Postcolonial Fictions in the Roman de Perceforest

Postcolonial Fictions in the Roman de Perceforest
Author: Sylvia Huot
Publisher: Boydell & Brewer
Total Pages: 244
Release: 2007
Genre: Literary Criticism
ISBN: 1843841045

This vast romance chronicles an imaginary era of pre-Arthurian British history when Britain was ruled by a dynasty established by Alexander the Great. Its story of cultural rise, decline, and regeneration offers an exploration of medieval ideas about ethnic and cultural conflict and fusion, identity and hybridity.

Perceforest

Perceforest
Author:
Publisher: DS Brewer
Total Pages: 824
Release: 2011
Genre: Fiction
ISBN: 1843842629

A highly readable version of this remarkable and largely unexplored work. Perceforest is one of the largest and certainly the most extraordinary of the late Arthurian romances. Justly described as "an encyclopaedia of 14th-century chivalry" and "a mine of folkloric motifs", it is the subject ofrapidly increasing attention and research. The author of Perceforest draws on Alexander romances, Roman histories and medieval travel writing (not to mention oral tradition, as he gives, for example, the distinctly racy first written version of the Sleeping Beauty story), to create a remarkable prehistory of King Arthur's Britain. It begins with the arrival in Britain of Alexander the Great. His follower Perceforest, the first of Arthur's Greek ancestors, is made king of the island and finds it infested by the "evil clan" of Darnant the Enchanter. Magic plays a dominant part in the adventures which follow, as Perceforest ousts Darnant's clan despite their supernaturalpowers. He founds the knightly order of the "Franc Palais", an ideal of chivalric civilisation prefiguring the Round Table of Arthur and indeed that of Edward III. But that civilisation is, the author shows, all too fragile. The vast imaginative scope of Perceforest is matched by its variety of tone, ranging from tales of love and enchantment to bawdy comedy, from glamorous tournaments to unvarnished descriptions of the havoc wrought by war.And the author's surprising view of pagan gods and the coming of Christianity is as fascinating as the prominence he gives to women and his understanding of how the world of chivalry should work. Because of its enormous length - it runs to over a million words - Nigel Bryant has provided a version which gives a complete account of every episode, linking extensive passages of translation, to make a manageable and highly readable version (including the previously unpublished Books Five and Six), of this remarkable and largely unexplored work. Nigel Bryant has worked as a producer for BBC Radio 3 and as head of drama at Marlborough College. This is his fourth majortranslation of medieval Arthurian romance.

The Novel: An Alternative History

The Novel: An Alternative History
Author: Steven Moore
Publisher: Bloomsbury Publishing USA
Total Pages: 705
Release: 2013-09-17
Genre: Literary Criticism
ISBN: 1441133364

Encyclopedic in scope and heroically audacious, The Novel: An Alternative History is the first attempt in over a century to tell the complete story of our most popular literary form. Contrary to conventional wisdom, the novel did not originate in 18th-century England, nor even with Don Quixote, but is coeval with civilization itself. After a pugnacious introduction, in which Moore defends innovative, demanding novelists against their conservative critics, the book relaxes into a world tour of the pre-modern novel, beginning in ancient Egypt and ending in 16th-century China, with many exotic ports-of-call: Greek romances; Roman satires; medieval Sanskrit novels narrated by parrots; Byzantine erotic thrillers; 5000-page Arabian adventure novels; Icelandic sagas; delicate Persian novels in verse; Japanese war stories; even Mayan graphic novels. Throughout, Moore celebrates the innovators in fiction, tracing a continuum between these pre-modern experimentalists and their postmodern progeny. Irreverent, iconoclastic, informative, entertaining-The Novel: An Alternative History is a landmark in literary criticism that will encourage readers to rethink the novel.

