Prizmism
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| Author | : Toby Kamps |
| Publisher | : |
| Total Pages | : 84 |
| Release | : 2014-11-30 |
| Genre | : |
| ISBN | : 9780990603627 |
Over the last eight years Joseph Park has inserted a radical chapter to the timeless tradition of oil painting. Inspired by a J.G. Ballard story, and a tongue-in-cheek attitude toward the art's world's predilection for defined historical movements, Park developed an adjustable, custom-made easel, began studying fractals, crystal formation theory, and the permeating reality of pixels today, and from those elements formed Prizmism. Drawing inspiration from his painterly ancestors, as well as photography and sculpture, he has explored Prizmism through portraits, figures and a completed cycle shown at Elizabeth Leach Gallery in 2012 that is dazzling in its narrative, color, and surface. This is the first major monograph of Park's paintings, and focuses solely on this innovative endeavor.
| Author | : Alice Wheeler |
| Publisher | : |
| Total Pages | : 144 |
| Release | : 2015-10-15 |
| Genre | : |
| ISBN | : 9780990603641 |
Continually occupied by its indigenous peoples, as well as a siren to waves of pioneers, the Northwest has long fostered a sense of isolation and opportunity. Alice Wheeler's subjects embody both. Internationally known for her photographs of Nirvana, Bikini Kill, and the punk-feminist bands of Riot Grrl, Wheeler is drawn to people and landscapes that possess unique strength and beauty. Hers are the lesser-seen realities of Seattle's history over the last three decades: not the incessant rain and coffeehouse earnestness represented in films and sitcoms, but the glory of the drag scene; the devastation of AIDS; the freedom of choice celebrated at Hempfest and protest rallies; brilliant sunsets and radiant clouds; and a music scene that for decades has captivated devotees internationally. This is her first monograph.
| Author | : Michelle Dunn Marsh |
| Publisher | : |
| Total Pages | : 176 |
| Release | : 2021-10-17 |
| Genre | : |
| ISBN | : 9781735642321 |
This memoir of Michelle Dunn Marsh's life and work as a book designer, cultural producer, and publisher unfolds through photographs drawn from the author's collection (featuring many prints gifted to her from projects, or obtained through trade), and notes on her formative encounters with some of American photography's master practitioners over the last twenty-five years.Portraits of her by Stephen Shore, Larry Fink, Sylvia Plachy, Will Wilson, and others punctuate a loosely chronological narrative exploring the author's evolution of seeing, the influences of family, education, geographies, mentors, and photography itself on that process, and her commitment to the printed book as a vessel of future histories.
| Author | : Charles Harbutt |
| Publisher | : |
| Total Pages | : 54 |
| Release | : 2020-07-31 |
| Genre | : |
| ISBN | : 9781732124165 |
Charles Harbutt (1935-2015) was a master photographer and educator. His clear, pointed words from a 1970 lecture- published here in its entirety for the first time-will resonate with and challenge audiences considering the medium today: "Photography is not art. It is something totally new in human experience, something humans have not been able to do until the last century or so. Like flying. Or blowing up the whole world (I hope we survive our inventive little minds). The basic impulse of the photographer is diametrically opposed to the basic impulse of the artist, no matter what the artist's medium. The artist is trying to bring into existence something (even if only a concept) that never existed before. The photographer is trying to preserve, with the lens and especially the shutter, something in reality that will cease to exist in just that way in the next moment, or hour, or day.-Charles Harbutt
| Author | : Heather Cremonesi |
| Publisher | : Hatje Cantz Verlag |
| Total Pages | : 240 |
| Release | : 2018-11-14 |
| Genre | : London (England) |
| ISBN | : 9783775744904 |
Frank Habicht's iconic black-and-white photographs reflect the spirit of the Swinging Sixties in London. After the conservative post-war years followed a period of upheaval, with the younger generation dreaming of an unconstrained life, one full of free love, peace, and harmony. On the streets of the British capital, Habicht (*1938, Hamburg) began photographing the profound social and political changes that occurred in Great Britain in the sixties.Habicht, who has lived in New Zealand since 1981, has produced photographs for magazines and newspapers such as the The Guardian, Die Welt, Camera Magazine, and Twen. His photographs were recently exhibited at the Barbican in London. He has made portraits of music and film greats such as Mick Jagger and the Rolling Stones, Jane Birkin, Christopher Lee, and Vanessa Redgrave. This opulent book is a unique collection of the swinging, groovy, hippie, and psychedelic Sixties in London. It offers an eye-opening contribution to the history of a country that is currently undergoing yet more social transformation.
