Postmodern Cannibalism And Other Cannibal Poems
Download Postmodern Cannibalism And Other Cannibal Poems full books in PDF, epub, and Kindle. Read online free Postmodern Cannibalism And Other Cannibal Poems ebook anywhere anytime directly on your device. Fast Download speed and no annoying ads. We cannot guarantee that every ebooks is available!
Author | : Raymond Keen |
Publisher | : Createspace Independent Publishing Platform |
Total Pages | : 0 |
Release | : 2013-02-05 |
Genre | : Political poetry, American |
ISBN | : 9781470182687 |
Contemporary poetry of the thoughts, feelings, quandaries, and wonder of an American poet aware of the darkness and light of the 21st century.
Author | : Wojciech Kalaga |
Publisher | : Peter Lang Gmbh, Internationaler Verlag Der Wissenschaften |
Total Pages | : 260 |
Release | : 2005 |
Genre | : Foreign Language Study |
ISBN | : |
Spoiling the Cannibals' Fun? is not a volume about Captain Cook, unless one thinks the story of his having been eaten in the Polynesian tropics is not so much about the nourishing of the barbarians with a white man's flesh, as one which raises a number of questions relating to, broadly understood, cultural encounters in which some sort of cannibalisation is always at stake. For example, an encounter with the other is inevitably also an encounter of what Penelope Deutscher sees as «the cannibal or 'eating' subject who is always already the other 'in us'», an encounter which questions «the integrity of the subject's boundaries». This volume takes up such various metaphorical senses of cannibalism and cannibalisation, and explores the ways they function within diverse domains and niches of culture (and elsewhere).
Author | : Valérie Loichot |
Publisher | : U of Minnesota Press |
Total Pages | : 336 |
Release | : 2013-04-14 |
Genre | : Literary Criticism |
ISBN | : 1452939314 |
The ubiquitous presence of food and hunger in Caribbean writing—from folktales, fiction, and poetry to political and historical treatises—signals the traumas that have marked the Caribbean from the Middle Passage to the present day. The Tropics Bite Back traces the evolution of the Caribbean response to the colonial gaze (or rather the colonial mouth) from the late nineteenth century to the twenty-first. Unlike previous scholars, Valérie Loichot does not read food simply as a cultural trope. Instead, she is interested in literary cannibalism, which she interprets in parallel with theories of relation and creolization. For Loichot, “the culinary” is an abstract mode of resistance and cultural production. The Francophone and Anglophone authors whose works she interrogates—including Patrick Chamoiseau, Suzanne Césaire, Aimé Césaire, Maryse Condé, Edwidge Danticat, Édouard Glissant, Lafcadio Hearn, and Dany Laferrière—“bite back” at the controlling images of the cannibal, the starved and starving, the cunning cook, and the sexualized octoroon with the ultimate goal of constructing humanity through structural, literal, or allegorical acts of ingesting, cooking, and eating. The Tropics Bite Back employs cross-disciplinary methods to rethink notions of race and literary influence by providing a fresh perspective on forms of consumption both metaphorical and material.
Author | : Priscilla L. Walton |
Publisher | : University of Illinois Press |
Total Pages | : 186 |
Release | : 2010-10-01 |
Genre | : Social Science |
ISBN | : 0252092783 |
Why does Western culture remain fascinated with and saturated by cannibalism? Moving from the idea of the dangerous Other, Priscilla L. Walton's Our Cannibals, Ourselves shows us how modern-day cannibalism has been recaptured as in the vampire story, resurrected into the human blood stream, and mutated into the theory of germs through AIDS, Ebola, and the like. At the same time, it has expanded to encompass the workings of entire economic systems (such as in "consumer cannnibalism"). Our Cannibals, Ourselves is an interdisciplinary study of cannibalism in contemporary culture. It demonstrates how what we take for today's ordinary culture is imaginatively and historically rooted in very powerful processes of the encounter between our own and different, often "threatening," cultures from around the world. Walton shows that the taboo on cannibalism is heavily reinforced only partly out of fear of cannibals themselves; instead, cannibalism is evoked in order to use fear for other purposes, including the sale of fear entertainment. Ranging from literature to popular journalism, film, television, and discourses on disease, Our Cannibals, Ourselves provides an all-encompassing, insightful meditation on what happens to popular culture when it goes global.
Author | : Shachar Bram |
Publisher | : Bucknell University Press |
Total Pages | : 182 |
Release | : 2004 |
Genre | : Biography & Autobiography |
ISBN | : 9780838755570 |
Annotation "Through a detailed and thoughtful study of the impact of Alfred North Whitehead's philosophy on Olson's aesthetic theory, this book points out the conceptual unity underlying what seems to be a sprawl of fragments in Olson's major work, The Maximus Poems." "On the one hand, concrete poetic units of The Maximus Poems serve as a starting point for clarifying how different elements are joined together in one unity. On the other hand, the book traces the blending of the whole poem at the macro level, following its course through a temporal progress in which the poem moves from one poetic unit to the next; that is, from a unity (of multiplicity) to a new unity (in which the previous unity is already part of the multiplicity building the new one). Thus the book illuminates Olson's theory of the Long Poem as an "all-containing" corpus, governed by metaphysical principles, equal to life itself, enacted in the process of working on The Maximus Poems."--BOOK JACKET. Title Summary field provided by Blackwell North America, Inc. All Rights Reserved.