Fixers

Fixers
Author: Zrinka Stahuljak
Publisher: University of Chicago Press
Total Pages: 358
Release: 2024-02-16
Genre: Literary Criticism
ISBN: 0226830403

"In this book, Zrinka Stahuljak issues a challenge to scholars working in medieval studies to account for the history of translation, and to experts in translation studies to read the work of medievalists. Focusing on the term "fixer," she unpacks modern uses of the words "interpreter" and "translator" and restores them to their premodern origins: as an active agent who performed a wide range of tasks, as insider informant, local guide, broker of knowledge, and transmitter of art. For Stahuljak, the fixer was a multifunctional intermediary, not a mere translator or interpreter (in the restricted modern sense), but an enabler, facilitator, and mediator, the engine driving the exchange of multiple linguistic, social, cultural, and topographic forms of knowledge. She proposes a paradigmatic shift for both medieval literary history and for the history of translation to confront and interrogate each other in their core disciplinary practices, which promote national, political, and colonial agendas masked as neutrality. Surveying a variety of texts from 1250 to 1500, including crusade treatises and travel writings, accounts of pilgrims and spies, chronicles and romances in both prose and verse, and traversing an impressive range of languages, including Latin, Middle French, German, Italian, and Spanish, Stahuljak asks both medievalists and translation studies scholars to reconsider their assumptions and methods as a way to reconstruct a premodern, precolonial, inclusive world literature"--

Romance on the Early Modern Stage

Romance on the Early Modern Stage
Author: Cyrus Mulready
Publisher: Springer
Total Pages: 210
Release: 2013-08-22
Genre: Literary Criticism
ISBN: 1137322713

What is dramatic romance? Scholars have long turned to Shakespeare's biography to answer this question, marking his 'late plays' as the beginning and end of the dramatic romance. This book identifies an earlier history for this genre, revealing how stage romances imaginatively expanded audience interest in England's emerging global economy.

Representing the Dead

Representing the Dead
Author: Helen J. Swift
Publisher: Boydell & Brewer
Total Pages: 356
Release: 2016
Genre: Literary Criticism
ISBN: 1843844362

An examination of how the dead were memorialised in late medieval French literature.

The Medieval Irish Kings and the English Invasion

The Medieval Irish Kings and the English Invasion
Author: Seán Ó Hoireabhárd
Publisher: Liverpool University Press
Total Pages: 293
Release: 2024-10-04
Genre: History
ISBN: 1835538312

When Henry II accepted the Leinster king Diarmait Mac Murchada as his liegeman in 1166, he forged a bond between the English crown and Ireland that has never been undone. Ireland was to be changed forever as a result of the momentous events that followed – so much so that it is normal for professional historians to specialise in either the pre- or post-invasion period. Here, for the first time, is an account of the impact of the English invasion on the Irish kingdoms in the context of their strategies across the whole twelfth century. Ireland’s leading men battled for spheres of influence, for recognition of their hegemonies and, ultimately, for the coveted title of ‘king of Ireland’. But what did it mean to be the king of Ireland when no one dynasty had secured their hold on it? This book takes a close look at each pretender, asking what it meant to them – and whether the political dynamics surrounding the role had an impact on the course of the invasion itself.

Handbook of Arthurian Romance

Handbook of Arthurian Romance
Author: Leah Tether
Publisher: Walter de Gruyter GmbH & Co KG
Total Pages: 563
Release: 2017-06-26
Genre: Literary Criticism
ISBN: 3110432463

The renowned and illustrious tales of King Arthur, his knights and the Round Table pervade all European vernaculars, as well as the Latin tradition. Arthurian narrative material, which had originally been transmitted in oral culture, began to be inscribed regularly in the twelfth century, developing from (pseudo-)historical beginnings in the Latin chronicles of "historians" such as Geoffrey of Monmouth into masterful literary works like the romances of Chrétien de Troyes. Evidently a big hit, Arthur found himself being swiftly translated, adapted and integrated into the literary traditions of almost every European vernacular during the thirteenth and fourteenth centuries. This Handbook seeks to showcase the European character of Arthurian romance both past and present. By working across national philological boundaries, which in the past have tended to segregate the study of Arthurian romance according to language, as well as by exploring primary texts from different vernaculars and the Latin tradition in conjunction with recent theoretical concepts and approaches, this Handbook brings together a pioneering and more complete view of the specifically European context of Arthurian romance, and promotes the more connected study of Arthurian literature across the entirety of its European context.