Pousette-Dart

Pousette-Dart
Author: David Anfam
Publisher:
Total Pages: 0
Release: 2010
Genre: Art
ISBN: 9780943044361

Foreword by Dorothy Kosinski. Text by David Anfam, Carter Ratcliff.

Frames of Reference

Frames of Reference
Author: Whitney Museum of American Art
Publisher: Univ of California Press
Total Pages: 232
Release: 1999-01-01
Genre: Art
ISBN: 9780520218871

A survey of the best of American art tours the hallowed halls of the Whitney Museum presenting the works of Edward Hopper, Ben Shahn, and George Bellows, with essays by John Updike, George Plimpton, Alan Dershowitz, and others.

Modern Art

Modern Art
Author: Pam Meecham
Publisher: Psychology Press
Total Pages: 284
Release: 2000
Genre: Art
ISBN: 9780415172356

This textbook provides a comprehensive guide to modern and post-modern art. The authors bring together history, theory and the art works themselves to help students understand how and why art has developed during the 20th century.

The Collected Essays and Criticism, Volume 2

The Collected Essays and Criticism, Volume 2
Author: Clement Greenberg
Publisher: University of Chicago Press
Total Pages: 373
Release: 1986
Genre: Art
ISBN: 0226306224

Clement Greenberg (1909–1994), champion of abstract expressionism and modernism—of Pollock, Miró, and Matisse—has been esteemed by many as the greatest art critic of the second half of the twentieth century, and possibly the greatest art critic of all time. On radio and in print, Greenberg was the voice of "the new American painting," and a central figure in the postwar cultural history of the United States. Greenberg first established his reputation writing for the Partisan Review, which he joined as an editor in 1940. He became art critic for the Nation in 1942, and was associate editor of Commentary from 1945 until 1957. His seminal essay, "Avant-Garde and Kitsch" set the terms for the ongoing debate about the relationship of modern high art to popular culture. Though many of his ideas have been challenged, Greenberg has influenced generations of critics, historians, and artists, and he remains influential to this day.

Artists, Advertising, and the Borders of Art

Artists, Advertising, and the Borders of Art
Author: Michele H. Bogart
Publisher: University of Chicago Press
Total Pages: 460
Release: 1995-12-18
Genre: Art
ISBN: 9780226063072

Leyendecker and Georgia O'Keeffe, the Metropolitan Museum of Art and Pepsi-Cola, the avant garde and the Famous Artists Schools, Inc.

Modern Art: A Critical Introduction

Modern Art: A Critical Introduction
Author: Pam Meecham
Publisher: Routledge
Total Pages: 384
Release: 2013-11-26
Genre: Art
ISBN: 1317972473

A revised and updated edition of one of the most successful 'Critical Introductions' textbooks New features include marginal notes and colour photos New innovative structure, based on feed-back from teachers, focusing on how modern art has been understood rather than a straight chronological account of movements

Art and knowledge after 1900

Art and knowledge after 1900
Author: James Fox
Publisher: Manchester University Press
Total Pages: 387
Release: 2023-12-12
Genre: Art
ISBN: 1526164256

This ground-breaking new history of modern art explores the relationship between art and knowledge from the beginning of the twentieth century to the present day. Each chapter examines artistic responses to a particular discipline of knowledge, from quantum theory and theosophy to cybernetics and ethnic futurisms. The authors argue that art’s incursion into other intellectual disciplines is a defining characteristic of both modernism and postmodernism. Throughout, the volume poses a series of larger questions: is art a source of knowledge? If so, what kind of knowledge? And, ultimately, can it contribute to our understanding of the world in ways that thinkers from other fields should take seriously?

Art After the Bomb

Art After the Bomb
Author: Darrell D. Davisson
Publisher: AuthorHouse
Total Pages: 310
Release: 2008
Genre: Apocalyptic art
ISBN: 1438907184

This book is requisite reading material for any person claiming to be an educated and informed member of the global community. Our understanding in the West of the Eastern cultures, specially the different cultures involving the Muslims, is alarmingly low. The book strives to offer a view from the ground, a keyhole perspective that offers the readers a close and personal peek into some of the ethical underpinnings and the philosophical guiding parameters that inform the Muslim and the Eastern mind. There are over 1.3 billion Muslims in the world. It would be a serious intellectual fallacy to assume that they are all homogenous, or to be more preposterous, assume they are all terrorists. It is extremely tragic that it took the Iranian hostage crisis to teach us about Shia Islam and 9/11 to teach us about Wahabi Islam. Properly acquired knowledge, not just what we learn from the media, will allow us to be anticipatory and rational, rather than being reactive and emotional. For the Muslim reader, specially the children and the youth, the book strives to offer a deeper understanding of Islam, beyond the boundaries of ritual Islam into the wide open space of spiritual and intellectual Islam. To inspire them to appreciate and live up to the wonderful legacy of Islam and not to be mired down into some deviant interpretations of people, with questionable motives. The book is designed to encourage the process of tearing down walls and building bridges. We share common dreams, aspirations and challenges. We share a common globe and a common destiny. The author believes that there are no clashes of civilizations, just clashes of ignorance and misunderstanding.

The Perpetual Guest

The Perpetual Guest
Author: Barry Schwabsky
Publisher: Verso Books
Total Pages: 404
Release: 2016-03-07
Genre: Philosophy
ISBN: 1784783269

Contemporary art sometimes pretends to have made a clean break with history. In The Perpetual Guest, poet and critic Barry Schwabsky demonstrates that any robust understanding of art's present must also account for the ongoing life and changing fortunes of its past. Surveying the art world of recent decades, Schwabsky attends not only to its most significant newer faces-among them, Kara Walker, Thomas Hirschhorn, Ai Weiwei, Chris Ofili, and Lorna Simpson-but their forebears as well, both near (Jeff Wall, Nancy Spero, Dan Graham, Cindy Sherman) and more distant (Velzquez, Manet, Matisse, and the portraitists of the Renaissance). Schwabsky's rich and subtle contributions illuminate art's present moment in all its complexity: shot through with determinations produced by centuries of interwoven traditions, but no less open-ended for it.