Post New Wave Cinema in the Soviet Union and Eastern Europe
Author | : Daniel J. Goulding |
Publisher | : |
Total Pages | : 344 |
Release | : 1989 |
Genre | : Performing Arts |
ISBN | : |
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Author | : Daniel J. Goulding |
Publisher | : |
Total Pages | : 344 |
Release | : 1989 |
Genre | : Performing Arts |
ISBN | : |
Author | : Daniel J. Goulding |
Publisher | : |
Total Pages | : 317 |
Release | : 1989 |
Genre | : Performing Arts |
ISBN | : 9780253204868 |
Author | : Leen Engelen Leen Engelen |
Publisher | : Rowman & Littlefield |
Total Pages | : 216 |
Release | : 2013-11-21 |
Genre | : Performing Arts |
ISBN | : 1442229608 |
Since the fall of the Berlin Wall in 1989, transnational European cinema has risen, not only in terms of production but also in terms of a growing focus on multiethnic themes within the European context. This shift from national to trans-European filmmaking has been profoundly influenced by such historical developments as the collapse of the Iron Curtain and the subsequent ongoing enlargement of the European Union. In European Cinema after the Wall: Screening East–West Mobility, Leen Engelen and Kris Van Heuckelom have brought together essays that critically examine representations of post-1989 migration from the former Eastern Bloc to Western Europe, uncovering an array of common tropes and narrative devices that characterize the influences and portrayals of immigration. Featuring essays by contributors from backgrounds as divergent as film studies, Slavic and Russian studies, comparative literature, sociology, contemporary history, and communication and media studies, this volume will appeal to scholars of film, European history, and those interested in the impact of migration, diaspora, and the global flow of cinematic culture.
Author | : Marina Rojavin |
Publisher | : Routledge |
Total Pages | : 313 |
Release | : 2017-09-22 |
Genre | : Social Science |
ISBN | : 1315409836 |
This book illuminates and explores the representation of women in Soviet cinema from the late 1950s, through the 1960s, and into the 1970s, a period when Soviet culture shifted away, to varying degrees, from the well-established conventions of socialist realism. Covering films about working class women, rural and urban women, and women from the intelligentsia, it probes various cinematic genres and approaches to film aesthetics, while it also highlights how Soviet cinema depicted the ambiguity of emerging gender roles, pressing social issues, and evolving relationships between men and women. It thereby casts a penetrating light on society and culture in this crucial period of the Soviet Union’s development.
Author | : Oksana Sarkisova |
Publisher | : Central European University Press |
Total Pages | : 436 |
Release | : 2008-01-01 |
Genre | : History |
ISBN | : 6155211434 |
How do museums and cinema shape the image of the Communist past in today’s Central and Eastern Europe? This volume is the first systematic analysis of how visual techniques are used to understand and put into context the former regimes. After history “ended” in the Eastern Bloc in 1989, museums and other memorials mushroomed all over the region. These efforts tried both to explain the meaning of this lost history, as well as to shape public opinion on their society’s shared post-war heritage. Museums and films made political use of recollections of the recent past, and employed selected museum, memorial, and media tools and tactics to make its political intent historically credible. Thirteen essays from scholars around the region take a fresh look at the subject as they address the strategies of fashioning popular perceptions of the recent past.
Author | : Andrea Virginás |
Publisher | : Cambridge Scholars Publishing |
Total Pages | : 301 |
Release | : 2017-01-06 |
Genre | : Social Science |
ISBN | : 144386031X |
The “spatial”, the “bodily”, and the “memory turn” in the humanities and cultural studies are well-canonized developments. These features of our being in the world are fundamental in the medium of cinema, which is an art of spaces, bodies, and memories, increasingly so today when the analogue platform has been running parallel with the digitalized method of filmmaking. The three nodal concepts define the tripartite structure of this volume, composed of an overview study and twelve case-studies of post-1989 Eastern European film and cinema. The overarching questions of space representation and construction, bodies on screen, issues of national identification in a postcolonial framework, and cinema as a form of cultural memory are explored through the lens of specific national cinemas or contemporary Croatian, Hungarian, Polish, Serbian, Slovakian, Slovenian, and Romanian films. In addition to investigating the cohesive forces that mark the postcommunist Eastern European region as a coherent cultural entity in its cinematic representations, the volume also stands as a witness to the importance of transnational approaches.
Author | : Catherine Portuges |
Publisher | : Indiana University Press |
Total Pages | : 216 |
Release | : 1993 |
Genre | : Performing Arts |
ISBN | : 9780253345585 |
Explores the culture of post-Stalinist Eastern Europe through a detailed study of the achievements of its foremost woman director, Marta Meszaros. Informed by contemporary debates in film theory, psychoanalysis, and gender studies, this book foregrounds autobiographical and artistic elements of Marta Meszaros's cinema.
Author | : Diana Holmes |
Publisher | : Manchester University Press |
Total Pages | : 230 |
Release | : 2000 |
Genre | : History |
ISBN | : 9780719058721 |
Cinema is entertainment that also communicates a set of values and a vision of the world. This book explores the complex relationship between entertainment, ideology, and audiences from the Stalinist musicals of the 1930s through cinematic representations of masculinity under Franco, to recent French films and their Hollywood remakes. It covers film from the former Soviet Union, Germany East and West, Czechoslovakia, France, and Spain, and the relationship between Europe and Hollywood.
Author | : Ewa Mazierska |
Publisher | : Edinburgh University Press |
Total Pages | : 272 |
Release | : 2016-10-27 |
Genre | : Performing Arts |
ISBN | : 1474405150 |
Bringing together a range of theoretical and critical approaches, this edited collection is the first book to examine representations of the body in Eastern European and Russian cinema after the Second World War. Drawing on the history of the region, as well as Western and Eastern scholarship on the body, the book focuses on three areas: the traumatized body, the body as a site of erotic pleasure, and the relationship between the body and history. Critically dissecting the different ideological and aesthetic ways human bodies are framed, The Cinematic Bodies of Eastern Europe and Russia also demonstrates how bodily discourses oscillate between complicity and subversion, and how they shaped individuals and societies both during and after the period of state socialism.
Author | : Richard Taylor |
Publisher | : Bloomsbury Publishing |
Total Pages | : 296 |
Release | : 2019-07-25 |
Genre | : Performing Arts |
ISBN | : 1838718508 |
This work maps the rich, varied cinema of Eastern Europe, Russia and the former USSR. Over 200 entries cover a variety of topics spanning a century of endeavour and turbulent history from Czech animation to Soviet montage, from the silent cinemas dating back to World War I through to the varied responses to the conflicts in the former Yugoslavia. It includes entries on actors and actresses, film festivals, studios, genres, directors, film movements, critics, producers and technicians, taking the coverage up to the late 1990s. In addition to the historical material of key figures like Eisenstein and Wadja, the editors provide separate accounts of the trajectory of the cinemas of Eastern Europe and of Russia in the wake of the collapse of communism.