry—from the employees’ wives who hand-colored the Edison Company’s films frame-by-frame, to the female immigrants who toiled in MGM’s backrooms to produce beautifully beaded and embroidered costumes. Challenging the dismissive characterization of these women as merely menial workers, media historian Erin Hill shows how their labor was essential to the industry and required considerable technical and interpersonal skills. Sketching a history of how Hollywood came to define certain occupations as lower-paid “women’s work,” or “feminized labor,” Hill also reveals how enterprising women eventually gained a foothold in more prestigious divisions like casting and publicity. Poring through rare archives and integrating the firsthand accounts of women employed in the film industry, the book gives a voice to women whose work was indispensable yet largely invisible. As it traces this long history of women in Hollywood, Never Done reveals the persistence of sexist assumptions that, even today, leave women in the media industry underpraised and underpaid. For more information: http://erinhill.squarespace.com

Guidelines for Producing Statistics on Violence Against Women

Guidelines for Producing Statistics on Violence Against Women
Author: United Nations. Statistical Office
Publisher:
Total Pages: 220
Release: 2014
Genre: Family & Relationships
ISBN:

This publication provides national statistical offices with detailed guidance on how to collect, process, disseminate and analyse data on violence against women. The role of statistical surveys in meeting policy objectives related to violence against women, the essential features of these surveys, the steps required to plan, organize and execute these surveys, the concepts that are essential for ensuring the reliable, valid and consistent measurement of women's experiences in accordance with core topics and a plan for data analysis and dissemination are laid out.

Women as Scribes

Women as Scribes
Author: Alison I. Beach
Publisher: Cambridge University Press
Total Pages: 220
Release: 2004-04-29
Genre: Language Arts & Disciplines
ISBN: 9780521792431

Professor Beach's book on female scribes in twelfth-century Bavaria - a full-length study of the role of women copyists in the Middle Ages - is underpinned by the notion that the scriptorium was central to the intellectual revival of the Middle Ages and that women played a role in this renaissance. The author examines the exceptional quantity of evidence of female scribal activity in three different religious communities, pointing out the various ways in which the women worked - alone, with other women, and even alongside men - to produce books for monastic libraries, and discussing why their work should have been made visible, whereas that of other female scribes remains invisible. Beach's focus on manuscript production, and the religious, intellectual, social and economic factors which shaped that production, enables her to draw wide-ranging conclusions of interest not only to palaeographers but also to those interested in reading, literacy, religion and gender history.

Making Women's History

Making Women's History
Author: Mary Ritter Beard
Publisher: Feminist Press at CUNY
Total Pages: 282
Release: 2000
Genre: Biography & Autobiography
ISBN: 9781558612198

The only collection of work by a groundbreaking historian.

Making Women's Medicine Masculine

Making Women's Medicine Masculine
Author: Monica H. Green
Publisher: Oxford University Press, USA
Total Pages: 430
Release: 2008-03-20
Genre: History
ISBN: 0199211493

Using sources ranging from the famous 12th-century female practitioner, Trota of Salerno, through to the great tomes of Renaissance male physicians, this is a pioneering study challenging the common belief that, prior to the 18th century, men were never involved in any aspect of women's healthcare in Europe.

Women Make Horror

Women Make Horror
Author: Alison Peirse
Publisher: Rutgers University Press
Total Pages: 270
Release: 2020-09-17
Genre: Performing Arts
ISBN: 1978805136

Winner of the the 2021 Best Edited Collection Award from BAFTSS Winner of the 2021 British Fantasy Award in Best Non-Fiction​ ​Finalist for the 2020 Bram Stoker Award® for Superior Achievement in Non-Fiction Runner-Up for Book of the Year in the 19th Annual Rondo Halton Classic Horror Awards​ “But women were never out there making horror films, that’s why they are not written about – you can’t include what doesn’t exist.” “Women are just not that interested in making horror films.” This is what you get when you are a woman working in horror, whether as a writer, academic, festival programmer, or filmmaker. These assumptions are based on decades of flawed scholarly, critical, and industrial thinking about the genre. Women Make Horror sets right these misconceptions. Women have always made horror. They have always been an audience for the genre, and today, as this book reveals, women academics, critics, and filmmakers alike remain committed to a film genre that offers almost unlimited opportunities for exploring and deconstructing social and cultural constructions of gender, femininity, sexuality, and the body. Women Make Horror explores narrative and experimental cinema; short, anthology, and feature filmmaking; and offers case studies of North American, Latin American, European, East Asian, and Australian filmmakers, films, and festivals. With this book we can transform how we think about women filmmakers and genre.