Fanning the Sacred Flame

Fanning the Sacred Flame
Author: Brian D. Dillon
Publisher: University Press of Colorado
Total Pages: 617
Release: 2012-03-15
Genre: Social Science
ISBN: 145711173X

Fanning the Sacred Flame: Mesoamerican Studies in Honor of H. B. Nicholson contains twenty-two original papers in tribute to H. B. "Nick" Nicholson, a pioneer of Mesoamerican research. His intellectual legacy is recognized by Mesoamerican archaeologists, art historians, ethnohistorians, and ethnographers--students, colleagues, and friends who derived inspiration and encouragement from him throughout their own careers. Each chapter, which presents original research inspired by Nicholson, pays tribute to the teacher, writer, lecturer, friend, and mentor who became a legend within his own lifetime. Covering all of Mesoamerica across all time periods, contributors include Patricia R. Anawalt, Alfredo López Austin, Anthony Aveni, Robert M. Carmack, David C. Grove, Richard D. Hansen, Leonardo López Luján, Kevin Terraciano, and more. Eloise Quiñones Keber provides a thorough biographical sketch, detailing Nicholson's academic and professional journey.

The Face of Ancient America

The Face of Ancient America
Author: Lee Allen Parsons
Publisher: Indiana University Press
Total Pages: 252
Release: 1988
Genre: Art
ISBN: 9780936260242

"For archaeologists, artists, art historians, and all lovers of art, expecially pre-Columbian art." -- Choice "... one of the better general pre-Columbian catalogues to appear in a long time." -- African Arts More than 150 examples of Olmec and Maya art are described in detail, discussed, and reproduced in magnificent full-color photographs. The collection is grouped into cultural and geographical sections to give a complete picture of the most significant civilizations of ancient Latin America.

Thinking with Things

Thinking with Things
Author: Esther Pasztory
Publisher: University of Texas Press
Total Pages: 268
Release: 2005-08-01
Genre: Art
ISBN: 9780292706910

"At its heart, Pasztory's thesis is simple and yet profound. She asserts that humans create things (some of which modern Western society chooses to call "art") in order to work out our ideas - that is, we literally think with things. Pasztory draws on examples from many societies to argue that the art-making impulse is primarily cognitive and only secondarily aesthetic. She demonstrates that "art" always reflects the specific social context in which it is created, and that as societies become more complex, their art becomes more rarefied."--Jacket.