Power Politics And Performance
Download Power Politics And Performance full books in PDF, epub, and Kindle. Read online free Power Politics And Performance ebook anywhere anytime directly on your device. Fast Download speed and no annoying ads. We cannot guarantee that every ebooks is available!
Author | : Winston Dookeran |
Publisher | : |
Total Pages | : 238 |
Release | : 2012 |
Genre | : Caribbean Area |
ISBN | : 9789766375294 |
Across the world, the cooperation of political parties to form governments has become more commonplace. In Europe, North and South America, Asia and Africa and in Australasia, parties have joined forces and taken a partnership approach to government. In Power Politics and Performance, authors Dookeran and Jantzen, using Trinidad and Tobago as the example, demonstrate how collaboration and consensus can be used to meet the challenges facing small developing states.
Author | : Yanique Hume |
Publisher | : |
Total Pages | : 804 |
Release | : 2016-04-08 |
Genre | : Art |
ISBN | : 9789766376215 |
Caribbean Popular Culture: Power, Politics and Performance examines the Caribbean popular - an idea that has been an important and contested terrain for exploring the dynamic and oftentimes subversive cultural expressions of the region. The Caribbean popular arts, whether embodied in the hybrid musical genres or vernacular performance and festival traditions, have historically provided a space for social and political critique, the performance of visibility and also articulations of a temporal emancipatory ethos with its attendant acquisition of power and status. Beyond the spaces of their local/regional enactments and the social realities out of which they emerged and continue to circulate, Caribbean popular culture has over time contributed to contemporary understandings of global and diasporic cultures and, at the same time, the dynamics of inter-cultural encounters. The terrain of the popular has been a generative site for the study of Caribbean societies, and has produced enduring theoretical postulations that have been pivotal to the shaping of the intellectual production on the Caribbean. It is also the most powerful force that socializes contemporary Caribbean citizens into an understanding of their identities, the limits of their citizenship, and the meaning of their worlds.
Author | : Jeffrey C. Alexander |
Publisher | : Oxford University Press |
Total Pages | : 382 |
Release | : 2010-11-01 |
Genre | : Political Science |
ISBN | : 0199780021 |
Contemporary observers of politics in America often reduce democracy to demography. Whatever portion of the vote not explained by the class, gender, race, and religious differences of voters is attributed to the candidates' positions on the issues of the day. But are these the only--or even the main--factors that determine the vote? The Performance of Politics develops a new way of looking at democratic struggles for power, explaining what happened, and why, during the 2008 presidential campaign in the United States. Drawing on vivid examples taken from a range of media coverage, participant observation at a Camp Obama, and interviews with leading political journalists, Jeffrey Alexander argues that images, emotion, and performance are the central features of the battle for power. While these features have been largely overlooked by pundits, they are, in fact, the primary foci of politicians and their staff. Obama and McCain painstakingly constructed heroic self-images for their campaigns and the successful projections of those images suffused not only each candidate's actual rallies, and not only their media messages, but also the ground game. Money and organization facilitate the ground game, but they do not determine it. Emotion, images, and performance do. Though an untested senator and the underdog in his own party, Obama succeeded in casting himself as the hero--and McCain the anti-hero--and the only candidate fit to lead in challenging times. Illuminating the drama of Obama's celebrity, the effect of Sarah Palin on the race, and the impact of the emerging financial crisis, Alexander's engaging narrative marries the immediacy and excitement of the final months of this historic presidential campaign with a new understanding of how politics work.
Author | : Shona Hunter |
Publisher | : Routledge |
Total Pages | : 226 |
Release | : 2015-06-05 |
Genre | : Law |
ISBN | : 1136004327 |
How can we rethink ideas of policy failure to consider its paradoxes and contradictions as a starting point for more hopeful democratic encounters? Offering a provocative and innovative theorisation of governance as relational politics, the central argument of Power, Politics and the Emotions is that there are sets of affective dynamics which complicate the already materially and symbolically contested terrain of policy-making. This relational politics is Shona Hunter’s starting point for a more hopeful, but realistic understanding of the limits and possibilities enacted through contemporary governing processes. Through this idea Hunter prioritises the everyday lived enactments of policy as a means to understand the state as a more differentiated and changeable entity than is often allowed for in current critiques of neoliberalism. But Hunter reminds us that focusing on lived realities demands a melancholic confrontation with pain, and the risks of social and physical death and violence lived through the contemporary neoliberal state. This is a state characterised by the ascendency of neoliberal whiteness; a state where no one is innocent and we are all responsible for the multiple intersecting exclusionary practices creating its unequal social orderings. The only way to struggle through the central paradox of governance to produce something different is to accept this troubling interdependence between resistance and reproduction and between hope and loss. Analysing the everyday processes of this relational politics through original empirical studies in health, social care and education the book develops an innovative interdisciplinary theoretical synthesis which engages with and extends work in political science, cultural theory, critical race and feminist analysis, critical psychoanalysis and post-material sociology.
