Portraits: 9/11/01
Author | : The New York Times |
Publisher | : Macmillan |
Total Pages | : 714 |
Release | : 2003-08 |
Genre | : Biography & Autobiography |
ISBN | : 9780805073607 |
Publisher Description
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Author | : The New York Times |
Publisher | : Macmillan |
Total Pages | : 714 |
Release | : 2003-08 |
Genre | : Biography & Autobiography |
ISBN | : 9780805073607 |
Publisher Description
Author | : The New York Times |
Publisher | : Times Books |
Total Pages | : 558 |
Release | : 2002-05-01 |
Genre | : Biography & Autobiography |
ISBN | : 9780805072228 |
Presents in alphabetical order more than nineteen hundred profiles of the people who were killed on September 11, 2001 that appeared as "Portraits of Grief" in the New York Times between the attack and February 3, 2002.
Author | : |
Publisher | : |
Total Pages | : 558 |
Release | : 2002 |
Genre | : New York (N.Y.) |
ISBN | : |
A collection of biographies of the victims of the Sept. 11 terrorist attack on the World Trade Center as published by the New York Times in their "Portraits of Grief" feature.
Author | : David Simpson |
Publisher | : University of Chicago Press |
Total Pages | : 193 |
Release | : 2006-05-15 |
Genre | : Education |
ISBN | : 0226759393 |
After the terrorist attacks of September 11, 2001, a general sense that the world was different—that nothing would ever be the same—settled upon a grieving nation; the events of that day were received as cataclysmic disruptions of an ordered world. Refuting this claim, David Simpson examines the complex and paradoxical character of American public discourse since that September morning, considering the ways the event has been aestheticized, exploited, and appropriated, while “Ground Zero” remains the contested site of an effort at adequate commemoration. In 9/11, Simpson argues that elements of the conventional culture of mourning and remembrance—grieving the dead, summarizing their lives in obituaries, and erecting monuments in their memory—have been co-opted for political advantage. He also confronts those who labeled the event an “apocalypse,” condemning their exploitation of 9/11 for the defense of torture and war. In four elegant chapters—two of which expand on essays originally published in the London Review of Books to great acclaim—Simpson analyzes the response to 9/11: the nationally syndicated “Portraits of Grief” obituaries in the New York Times; the debates over the rebuilding of the World Trade Center towers and the memorial design; the representation of American and Iraqi dead after the invasion of March 2003, along with the worldwide circulation of the Abu Ghraib torture photographs; and the urgent and largely ignored critique of homeland rhetoric from the domain of critical theory. Calling for a sustained cultural and theoretical analysis, 9/11 is the first book of its kind to consider the events of that tragic day with a perspective so firmly grounded in the humanities and so persuasive about the contribution they can make to our understanding of its consequences.
Author | : Katharina Donn |
Publisher | : Routledge |
Total Pages | : 320 |
Release | : 2016-10-04 |
Genre | : Literary Criticism |
ISBN | : 1317308611 |
The 9/11 attacks brought large-scale violence into the 21st century with force and have come to epitomize the entanglement of intimate vulnerability and virtual spectacle that is typical of the globalized present. This book works at the intersection of trauma studies, affect theory, and literary studies to offer radically new interpretive frames for interrogating the challenges inherent in representing the initial moments of the terrorist encounter. Beyond the paradigm of traumatic unspeakability, post-9/11 texts expose the materiality of the human body in its universal vulnerability. The intersubjective empathy this engenders is politically subversive, as it undermines the discourse of historical singularity and exceptionalism by establishing a global network of reference and dialogue. Innovative theoretical interconnections between clinical pathology, concepts of cultural trauma, and political aesthetics lay the foundations for exploring formally and geographically diverse texts. Close readings of works by Jonathan Safran Foer, Art Spiegelman, Don DeLillo, and William Gibson map the relationship between representations of 9/11 and complex aspects of trauma theory. This detailed approach makes a case for revisiting trauma theory and bringing its Freudian origins into the digitized present. It showcases trauma as a physical and psychological wound as well as an experience that is simultaneously pre-discursive and inhibited by the virtuality of the present-day real. Exploring how contemporary trauma studies can take into account the digitization and virtuality of present-day realities, this book is a key intervention in establishing a contemporary ethics of witnessing terror.
Author | : Ann Keniston |
Publisher | : Routledge |
Total Pages | : 309 |
Release | : 2013-04-15 |
Genre | : Literary Criticism |
ISBN | : 1135024669 |
Drawing on trauma theory, genre theory, political theory, and theories of postmodernity, space, and temporality, Literature After 9/11 suggests ways that these often distinct discourses can be recombined and set into dialogue with one another as it explores 9/11’s effects on literature and literature’s attempts to convey 9/11.
