Pousette-Dart
Author | : David Anfam |
Publisher | : |
Total Pages | : 0 |
Release | : 2010 |
Genre | : Art |
ISBN | : 9780943044361 |
Foreword by Dorothy Kosinski. Text by David Anfam, Carter Ratcliff.
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Author | : David Anfam |
Publisher | : |
Total Pages | : 0 |
Release | : 2010 |
Genre | : Art |
ISBN | : 9780943044361 |
Foreword by Dorothy Kosinski. Text by David Anfam, Carter Ratcliff.
Author | : Whitney Museum of American Art |
Publisher | : Univ of California Press |
Total Pages | : 232 |
Release | : 1999-01-01 |
Genre | : Art |
ISBN | : 9780520218871 |
A survey of the best of American art tours the hallowed halls of the Whitney Museum presenting the works of Edward Hopper, Ben Shahn, and George Bellows, with essays by John Updike, George Plimpton, Alan Dershowitz, and others.
Author | : Pam Meecham |
Publisher | : Psychology Press |
Total Pages | : 284 |
Release | : 2000 |
Genre | : Art |
ISBN | : 9780415172356 |
This textbook provides a comprehensive guide to modern and post-modern art. The authors bring together history, theory and the art works themselves to help students understand how and why art has developed during the 20th century.
Author | : Clement Greenberg |
Publisher | : University of Chicago Press |
Total Pages | : 373 |
Release | : 1986 |
Genre | : Art |
ISBN | : 0226306224 |
Clement Greenberg (1909–1994), champion of abstract expressionism and modernism—of Pollock, Miró, and Matisse—has been esteemed by many as the greatest art critic of the second half of the twentieth century, and possibly the greatest art critic of all time. On radio and in print, Greenberg was the voice of "the new American painting," and a central figure in the postwar cultural history of the United States. Greenberg first established his reputation writing for the Partisan Review, which he joined as an editor in 1940. He became art critic for the Nation in 1942, and was associate editor of Commentary from 1945 until 1957. His seminal essay, "Avant-Garde and Kitsch" set the terms for the ongoing debate about the relationship of modern high art to popular culture. Though many of his ideas have been challenged, Greenberg has influenced generations of critics, historians, and artists, and he remains influential to this day.
Author | : Michele H. Bogart |
Publisher | : University of Chicago Press |
Total Pages | : 460 |
Release | : 1995-12-18 |
Genre | : Art |
ISBN | : 9780226063072 |
Leyendecker and Georgia O'Keeffe, the Metropolitan Museum of Art and Pepsi-Cola, the avant garde and the Famous Artists Schools, Inc.
Author | : Pam Meecham |
Publisher | : Routledge |
Total Pages | : 384 |
Release | : 2013-11-26 |
Genre | : Art |
ISBN | : 1317972473 |
A revised and updated edition of one of the most successful 'Critical Introductions' textbooks New features include marginal notes and colour photos New innovative structure, based on feed-back from teachers, focusing on how modern art has been understood rather than a straight chronological account of movements
Author | : James Fox |
Publisher | : Manchester University Press |
Total Pages | : 387 |
Release | : 2023-12-12 |
Genre | : Art |
ISBN | : 1526164256 |
This ground-breaking new history of modern art explores the relationship between art and knowledge from the beginning of the twentieth century to the present day. Each chapter examines artistic responses to a particular discipline of knowledge, from quantum theory and theosophy to cybernetics and ethnic futurisms. The authors argue that art’s incursion into other intellectual disciplines is a defining characteristic of both modernism and postmodernism. Throughout, the volume poses a series of larger questions: is art a source of knowledge? If so, what kind of knowledge? And, ultimately, can it contribute to our understanding of the world in ways that thinkers from other fields should take seriously?
Author | : Darrell D. Davisson |
Publisher | : AuthorHouse |
Total Pages | : 310 |
Release | : 2008 |
Genre | : Apocalyptic art |
ISBN | : 1438907184 |
This book is requisite reading material for any person claiming to be an educated and informed member of the global community. Our understanding in the West of the Eastern cultures, specially the different cultures involving the Muslims, is alarmingly low. The book strives to offer a view from the ground, a keyhole perspective that offers the readers a close and personal peek into some of the ethical underpinnings and the philosophical guiding parameters that inform the Muslim and the Eastern mind. There are over 1.3 billion Muslims in the world. It would be a serious intellectual fallacy to assume that they are all homogenous, or to be more preposterous, assume they are all terrorists. It is extremely tragic that it took the Iranian hostage crisis to teach us about Shia Islam and 9/11 to teach us about Wahabi Islam. Properly acquired knowledge, not just what we learn from the media, will allow us to be anticipatory and rational, rather than being reactive and emotional. For the Muslim reader, specially the children and the youth, the book strives to offer a deeper understanding of Islam, beyond the boundaries of ritual Islam into the wide open space of spiritual and intellectual Islam. To inspire them to appreciate and live up to the wonderful legacy of Islam and not to be mired down into some deviant interpretations of people, with questionable motives. The book is designed to encourage the process of tearing down walls and building bridges. We share common dreams, aspirations and challenges. We share a common globe and a common destiny. The author believes that there are no clashes of civilizations, just clashes of ignorance and misunderstanding.
Author | : Barry Schwabsky |
Publisher | : Verso Books |
Total Pages | : 404 |
Release | : 2016-03-07 |
Genre | : Philosophy |
ISBN | : 1784783269 |
Contemporary art sometimes pretends to have made a clean break with history. In The Perpetual Guest, poet and critic Barry Schwabsky demonstrates that any robust understanding of art's present must also account for the ongoing life and changing fortunes of its past. Surveying the art world of recent decades, Schwabsky attends not only to its most significant newer faces-among them, Kara Walker, Thomas Hirschhorn, Ai Weiwei, Chris Ofili, and Lorna Simpson-but their forebears as well, both near (Jeff Wall, Nancy Spero, Dan Graham, Cindy Sherman) and more distant (Velzquez, Manet, Matisse, and the portraitists of the Renaissance). Schwabsky's rich and subtle contributions illuminate art's present moment in all its complexity: shot through with determinations produced by centuries of interwoven traditions, but no less open-ended for it.