Postcolonial Haunting And Victimization
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| Author | : Michael F. O'Riley |
| Publisher | : Peter Lang |
| Total Pages | : 164 |
| Release | : 2007 |
| Genre | : Foreign Language Study |
| ISBN | : 9780820495361 |
Postcolonial Haunting and Victimization: Assia Djebar's New Novels treats one of the central problems within the current geo-political conflict between Islam and the West: how the memory of imperialism fuels fundamentalist claims to territory and creates a paradigm of victimization through which martyrdom and terrorism prevail. Through an examination of the most recent works by the award-winning Algerian author Assia Djebar, this book considers how the culture of victimization prevails in postcolonial thought and practice, not only in the West but in formerly colonized territories as well. It examines the work of important postcolonial critics, such as Achille Mbembe and others, in dialogue with the works of Djebar, one of the most popular international postcolonial authors treating these questions from within the contemporary framework. Both in theory and in practice, this book reveals how pervasive haunting and victimization are in the wake of September 11th and provides an alternative way of responding to them. It demonstrates how Djebar's reticence to explore the details of colonialism marks an important shift in postcolonial literature and criticism and an important attempt to address the dynamics of victimization. Postcolonial Haunting and Victimization will be a great resource to all those interested in the question of Islam and the West as well as to a wide array of readers in the fields of literary and postcolonial studies.
| Author | : Sage Goellner |
| Publisher | : Lexington Books |
| Total Pages | : 147 |
| Release | : 2018-03-06 |
| Genre | : Literary Criticism |
| ISBN | : 1498538738 |
This book applies the growing theoretical field of hauntology to a body of literature which has previously been examined through the lenses of Orientalism and exoticism. Through a chronological study and close readings of the writings of Théophile Gautier, Eugène Fromentin, Gustave Flaubert, and Pierre Loti, the project identifies haunting echoes within the texts which demonstrate an ambivalence of attitudes towards colonialism and which undermine any claim towards a monolithic imperialist French ideology. Whereas hauntological theory has be used to illuminate literature from the Francophone post-colonial period, it has not yet been applied to texts produced during the French colonial period. The originality of this project thus lies in the application of Derridean hauntological theory to works from an earlier period, each of which in one way or another addresses the theme of colonial violence. By revisiting four classic works of colonial Orientalism with haunting as a principal theme, this analysis provides a critical witnessing of France’s violent colonization of Algeria that demonstrates France’s latent anxieties about the colonial project at the time.
| Author | : Gabriele Rippl |
| Publisher | : University of Toronto Press |
| Total Pages | : 361 |
| Release | : 2013-01-01 |
| Genre | : Literary Criticism |
| ISBN | : 1442646012 |
Exploring life writing from a variety of cultural contexts, Haunted Narratives provides new insights into how individuals and communities across time and space deal with traumatic experiences and haunting memories. From the perspectives of trauma theory, memory studies, gender studies, literary studies, philosophy, and post-colonial studies, the volume stresses the lingering, haunting presence of the past in the present. The contributors focus on the psychological, ethical, and representational difficulties involved in narrative negotiations of traumatic memories. Haunted Narratives focuses on life writing in the broadest sense of the term: biographies and autobiographies that deal with traumatic experiences, autobiographically inspired fictions on loss and trauma, and limit-cases that transcend clear-cut distinctions between the factual and the fictional. In discussing texts as diverse as Toni Morrison's Beloved, Vikram Seth's Two Lives, deportation narratives of Baltic women, Christa Wolf's Kindheitsmuster, Joy Kogawa's Obasan, and Ene Mihkelson's Ahasveeruse uni, the contributors add significantly to current debates on life writing, trauma, and memory; the contested notion of cultural trauma; and the transferability of clinical-psychological notions to the study of literature and culture.
