Potomac River Blues
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Author | : Robert H. Dockery |
Publisher | : iUniverse |
Total Pages | : 326 |
Release | : 2007-10 |
Genre | : Fiction |
ISBN | : 0595431771 |
A scheming fat-cat fund-raiser and a group of high-powered politicos join forces to set in motion a plan to deep-six term limits for presidents. As the plan proceeds, there's a bit of murder and mayhem, assorted sexual escapades, and the usual Washington brand of duplicity and double-dealing. Observe the nation's political mosh-pit in action. Now meet Rick Cutler, a seasoned Senate strategist, who's spent most of his adult life working the pit, but without losing his way. He keeps a close watch on his boss, Senator Brad Walker, and he worries about some of the others, like Congressman Eddy "The Iceman" Irvine and money-bags Chewy Upton, as well the White House bulls, Johnny The Car and Doug Dellinger. As Cutler knows, staying ahead of this crowd is no easy task. Cutler and the others will take you on a journey deep inside the belly of the beast as they navigate some of D.C.'s darkest streets.
Author | : Howard R. Ernst |
Publisher | : Rowman & Littlefield |
Total Pages | : 230 |
Release | : 2003 |
Genre | : Nature |
ISBN | : 9780742523517 |
The USA touts Chesapeake Bay as its premier environmental restoration programme, yet the Bay remains in poor condition.
Author | : David A. Jasen |
Publisher | : Routledge |
Total Pages | : 330 |
Release | : 2013-10-15 |
Genre | : Music |
ISBN | : 113535264X |
First Published in 2002. A Century of American Popular Music is an annotated index to over 2,000 of the most popular, best remembered, historically important and otherwise influential and interesting popular music, from the landmark publication of Scott Joplin's Maple Leaf Rag to the latest rap hit. It provides information all in one place that is available no where else: song title, composer, lyricist, publisher, date of copyright and genre. The annotations include, where possible, a discussion of the history of the song, how it was written, who popularized it, notable recordings with their original issue numbers, as well as covers and other versions that helped keep the song in public attention. Also included are indices by composer, publisher and year of publication.
Author | : |
Publisher | : McFarland |
Total Pages | : 499 |
Release | : 2013-01-03 |
Genre | : Music |
ISBN | : 0786472383 |
This annotated discography covers the first 50 years of audio recordings by black artists in chronological order, music made in the "acoustic era" of recording technology. The book has cross-referenced bibliographical information on recording sessions, including audio sources for extant material, and appendices on field recordings; Caribbean, Mexican and South American recordings; piano rolls performed by black artists; and a filmography detailing the visual record of black performing artists from the period. Indexes contain all featured artists, titles recorded and labels.
Author | : Jeffrey Magee |
Publisher | : Oxford University Press |
Total Pages | : 353 |
Release | : 2005-01-13 |
Genre | : Biography & Autobiography |
ISBN | : 0195090225 |
If Benny Goodman was the "King of Swing," then Fletcher Henderson was the power behind the throne. Not only did Henderson arrange the music that powered Goodman's meteoric rise, he also helped launch the careers of Louis Armstrong and Coleman Hawkins, among others. Now Jeffrey Magee offers a fascinating account of this pivotal bandleader, throwing new light on the emergence of modern jazz and the world that created it.Drawing on an unprecedented combination of sources, including sound recordings, obscure stock arrangements, and hundreds of scores that have been available only since Goodman's death, Magee illuminates Henderson's musical output, from his early work as a New York bandleader, to his pivotal role in building the Kingdom of Swing. He shows how Henderson, standing at the forefront of the New York jazz scene during the 1920s and '30s, assembled the era's best musicians, simultaneously preserving jazz's distinctiveness and performing popular dance music that reached a wide audience. Magee reveals how, in Henderson's largely segregated musical world, black and white musicians worked together to establish jazz, how Henderson's style rose out of collaborations with many key players, how these players deftly combined improvised and written music, and how their work negotiated artistic and commercial impulses. And we see how, in the depths of the Depression, record producer John Hammond brought together Henderson and Goodman, a fortuitous collaboration that changed the face of American music.Whether placing Henderson's life in the context of the Great Migration or the Harlem Renaissance or describing how the savvy use of network radio made the Henderson-Goodman style a national standard, Jeffrey Magee brings to life a monumental musician who helped to shape an era.
Author | : |
Publisher | : |
Total Pages | : 744 |
Release | : 1922 |
Genre | : Music |
ISBN | : |
Author | : Walter Bruyninckx |
Publisher | : |
Total Pages | : 430 |
Release | : 1985 |
Genre | : Jazz |
ISBN | : |
Author | : William Jewett Tenney |
Publisher | : |
Total Pages | : 884 |
Release | : 1865 |
Genre | : United States |
ISBN | : |
Author | : Walter Bruyninckx |
Publisher | : |
Total Pages | : 428 |
Release | : 1987 |
Genre | : Jazz |
ISBN | : |
Author | : David A Jasen |
Publisher | : Routledge |
Total Pages | : 463 |
Release | : 2013-10-31 |
Genre | : Music |
ISBN | : 1135509794 |
Spreadin' Rhythm Around: Black Popular Songwriters, 1880-1930 is a classic work on a little-studied subject in American music history: the contribution of African-American songwriters to the world of popular song. Hailed by Publishers Weekly as "thoroughly researched and entertainingly written," this work documents the careers of songwriters like James A. Bland ("Carry Me Back to Ole Virginny"), Bert Williams ("Nobody"), W. C. Handy ("St. Louis Blues"), Noble Sissle, Eubie Blake ("I'm Just Wild About Harry"), and many more. Richly illustrated with rare photographs from sheet music, newspapers, and other unique sources, the book documents an entire era of performance when black singers, dancers, and actors were active on the New York stage. In sheer depth of research, new information, and full coverage, Spreadin' Rhythm Around offers a comprehensive picture of the contributions of black musicians to American popular song. For anyone interested in the history of jazz, pop song, or Broadway, this book will be a revelation.