Posters of the Cold War
Author | : David Crowley |
Publisher | : Victoria & Albert Museum |
Total Pages | : 0 |
Release | : 2008-09-01 |
Genre | : Art |
ISBN | : 9781851775453 |
The arts.
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Author | : David Crowley |
Publisher | : Victoria & Albert Museum |
Total Pages | : 0 |
Release | : 2008-09-01 |
Genre | : Art |
ISBN | : 9781851775453 |
The arts.
Author | : Maria Lafont |
Publisher | : Prestel Publishing |
Total Pages | : 0 |
Release | : 2007 |
Genre | : Posters, Soviet |
ISBN | : 9783791337524 |
This massive book of Soviet propaganda posters, many rare and never before published, is at once a revealing historical document and a sublime example of graphic art at its best. Dating from 1917 to the beginning of the Cold War, the posters in this book feature the work of such major Russian ground-breaking avant-garde designers as El Lissitzky and Alexander Rodchenko as well as extraordinary works by anonymous artists. Presented in full color, the 250 posters gathered here range in themes from warnings about the dangers of alcohol abuse and the creeping Nazi menace to illustrations of utopian harmony and the Soviet industrial machine. A brief illustrated introduction offers a chronological overview of the period that produced such eloquent art, which has long been a major source of inspiration to artists and designers.
Author | : Art Institute of Chicago |
Publisher | : |
Total Pages | : 0 |
Release | : 2011 |
Genre | : Antiques & Collectibles |
ISBN | : 9780300170238 |
A fascinating look at the aesthetic means and political ends of the graphically bold posters of the Soviet Union's TASS News Agency during WWII
Author | : |
Publisher | : |
Total Pages | : 52 |
Release | : 2016 |
Genre | : Comics & Graphic Novels |
ISBN | : 9781934044179 |
Originally published in the midst of the cold war, Is This Tomorrow is a classic example of red scare propaganda. The story envisions a scenario in which the Soviet Union orders American communists to overthrow the US Government. Charles Schulz contributed to the artwork throughout the issue. Reprinted here for the first time in 70 years.
Author | : James Aulich |
Publisher | : National Geographic Books |
Total Pages | : 0 |
Release | : 2011-03-01 |
Genre | : History |
ISBN | : 0500288968 |
"A lush catalog… exquisitely conceived and rendered."—The New York Times This essential publication features a wide selection of the most eye-catching and iconic examples from the internationally renowned poster collection at the Imperial War Museum in London. More than 300 superb full-color illustrations of hard-hitting propaganda and groundbreaking graphic art encompass unforgettable images such as Alfred Leete’s “Your Country Needs You” as well as documentary photographs and additional material drawn from the world of advertising. Through these posters, James Aulich, an international expert on posters and graphic design, examines the social, political, ethnic, and cultural aspirations of America, Britain, Northern Ireland, Germany, France, the Netherlands, Belgium, Russia, Austria, Hungary, and the Czech Republic. Covering topics as diverse as advertising in World War I, the Bolshevik Revolution, the Spanish Civil War, Germany and Occupied Europe in World War II, anti-nuclear campaigns, and Vietnam, the book is a comprehensive and invaluable resource for anyone interested in graphic design or modern history.
Author | : Robert Bird |
Publisher | : The New Press |
Total Pages | : 186 |
Release | : 2011-10-18 |
Genre | : Art |
ISBN | : 1595588175 |
In the last thirty years of the Soviet Communist project, Viktor Koretsky's art struggled to solve an enduring riddle: how to ensure or restore Communism's moral health through the production of a distinctively Communist vision. In this sense Koretsky's art demonstrates what an “avant-garde late Communist art” would have looked like if we had ever seen it mature. Most striking of all, Koretsky was pioneering the visual languages of Benetton and MTV at a time when the iconography of interracial togetherness was still only a vague rumor on Madison Avenue. Vision and Communism presents a series of interconnected essays devoted to Viktor Koretsky's art and the social worlds that it hoped to transform. Produced collectively by its five editors, this writing also considers the visual art, film, and music included in the exhibition Vision and Communism, opening at the Smart Museum of Art in September 2011.