Author | : John Botte |
Publisher | : HarperDes |
Total Pages | : 211 |
Release | : 2006-08-22 |
Genre | : Photography |
ISBN | : 9780060789718 |
Renowned photographer/police officer John Botte was given privileged access to ground zero in the hours and days following the tragedy of 9/11. Here for the first time–and for posterity–are his breathtaking photos, securing Botte's status as the Mathew Brady of 9/11. NYPD police officer and photographer John Botte was assigned by the police department to document the aftermath of the 9/11 tragedy. He spent countless hours at Ground Zero in the days and weeks after the attacks, and was given privileged access to the behind the scenes rescue and recovery efforts of 9/11. On a personal level, Botte calls Aftermath "a permanent tribute to the people who shaped me as a person and professional–to the friends I lost and the ones I never got a chance to make." On a universal level, his collection of photographs is a haunting reminder of the events of 9/11 in New York City and an important document for the ages. On the fifth anniversary of the attacks, the author will finally share his intimate portraits of the aftermath of America's unforgettable tragedy. With more than 150 haunting black & white photos and captions by the photographer himself, the book memorializes the unforgettable images we all recall from those first days–and captures countless scenes previously known only to the few who worked the scene so tirelessly. The result is an extraordinary historical record that stands to become the definitive photographic retrospective of September 11.
Author | : The New York Times |
Publisher | : Times Books |
Total Pages | : 0 |
Release | : 2002-05-01 |
Genre | : Biography & Autobiography |
ISBN | : 9780805072228 |
Poignant and personal remembrances, celebrating the lives of the World Trade Center victims. Few aspects of The New York Times's coverage of September 11 and of all that has followed have attracted as much comment as "Portraits of Grief." A page or two buried deep in the B section every day for 15 weeks, the series profiled the lives lost in the attacks on the World Trade Center and has become a story in itself, becoming required reading for many, the world over. Beginning on Sept. 14, a half-dozen Times reporters began working from a stack of 100 missing person fliers collected from points around the World Trade Center site. They crafted profiles--stories containing short but signature details of the lives they strove to present. These portraits transcend race, class, and gender lines and tell of the old and the young, praising their individuality while at the same time cutting through their differences to capture the poignancy of their shared similarity: life cut short in an American tragedy. The stories have become a source of connection and consolation, a focus for the sorrow of readers both reeling from disbelief and searching for support. To paraphrase "Portraits" reporter Charlie LeDuff, there's more than one Ground Zero--there are thousands of Ground Zeros. Portraits: 9/11/01, a collection of the over 1,800 profiles published in the Times, helps us visit them all.
Author | : Sara E. Quay |
Publisher | : Bloomsbury Publishing USA |
Total Pages | : 342 |
Release | : 2010-09-14 |
Genre | : Social Science |
ISBN | : 0313355061 |
This book offers an exploration of the comprehensive impact of the events of September 11, 2001, on every aspect of American culture and society. On Thanksgiving day after September 11, 2001, comic strip creators directed readers to donate money in their artwork, generating $50,000 in relief funds. The world's largest radio network, Clear Channel, sent a memo to all of its affiliated stations recommending 150 songs that should be eliminated from airplay because of assumptions that their lyrics would be perceived as offensive in light of the events of 9/11. On the first anniversary of September 11th, choirs around the world performed Mozart's Requiem at 8:46 am in each time zone, the time of the first attack on the World Trade Center. These examples are just three of the ways the world—but especially the United States—responded to the events of September 11, 2001. Each chapter in this book contains a chronological overview of the sea of changes in everyday life, literature, entertainment, news and media, and visual culture after September 11. Shorter essays focus on specific books, TV shows, songs, and films.
Author | : Robert Fanuzzi |
Publisher | : Cambridge Scholars Publishing |
Total Pages | : 330 |
Release | : 2014-04-23 |
Genre | : Social Science |
ISBN | : 1443859591 |
This collection of essays offers a rich variety of approaches to how people and institutions in greater New York have sought to find meaning in the 9/11 attacks on the World Trade Center, now a decade on. The views and practices documented here join memory, recovery, and rebuilding together to form a vital new chapter in New York’s metropolitan history. Contributors contest the dominant nationalist narrative about 9/11 to generate a more local and socially-engaged form of scholarship that connects directly with the experiences of people who lived or came to work in New York that fateful day and the years that followed. In doing so, these essays give academics and clinical professionals an opportunity to reflect upon and work with the people of a community – in this case, metropolitan New York – as essential partners, and even the main protagonists, in creating new paradigms to capture the significance of these events and their aftermath. The collection is comprised of sixteen essays by experts drawn from a wide range of scholarly and professional fields. They investigate how people across the New York metropolitan region initially responded to and have since remembered the events of September 11th as they rippled out into the city, the surrounding metropolitan region, and the nation at large. They engage directly with the emotional and psychological aftermath of the attacks, approaching the questions of healing and teaching from a variety of institutional, professional, and non-professional perspectives. The volume concludes with a selection of essays that grapple with the challenge of “Representing 9/11.” Contributors to this section evaluate contemporary novels and films that have risked engagement with deep narrative traditions to translate the recent memory of public events into resonant stories and imaginative language. Readers are invited to consider how all these responses – in literature, memorials, media representations, and the words and actions of diverse individuals – still contribute to the complex, yet inescapable challenge of making meaning of 9/11.