Author | : Tammy Lai-Ming Ho |
Publisher | : Springer |
Total Pages | : 152 |
Release | : 2019-02-04 |
Genre | : Literary Criticism |
ISBN | : 3030025594 |
This Pivot examines a body of contemporary neo-Victorian novels whose uneasy relationship with the past can be theorised in terms of aggressive eating, including cannibalism. Not only is the imagery of eating repeatedly used by critics to comprehend neo-Victorian literature, the theme of cannibalism itself also appears overtly or implicitly in a number of the novels and their Victorian prototypes, thereby mirroring the cannibalistic relationship between the contemporary and the Victorian. Tammy Lai-Ming Ho argues that aggressive eating or cannibalism can be seen as a pathological and defining characteristic of neo-Victorian fiction, demonstrating how cannibalism provides a framework for understanding the genre’s origin, its conflicted, ambivalent and violent relationship with its Victorian predecessors and the grotesque and gothic effects that it generates in its fiction.
Author | : Kate Holterhoff |
Publisher | : Routledge |
Total Pages | : 264 |
Release | : 2022-03-07 |
Genre | : Art |
ISBN | : 1000544656 |
This book examines illustrations created to accompany fictions written by several of the most popular authors published in Britain and America between 1885 and 1920. By studying the lavish illustrations that complemented not only initial serializations, but also subsequent publications of fictions by H. Rider Haggard, Rudyard Kipling, James De Mille, Robert Louis Stevenson, and H. G. Wells, the book demonstrates the significance of images to the fin de siècle romance form. In order to make fantastic plots seem possible, graphic artists worked hand in hand with authors to not only fill gaps in audience understanding, but also expand and deepen the meaning of these marvels. The book will be of interest to scholars working in art history, visual culture, illustration studies, British and American history, and British and American literature.
Author | : Cormac McCarthy |
Publisher | : Vintage Books |
Total Pages | : 297 |
Release | : 2007 |
Genre | : Fiction |
ISBN | : 0307386457 |
In a novel set in an indefinite, futuristic, post-apocalyptic world, a father and his young son make their way through the ruins of a devastated American landscape, struggling to survive and preserve the last remnants of their own humanity
Author | : Edgar Allan Poe |
Publisher | : SAMPI Books |
Total Pages | : 245 |
Release | : 2024-02-05 |
Genre | : Fiction |
ISBN | : 6561332016 |
"The Narrative of Arthur Gordon Pym of Nantucket", a story by Edgar Allan Poe, recounts the adventure of Pym, who embarks clandestinely on a whaler. After a mutiny and various adversities, including cannibalism and natural disasters, the story culminates in a mysterious and inconclusive encounter at the South Pole.
Author | : John Milton |
Publisher | : John Benjamins Publishing |
Total Pages | : 349 |
Release | : 2009-02-12 |
Genre | : Language Arts & Disciplines |
ISBN | : 9027291071 |
Agents of Translation contains thirteen case studies by internationally recognized scholars in which translation has been used as a way of influencing the target culture and furthering literary, political and personal interests. The articles describe Francisco Miranda, the “precursor” of Venezuelan independence, who promoted translations of works on the French Revolution and American independence; 19th century Brazilian translations of articles taken from the Révue Britannique about England; Ahmed Midhat, a late 19th century Turkish journalist who widely translated from Western languages; Henry Vizetelly , who (unsuccessfully) attempted to introduce the works of Zola to a wider public in Victorian Britain; and Henry Bohn, who, also in Victorian Britain, (successfully) published a series of works from the classics, many of which were expurgated; Yukichi Fukuzawa, whose adaptation of a North American geography textbook in the Meiji period promoted the concept of the superiority of the Japanese over their Asian neighbours; Samuli Suomalainen and Juhani Konkka, whose translations helped establish Finnish as a literary language; Hasan Alî Yücel, the Turkish Minister of Education, who set up the Turkish Translation Bureau in 1939; the Senegalese intellectual, Cheikh Anta Diop, whose work showed that the Ancient Egyptians had African rather than Indo-European roots; the Centro Cultural de Évora theatre group, which introduced Brecht and other contemporary drama into Portugal after the 1974 Carnation Revolution; 20th century Argentine translators of poetry; Haroldo and Augusto de Campos, who have brought translation to the forefront of literary activity in Brazil; and, finally, translators of Bosnian poetry, many of whom work in exile.