| Author | : Janine Hauthal |
| Publisher | : Taylor & Francis |
| Total Pages | : 192 |
| Release | : 2024-10-18 |
| Genre | : Literary Criticism |
| ISBN | : 1040152171 |
This book explores the meanings of European peripheries in postcolonial literary imagination. While colonial discourses have constructed Europe as the centre, the continent is internally divided into centres and peripheries. Approaching the question of European peripherality in a variety of geographical and linguistic contexts and across national and diasporic literary traditions of postcolonial writing, the contributions in this volume attest to the entangled and relational character of the centre/periphery nexus. Acknowledging the unbalanced power structures between centres and peripheries, the volume sets out to challenge conventional ideas about peripheries and places European peripheral loci at the centre of postcolonial literary inquiry. The chapters in the volume draw on diverse theoretical and conceptual frameworks in order to address, among others, the link between peripherality and provincialism, the relations between intra-European and colonial peripheries, and the progressive potential of European peripheries as postcolonial spaces. The chapters in this book were originally published in the Journal of Postcolonial Writing.
| Author | : Robert Lecker |
| Publisher | : McGill-Queen's Press - MQUP |
| Total Pages | : 355 |
| Release | : 2023-09-01 |
| Genre | : Literary Criticism |
| ISBN | : 0228019974 |
Michael Ondaatje has achieved international prominence and recognition in a way that few other writers have, let alone Canadian writers. This popularity is most pronounced for works of historical fiction such as The English Patient, winner of the Golden Man Booker Prize, and In the Skin of a Lion, set in 1930s Toronto, shortlisted for the Governor General’s Award and winner of the Canada Reads competition in 2002. But Ondaatje has been writing for over fifty years, and his innovative works include some of the most accomplished poetry in the English-speaking world. Taking its title from a question in his poem “Tin Roof,” Do You Want to Be Happy and Write? reassesses Ondaatje’s writing and the role of the poet, from his troubled explorations of the self-reflexive artist to his most recent novels. Comprehensive in both approach and coverage, this new collection offers groundbreaking analysis informed by an understanding of Ondaatje’s entire oeuvre, placing early poetry collections like The Collected Works of Billy the Kid and There’s a Trick with a Knife I’m Learning to Do alongside the full range of his novels and his extensive work as a literary editor. The book highlights the transnational, postcolonial, and diasporic issues that have become increasingly apparent in Ondaatje’s work. Contributors explore key interests that have reappeared and been rethought across his fiction and poetry: the construction of identity; the nature of memory and its relation to family origins and history; the human body as a site of contestation and struggle; the contrast between Eastern and Western values and the Southeast Asian diaspora; the writer’s responsibility in depictions of war, psychic trauma, and genocide; and an ongoing fascination with the visual and the media of photography and film. An eclectic celebration of an iconic author, Do You Want to Be Happy and Write? offers an authoritative reference point for scholars and students of literature and reveals new facets of a major author to his readers around the world.
| Author | : Brigitte Weltman-Aron |
| Publisher | : Columbia University Press |
| Total Pages | : 327 |
| Release | : 2015-08-18 |
| Genre | : Philosophy |
| ISBN | : 0231539878 |
Born and raised in French Algeria, Assia Djebar and Hélène Cixous represent in their literary works signs of conflict and enmity, drawing on discordant histories so as to reappraise the political on the very basis of dissensus. In a rare comparison of these authors' writings, Algerian Imprints shows how Cixous and Djebar consistently reclaim for ethical and political purposes the demarcations and dislocations emphasized in their fictions. Their works affirm the chance for thinking afforded by marginalization and exclusion and delineate political ways of preserving a space for difference informed by expropriation and nonbelonging. Cixous's inquiry is steeped in her formative encounter with the grudging integration of the Jews in French Algeria, while Djebar's narratives concern the colonial separation of "French" and "Arab," self and other. Yet both authors elaborate strategies to address inequality and injustice without resorting to tropes of victimization, challenging and transforming the understanding of the history and legacy of colonized space.
| Author | : Amy L. Hubbell |
| Publisher | : Cambridge Scholars Publishing |
| Total Pages | : 375 |
| Release | : 2013-10-03 |
| Genre | : Literary Collections |
| ISBN | : 1443853321 |
The Unspeakable: Representations of Trauma in Francophone Literature and Art is situated at the crossroads of language, culture and genre; it contends that suffering transcends time, space and cultural specificity. Even when extreme trauma is silenced, it often still emerges in surprising and painful ways. This volume draws together examples from throughout the Francophone world, including countries such as Algeria, Morocco, Lebanon, Rwanda, Cameroon, Congo, Côte d’Ivoire, Haiti, New Caledonia, Quebec and France, and across genres such as autobiography, poetry, theater, film, fiction and visual art to provide a cohesive analysis of the representation of trauma. In addition to the survivors’ expression of trauma, the witnesses and receivers are also taken into account. By gathering studies that explore diverse bodily and psychological traumas through tropes such as repetition, silence and working-through, it tackles ethical responsibility and interrogates how expressive forms evoke a terrible reality through the use of imagination. The aim of this volume is not to question if suffering is representable, but rather to examine to what extent art surpasses its own limitations and goes straight to its essence. The Unspeakable hopes to provide models for the cultural translation of trauma, because, when represented and released from silence and isolation, trauma can give way to the arduous process of healing.