Author | : Anita Pisch |
Publisher | : ANU Press |
Total Pages | : 538 |
Release | : 2016-12-16 |
Genre | : Design |
ISBN | : 176046063X |
From 1929 until 1953, Iosif Stalin’s image became a central symbol in Soviet propaganda. Touched up images of an omniscient Stalin appeared everywhere: emblazoned across buildings and lining the streets; carried in parades and woven into carpets; and saturating the media of socialist realist painting, statuary, monumental architecture, friezes, banners, and posters. From the beginning of the Soviet regime, posters were seen as a vitally important medium for communicating with the population of the vast territories of the USSR. Stalin’s image became a symbol of Bolshevik values and the personification of a revolutionary new type of society. The persona created for Stalin in propaganda posters reflects how the state saw itself or, at the very least, how it wished to appear in the eyes of the people. The ‘Stalin’ who was celebrated in posters bore but scant resemblance to the man Iosif Vissarionovich Dzhugashvili, whose humble origins, criminal past, penchant for violent solutions and unprepossessing appearance made him an unlikely recipient of uncritical charismatic adulation. The Bolsheviks needed a wise, nurturing and authoritative figure to embody their revolutionary vision and to legitimate their hold on power. This leader would come to embody the sacred and archetypal qualities of the wise Teacher, the Father of the nation, the great Warrior and military strategist, and the Saviour of first the Russian land, and then the whole world. This book is the first dedicated study on the marketing of Stalin in Soviet propaganda posters. Drawing on the archives of libraries and museums throughout Russia, hundreds of previously unpublished posters are examined, with more than 130 reproduced in full colour. The personality cult of Stalin in Soviet posters, 1929–1953 is a unique and valuable contribution to the discourse in Stalinist studies across a number of disciplines.
Author | : Viktor Koret︠s︡kiĭ |
Publisher | : |
Total Pages | : 0 |
Release | : 2012 |
Genre | : Art |
ISBN | : 9781595585424 |
This exquisite new volume offers the first glimpse into the full body of Viktor Koretsky's poster artwork, with extensive reproductions from a private collection that is being made available here for the first time. Koretsky's propaganda posters were among the most innovative and celebrated works of propaganda artwork produced during the Soviet era. Strikingly dynamic and modern, they expressed a global, multicultural sensibility that will be hugely familiar to readers and viewers today.
Author | : Jeffrey Brooks |
Publisher | : Princeton University Press |
Total Pages | : 340 |
Release | : 2021-04-13 |
Genre | : History |
ISBN | : 1400843928 |
Thank you, our Stalin, for a happy childhood." "Thank you, dear Marshal [Stalin], for our freedom, for our children's happiness, for life." Between the Russian Revolution and the Cold War, Soviet public culture was so dominated by the power of the state that slogans like these appeared routinely in newspapers, on posters, and in government proclamations. In this penetrating historical study, Jeffrey Brooks draws on years of research into the most influential and widely circulated Russian newspapers--including Pravda, Isvestiia, and the army paper Red Star--to explain the origins, the nature, and the effects of this unrelenting idealization of the state, the Communist Party, and the leader. Brooks shows how, beginning with Lenin, the Communists established a state monopoly of the media that absorbed literature, art, and science into a stylized and ritualistic public culture--a form of political performance that became its own reality and excluded other forms of public reflection. He presents and explains scores of self-congratulatory newspaper articles, including tales of Stalin's supposed achievements and virtue, accounts of the country's allegedly dynamic economy, and warnings about the decadence and cruelty of the capitalist West. Brooks pays particular attention to the role of the press in the reconstruction of the Soviet cultural system to meet the Nazi threat during World War II and in the transformation of national identity from its early revolutionary internationalism to the ideology of the Cold War. He concludes that the country's one-sided public discourse and the pervasive idea that citizens owed the leader gratitude for the "gifts" of goods and services led ultimately to the inability of late Soviet Communism to diagnose its own ills, prepare alternative policies, and adjust to new realities. The first historical work to explore the close relationship between language and the implementation of the Stalinist-Leninist program, Thank You, Comrade Stalin! is a compelling account of Soviet public culture as reflected through the country's press.
Author | : David Christopher N. Heather |
Publisher | : Prestel Publishing |
Total Pages | : 0 |
Release | : 2014 |
Genre | : Political posters, German |
ISBN | : 9783791348087 |
Made available to the public for the first time, these posters from the archives of the German Historical Museum reveal a regime determined to influence and control the citizens of East Germany. In the age of the internet, poster art is fading into history, but its importance as historical document remains valuable and enlightening. An inexpensive and efficient means of mass communication, the poster was used extensively by Communist regimes in order to maintain state control. This collection of 150 of the most outstanding works from a selection of more than 10,000 posters archived by the German Historical Museum features works that are both poignant and valid in light of current global politics. Although propaganda posters were used in a variety of communist countries, those that emanated from East Germany are unique in their subtlety and nuanced messages. Many posters appropriate American or Western European symbols and others used humor to get their point across. Grouped chronologically according to such themes as post-war years, the prospect of peace, denouncement of the West, and praise for Communist allies, these beautifully reproduced works provide a historical and cultural snapshot of East Germany during its entire history.