| Author | : |
| Publisher | : |
| Total Pages | : |
| Release | : 2020-11-11 |
| Genre | : |
| ISBN | : 9781732124172 |
Performance Review, the first monograph by North Carolina-based artist, educator and activist Endia Beal, brings together work from first-hand experiences that highlight the realities and challenges for women of color in the corporate workplace. Beal's widely-published videos and photographic series, including "Am I What You're Looking For?" "Office Scene," "Can I Touch It?" and "9 to 5" are presented in a book sequence that highlights the ambitions, challenges and negotiations that women of color navigate within the workplace.Beal's signature directness and visual intelligence engages viewers of varying generations and backgrounds in dialogues that accept there is much to questions we push forward during the social evolutions of our time.The book includes an introduction by Beal's contemporary and colleague Whitney Richardson, former producer and writer for The New York Times "Lens" photography column among other roles, and now Global Events Manager for The New York Times in London.
| Author | : David Hilliard |
| Publisher | : |
| Total Pages | : 144 |
| Release | : 2014-10-01 |
| Genre | : Photography, Artistic |
| ISBN | : 9780990603610 |
Exploring lives lived and imagined, what we long for and what we obtain, the photographs in What Could Be follow a semi-autobiographical progression of the artist's explorations of family, societal norms, relationships, and moments of personal discovery in understanding concepts of masculinity.Hilliard's gentle diptychs and triptychs conjure a world that begins with our realities but moves beyond. He chooses to see, and to create, beauty in the narratives he imagines for himself, his friends, and striking strangers he encounters. Some of his subjects are frosted with perfect light and rich, dripping colors redolent of the peak of summer; others are subdued, bearing an uncertainty and fragility that so often accompanies the process of self-awareness.
| Author | : Ann M. Wolfe |
| Publisher | : Rizzoli Publications |
| Total Pages | : 469 |
| Release | : 2015 |
| Genre | : Art |
| ISBN | : 0847846628 |
Catalog of an exhibition held at Nevada Museum of Art, August 22, 2015-January 10, 2016.
| Author | : Nicholas Galanin |
| Publisher | : |
| Total Pages | : 48 |
| Release | : 2021-06 |
| Genre | : |
| ISBN | : 9781735642314 |
Nicholas Galanin's forthcoming artist's book is dedicated to a single work, Never Forget-. This piece, beyond the visual component, is a call to action regarding the Land Back movement to acquire legal title to Indigenous homelands for tribal communities in the United States.
| Author | : Eirik Johnson |
| Publisher | : |
| Total Pages | : 92 |
| Release | : 2018-11 |
| Genre | : |
| ISBN | : 9781732124134 |
The cultural and political climate of the US is at a high point of polarization, when simultaneously there have never been more tools of instantaneous global communication. We've never been more connected, and we've never been further apart. And so, as social creatures, many people seek community, and a sense of belonging, not only found in companionship and collaboration with others, but in solitary time, and in nature, tuning into ourselves.Therein lie the origins of Pine. Coming upon a rough tree carving (the words "make out tree, with an arrow guiding the viewer in the correct direction), Johnson made a snapshot, but the moment and the marker stayed with him, and he returned with his 4x5 camera to take it in again, slowly. Over the last few years he has scouted trees of all environs, looking for human traces upon them, and musing on the (often) adolescent emotions and explorations that lead to poignant sentiments recorded within a living surface. Rather than essays, Johnson envisioned and realized a sonic set of reflections to accompany his photographs, revisiting his own history as a musician and bringing in a varied group of collaborators who responded to the photographs with their compositions and recordings.