| Author | : Stephen Morton |
| Publisher | : Liverpool University Press |
| Total Pages | : 259 |
| Release | : 2013-02-04 |
| Genre | : Literary Criticism |
| ISBN | : 1846317924 |
This book examines how violent anti-colonial struggles and the legal, military and political techniques used by colonial governments to contain them have been imagined in literature and law. Case studies examined include Ireland, India, South Africa, Algeria, Kenya, Israel-Palestine, Iraq, Afghanistan and Northern Pakistan.
| Author | : Abir Hamdar |
| Publisher | : Routledge |
| Total Pages | : 295 |
| Release | : 2015-04-10 |
| Genre | : Religion |
| ISBN | : 1317537815 |
Whereas most studies of Islamism focus on politics and religious ideology, this book analyses the ways in which Islamism in the Arab world is defined, reflected, transmitted and contested in a variety of creative and other cultural forms. It covers a range of contexts of production and reception, from the early twentieth century to the present, and with reference to cultural production in and/or about Morocco, Algeria, Tunisia, Egypt, Yemen, the Gulf, Lebanon and Israel/Palestine. The material engaged with is produced in Arabic, English and French and includes fiction, autobiography, feature films, television series, television reportage, the press, rap music and video games. Throughout, the book highlights the multiple forms and contested interpretations of Islamism in the Arab world, exploring trends and tensions in the ways Islamism is represented to (primarily) Arab audiences and complicating simplistic perspectives on this phenomenon. The book considers repeated and idiosyncratic themes, modes of characterisation, motifs, structures of feeling and forms of engagement, in the context of an ongoing struggle for symbolic power in the region.
| Author | : Kenneth Reeds |
| Publisher | : Cambridge Scholars Publishing |
| Total Pages | : 231 |
| Release | : 2013-10-03 |
| Genre | : Biography & Autobiography |
| ISBN | : 1443853291 |
Women Taking Risks in Contemporary Autobiographical Narratives explores the nature and effects of risk in self-narrative representations of life events, and is an early step towards confronting the dearth of analysis on this subject. The collection focuses on risk-taking as one of women’s articulations of authorial agency displayed in literary, testimonial, photographic, travel and film documentary forms of autobiographical expression in French. Among many themes, the book fosters discussion on matters of courage, strength, resilience, freedom, self-fulfillment, political engagement, compassion, faith, and the envisioning of unconventional alliances that follow a woman’s stepping out of her comfort zone. The fourteen essays included in this collection discuss works of women authors from North Africa, Sub-Saharan Africa, France and the Caribbean. They exemplify a variety of self-narratives that blur unified conceptualizations of both identity and national belonging. They address questions about women writers’ attitudes towards risk and their willingness to change the status quo. They also explore the many personal and public forms in which agency manifests through risk-taking engagements; the ways in which women challenge the conventional wisdom about feminine reserve and aversion to danger; the multiplicity of seen and unforeseen consequences of risk taking; the all-too-frequent lack of recognition of female courage; the overcoming of obstacles by taking risks; and, frequently, the amelioration of women’s lives. Addressing both the broader context of the study of risk and the more specific areas of female expression and autobiography in Francophone cultures, this collection is attractive to a diverse audience with the potential to cross disciplines and inform a wide body of research. A number of the essays deal with issues born in postcolonial circumstances. This examination of the elucidation of marginalized voices should prove enlightening to an array of scholars researching specific ethnic, sexual, gender, and general subjects related to identity. In making inroads towards expanding the well-developed area of risk studies into the humanities, this collection makes an important contribution that has the potential to promote a variety of cross-disciplinary research including examinations of the psychology and sociology behind chauvinism, personal expression, and formative experiences.
