Poochie and Guff

Poochie and Guff
Author: Marvin Terban
Publisher:
Total Pages: 24
Release: 1983
Genre: Dogs
ISBN: 9780307607935

When his friends tease him for being a "powder-puff," Guff sets out to prove he is a hero

Poochie and Lickrish

Poochie and Lickrish
Author: DeWitt Conyers
Publisher: Western Publishing Company
Total Pages: 20
Release: 1983-07
Genre: Juvenile Fiction
ISBN: 9780307257918

With the help of Fairy Dog Mother, Lickrish and Poochie unite a worried mother robin with her lost baby.

Poochie-Balloon Ride

Poochie-Balloon Ride
Author: Marvin Terban
Publisher: Western Publishing Company
Total Pages: 20
Release: 1983-07
Genre: Juvenile Fiction
ISBN: 9780307257949

Poochie meets Hover Hound and rescues several of her friends in his hot air balloon.

Poochie and the Four Seasons Fair

Poochie and the Four Seasons Fair
Author: Joan Webb
Publisher:
Total Pages: 32
Release: 1983
Genre: Juvenile Nonfiction
ISBN: 9780307158192

On a hot summer day, Fairy Dog Mother brings in a mixture of fall, winter, and spring weather to cool off Poochie and her friends.

The Sounding of the Whale

The Sounding of the Whale
Author: D. Graham Burnett
Publisher: University of Chicago Press
Total Pages: 825
Release: 2012-01-31
Genre: History
ISBN: 0226081303

In The Sounding of the Whale, D.

Poochie and Slomo

Poochie and Slomo
Author: Marvin Terban
Publisher: Western Publishing Company
Total Pages: 20
Release: 1983-07
Genre: Juvenile Fiction
ISBN: 9780307257956

SloMo has a tiring journey on his way to umpire his friends baseball game and falls asleep before he can yell "play ball."

I Will Survive

I Will Survive
Author: Gloria Gaynor
Publisher: Macmillan + ORM
Total Pages: 253
Release: 2014-03-11
Genre: Biography & Autobiography
ISBN: 1466865954

I Will Survive is the story of Gloria Gaynor, America's "Queen of Disco." It is the story of riches and fame, despair, and finally salvation. Her meteoric rise to stardom in the mid-1970s was nothing short of phenomenal, and hits poured forth that pushed her to the top of the charts, including "Honey Bee," "I Got You Under My Skin," "Never Can Say Goodbye," and the song that has immortalized her, "I Will Survive," which became a #1 international gold seller. With that song, Gloria heralded the international rise of disco that became synonymous with a way of life in the fast lane - the sweaty bodies at Studio 54, the lines of cocaine, the indescribable feeling that you could always be at the top of your game and never come down. But down she came after her early stardom, and problems followed in the wake, including the death of her mother, whose love had anchored the young singer, as well as constant battles with weight, drugs, and alcohol. While her fans always imagined her to be rich, her personal finances collapsed due to poor management; and while many envied her, she felt completely empty inside. In the early 1980s, sustained by her marriage to music publisher Linwood Simon, Gloria took three years off and reflected upon her life. She visited churches and revisited her mother's old Bible. Discovering the world of gospel, she made a commitment to Christ that sustains her to this day.

Hollywood Highbrow

Hollywood Highbrow
Author: Shyon Baumann
Publisher: Princeton University Press
Total Pages: 242
Release: 2018-06-05
Genre: Performing Arts
ISBN: 0691187282

Today's moviegoers and critics generally consider some Hollywood products--even some blockbusters--to be legitimate works of art. But during the first half century of motion pictures very few Americans would have thought to call an American movie "art." Up through the 1950s, American movies were regarded as a form of popular, even lower-class, entertainment. By the 1960s and 1970s, however, viewers were regularly judging Hollywood films by artistic criteria previously applied only to high art forms. In Hollywood Highbrow, Shyon Baumann for the first time tells how social and cultural forces radically changed the public's perceptions of American movies just as those forces were radically changing the movies themselves. The development in the United States of an appreciation of film as an art was, Baumann shows, the product of large changes in Hollywood and American society as a whole. With the postwar rise of television, American movie audiences shrank dramatically and Hollywood responded by appealing to richer and more educated viewers. Around the same time, European ideas about the director as artist, an easing of censorship, and the development of art-house cinemas, film festivals, and the academic field of film studies encouraged the idea that some American movies--and not just European ones--deserved to be considered art.