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Author | : Émile Zola |
Publisher | : Oxford University Press |
Total Pages | : 416 |
Release | : 2009-01-29 |
Genre | : Fiction |
ISBN | : 0192593196 |
This new translation of Zola's most acerbic social satire captures the directness and robustness of Zola's language and restores the omissions of earlier abridged versions. ABOUT THE SERIES: For over 100 years Oxford World's Classics has made available the widest range of literature from around the globe. Each affordable volume reflects Oxford's commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, helpful notes to clarify the text, up-to-date bibliographies for further study, and much more.
Author | : Emile Zola |
Publisher | : |
Total Pages | : 306 |
Release | : 1961 |
Genre | : |
ISBN | : 9781420949513 |
Author | : Émile Zola |
Publisher | : Oxford University Press, USA |
Total Pages | : 420 |
Release | : 1999 |
Genre | : Fiction |
ISBN | : 9780192831798 |
Systematically exposing the contradictions that pervade bourgeois life, Zola reveals a multitude of adulteries and betrayals, a veritable 'melting pot' of moral and sexual degeneracy. This new translation captures the robustness of Zola's language and restores the omissions of earlier abridged versions.
Author | : |
Publisher | : |
Total Pages | : 0 |
Release | : 2008 |
Genre | : |
ISBN | : 9782820621870 |
Author | : Émile Zola |
Publisher | : |
Total Pages | : |
Release | : 1883 |
Genre | : |
ISBN | : |
Author | : Ruth Rendell |
Publisher | : Simon and Schuster |
Total Pages | : 290 |
Release | : 2011 |
Genre | : Fiction |
ISBN | : 1439150397 |
INCLUDES AN EXCERPT OF RENDELL'S FINAL NOVEL, DARK CORNERS Is it dangerous to know too much about your neighbors? When Stuart Font throws a housewarming party, he invites all the residents of his new building--among them, three flippant young girls, a lonely spinster, a man with a passion for classical history, and a woman determined to drink herself to death. He definitely does not want his girlfriend, Claudia, in attendance, as he would also have to invite her lawyer husband. But careful planning can only get a person so far. As it turns out, this party will be one everyone remembers. Meanwhile, living in a town house opposite Stuart's building, in reclusive isolation, is a young, beautiful Asian woman known as Tigerlily. As though from some strange urban fairy tale, she emerges infrequently to exert a terrible spell. In Tigerlily's Orchids, Ruth Rendell has written a darkly humorous and psychologically thrilling novel about the eccentric inhabitants of a London terrace--about the secrets they keep, and what they will do to hide them.
Author | : Émile Zola |
Publisher | : |
Total Pages | : 620 |
Release | : 1896 |
Genre | : Christian pilgrims and pilgrimages |
ISBN | : |
Author | : Brian Nelson |
Publisher | : Oxford University Press, USA |
Total Pages | : 161 |
Release | : 2020-07-23 |
Genre | : Biography & Autobiography |
ISBN | : 0198837569 |
�mile Zola was the leader of the literary movement known as 'naturalism' and is one of the great figures of the novel. In his monumental Les Rougon-Macquart (1871-93), he explored the social and cultural landscape of the late nineteenth century in ways that scandalized bourgeois society. Zola opened the novel up to a new realm of subjects, including the realities of working-class life, class relations, and questions of gender and sexuality, and his writing embodied a new freedom of expression, with his bold, outspoken voice often inviting controversy. In this Very Short Introduction, Brian Nelson examines Zola's major themes and narrative art. He illuminates the social and political contexts of Zola's work, and provides readings of five individual novels (The Belly of Paris, L'Assommoir, The Ladies' Paradise, Germinal, and Earth). Zola's naturalist theories, which attempted to align literature with science, helped to generate the stereotypical notion that his fiction was somehow nonfictional. Nelson, however, reveals how the most distinctive elements of Zola's writing go far beyond his theoretical naturalism, giving his novels their unique force. Throughout, he sets Zola's work in context, considering his relations with contemporary painters, his role in the Dreyfus Affair, and his eventual murder. ABOUT THE SERIES: The Very Short Introductions series from Oxford University Press contains hundreds of titles in almost every subject area. These pocket-sized books are the perfect way to get ahead in a new subject quickly. Our expert authors combine facts, analysis, perspective, new ideas, and enthusiasm to make interesting and challenging topics highly readable.
Author | : Émile Zola |
Publisher | : Good Press |
Total Pages | : 383 |
Release | : 2023-12-27 |
Genre | : Fiction |
ISBN | : |
The Belly of Paris (Le Ventre de Paris) is the third novel in Émile Zola's twenty-volume series Les Rougon-Macquart, first published in 1873. It is a novel of the teeming life which surrounds the great central markets of Paris. The book was originally translated into English by Henry Vizetelly and published in 1888 under the title Fat and Thin. After Vizetelly's imprisonment for obscene libel the novel was one of those revised and expurgated by his son, Ernest Alfred Vizetelly. The heroine is Lisa Quenu, a daughter of Antoine Macquart. She has become prosperous, and with prosperity her selfishness has increased. Her brother-in-law Florent had escaped from penal servitude in Cayenne and lived for a short time in her house, but she became tired of his presence and ultimately denounced him to the police. Émile Zola (1840 – 1902) was a French writer, the most important exemplar of the literary school of naturalism and an important contributor to the development of theatrical naturalism. He was a major figure in the political liberalization of France.
Author | : Georges Teyssot |
Publisher | : MIT Press |
Total Pages | : 361 |
Release | : 2013-02-22 |
Genre | : Architecture |
ISBN | : 0262518325 |
The threshold as both boundary and bridge: investigations of spaces, public and private, local and global. Today, spaces no longer represent a bourgeois haven; nor are they the sites of a classical harmony between work and leisure, private and public, the local and the global. The house is not merely a home but a position for negotiations with multiple spheres—the technological as well as the physical and the psychological. In A Topology of Everyday Constellations, Georges Teyssot considers the intrusion of the public sphere into private space, and the blurring of notions of interior, privacy, and intimacy in our societies. He proposes that we rethink design in terms of a new definition of the practices of everyday life. Teyssot considers the door, the window, the mirror, and the screen as thresholds or interstitial spaces that divide the world in two: the outside and the inside. Thresholds, he suggests, work both as markers of boundaries and as bridges to the exterior. The stark choice between boundary and bridge creates a middle space, an in-between that holds the possibility of exchanges and encounters. If the threshold no longer separates public from private, and if we can no longer think of the house as a bastion of privacy, Teyssot asks, does the body still inhabit the house—or does the house, evolving into a series of microdevices, inhabit the body?