Author | : Julia C. Strauss |
Publisher | : Bloomsbury Publishing |
Total Pages | : 288 |
Release | : 2007-04-27 |
Genre | : Political Science |
ISBN | : 0857717022 |
This fresh and original study analyses how power presents itself in dramatic performance in these two increasingly economically and politically important continents. Emotion and politics play a hugely important role in the politics of Asia and Africa but, as this book sets out, too much of western political research into the subject concentrates on apparent deficiencies - on the weakness of institutions, defects in the bureaucracy or markets, poor management of elections, absent judicial autonomy. Viewing political performance through Western eyes in this way - where politics is primarily about the naked pursuit of power and interests - can lead to a misunderstanding of how politics actually works in Africa and Asia, where process plays a far more important role. Thus performance, drama and emotion are far more integral to political outcome there than in the West. By concentrating on this new perspective the authors, each a recognised specialist in one or more states in Asia and Africa, avoid this trap and offer a coherent picture of the impact political performance has on the culture and politics of these societies and how they function.
Author | : P. Lichtenfels |
Publisher | : Springer |
Total Pages | : 275 |
Release | : 2013-04-09 |
Genre | : Performing Arts |
ISBN | : 113734105X |
Considering both making political performance and making performance politically, this collection explores engagements of political resistance, public practice and performance media, on various scales of production within structures of neoliberal and liberal government and power.
Author | : Sue-Ellen Case |
Publisher | : University of Iowa Press |
Total Pages | : 306 |
Release | : 1991-05-01 |
Genre | : Performing Arts |
ISBN | : 1587290340 |
Recently in the field of theatre studies there has been an increasing amount of debate and dissonance regarding the borders of its territory, its methodologies, subject matter, and scholarly perspectives. The nature of this debate could be termed "political" and, in fact, concerns "the performance of power"—the struggle over power relations embedded in texts, methodologies, and the academy itself. This striking new collection of nineteen divergent essays represents this performance of power and the way in which the recent convergence of new critical theories with historical studies has politicized the study of the theatre. Neither play text, performance, nor scholarship and teaching can safely reside any longer in the "free," politically neutral, self-signifying realm of the aesthetic. Politicizing theatrical discourse means that both the hermeneutics and the histories of theatre reveal the role of ideology and power dynamics. New strategies and concepts—and a vital new phase of awareness—appear in these illuminating essays. A variety of historical periods, from the Renaissance through the Victorian and up to the most contemporary work of the Wooster group, illustrate the ways in which contemporary strategies do not require contemporary texts and performances but can combine with historical methods and subjects to produce new theatrical discourse.
Author | : Takeshi Inomata |
Publisher | : Rowman Altamira |
Total Pages | : 347 |
Release | : 2006-03-09 |
Genre | : Social Science |
ISBN | : 0759114404 |
Performances in the premodern communities shaped identities, created meanings, generated and maintained political control. But unlike other social scientists, archaeologists have not worked much with these concepts. Archaeology of Performance shows how the notions of theatricality and spectacle are as important economics and politics in understanding how ancient communities work. Without sacrificing conceptual rigor, the contributors draw on the wide-ranging literature on performance. Without sacrificing material evidence, they try to see how performance creates meaning and ideology. Drawing on evidence from societies large and small, Archaeology of Performance offers an important new ways of understanding ancient theaters of power.
Author | : Lisa Wedeen |
Publisher | : University of Chicago Press |
Total Pages | : 324 |
Release | : 2009-08-01 |
Genre | : Social Science |
ISBN | : 0226877922 |
The government of Yemen, unified since 1990, remains largely incapable of controlling violence or providing goods and services to its population, but the regime continues to endure despite its fragility and peripheral location in the global political and economic order. Revealing what holds Yemen together in such tenuous circumstances, Peripheral Visions shows how citizens form national attachments even in the absence of strong state institutions. Lisa Wedeen, who spent a year and a half in Yemen observing and interviewing its residents, argues that national solidarity in such weak states tends to arise not from attachments to institutions but through both extraordinary events and the ordinary activities of everyday life. Yemenis, for example, regularly gather to chew qat, a leafy drug similar to caffeine, as they engage in wide-ranging and sometimes influential public discussions of even the most divisive political and social issues. These lively debates exemplify Wedeen’s contention that democratic, national, and pious solidarities work as ongoing, performative practices that enact and reproduce a citizenry’s shared points of reference. Ultimately, her skillful evocations of such practices shift attention away from a narrow focus on government institutions and electoral competition and toward the substantive experience of participatory politics.
Author | : Peggy Phelan |
Publisher | : Routledge |
Total Pages | : 224 |
Release | : 2003-09-02 |
Genre | : Performing Arts |
ISBN | : 113491640X |
Unmarked is a controversial analysis of the fraught relation between political and representational visibility in contemporary culture. Written from and for the Left, Unmarked rethinks the claims of visibility politics through a feminist psychoanalytic examination of specific performance texts - including photography, painting, film, theatre and anti-abortion demonstrations.