Political Tv
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| Author | : Chuck Tryon |
| Publisher | : Routledge |
| Total Pages | : 212 |
| Release | : 2016-02-05 |
| Genre | : Social Science |
| ISBN | : 1317556933 |
This book serves as an accessible critical introduction to the broad category of American political television content. Encompassing political news and scripted entertainment, Political TV addresses a range of formats, including interview/news programs, political satire, fake news, drama, and reality TV. From long-running programs like Meet the Press to more recent offerings including Veep, The Daily Show, House of Cards, Last Week Tonight, and Scandal, Tryon addresses ongoing debates about the role of television in representing issues and ideas relevant to American politics. Exploring political TV’s construction of concepts of citizenship and national identity, the status of political TV in a post-network era, and advertisements in politics, Political TV offers an engaging, timely analysis of how this format engages its audience in the political scene. The book also includes a videography of key and historical series, discussion questions, and a bibliography for further reading.
| Author | : Jeffrey P. Jones |
| Publisher | : Rowman & Littlefield Publishers |
| Total Pages | : 329 |
| Release | : 2010-12-28 |
| Genre | : Social Science |
| ISBN | : 0742565297 |
In this completely revised and updated edition (including eight new chapters), Jeffrey Jones charts the evolution and maturation of political entertainment television by examining The Daily Show with Jon Stewart, The Colbert Report, Politically Incorrect/Real Time with Bill Maher, and Michael Moore's TV Nation and The Awful Truth. This volume investigates how and why these shows have been central locations for the critique of political and economic power and an important resource for citizens during numerous political crises. In an age of Truthiness, fake news and humorous political talk have proven themselves viable forms of alternative reporting and critical means for ascertaining truth, and in the process, questioning the legitimacy of news media's role as the primary mediator of political life. The book also addresses the persistent claims that these programs have cynical effects and create misinformed young citizens, demonstrating instead how such programming provides for an informed, active, and meaningful citizenship. The new edition takes account of the many changes that have occurred in television and political culture since Entertaining Politics' initial release.
| Author | : Chuck Tryon |
| Publisher | : Routledge |
| Total Pages | : 220 |
| Release | : 2016-02-05 |
| Genre | : Social Science |
| ISBN | : 1317556941 |
This book serves as an accessible critical introduction to the broad category of American political television content. Encompassing political news and scripted entertainment, Political TV addresses a range of formats, including interview/news programs, political satire, fake news, drama, and reality TV. From long-running programs like Meet the Press to more recent offerings including Veep, The Daily Show, House of Cards, Last Week Tonight, and Scandal, Tryon addresses ongoing debates about the role of television in representing issues and ideas relevant to American politics. Exploring political TV’s construction of concepts of citizenship and national identity, the status of political TV in a post-network era, and advertisements in politics, Political TV offers an engaging, timely analysis of how this format engages its audience in the political scene. The book also includes a videography of key and historical series, discussion questions, and a bibliography for further reading.
| Author | : Lila Abu-Lughod |
| Publisher | : University of Chicago Press |
| Total Pages | : 352 |
| Release | : 2005 |
| Genre | : Performing Arts |
| ISBN | : 9780226001968 |
Television is the cultural form that binds together the nation of Egypt. This text analyses Egyptian TV, not only to provide an understanding of the effect of the medium on Egyptian people, but also to examine TVs greater role in culture.
| Author | : Shanto Iyengar |
| Publisher | : University of Chicago Press |
| Total Pages | : 206 |
| Release | : 1994-10-17 |
| Genre | : Political Science |
| ISBN | : 9780226388557 |
A disturbingly cautionary tale, Is Anyone Responsible? anchors with powerful evidence suspicions about the way in which television has impoverished political discourse in the United States and at the same time molds American political consciousness. It is essential reading for media critics, psychologists, political analysts, and all the citizens who want to be sure that their political opinions are their own. "Not only does it provide convincing evidence for particular effects of media fragmentation, but it also explores some of the specific mechanisms by which television works its damage. . . . Here is powerful additional evidence for those of us who like to flay television for its contributions to the trivialization of public discourse and the erosion of democratic accountability."—William A. Gamson, Contemporary Sociology "Iyengar's book has substantial merit. . . . [His] experimental methods offer a precision of measurement that media effects research seldom attains. I believe, moreover, that Iyengar's notion of framing effects is one of the truly important theoretical concepts to appear in recent years."—Thomas E. Patterson, American Political Science Review
| Author | : Shanto Iyengar |
| Publisher | : University of Chicago Press |
| Total Pages | : 214 |
| Release | : 2010-10-15 |
| Genre | : Political Science |
| ISBN | : 0226388603 |
Almost twenty-five years ago, Shanto Iyengar and Donald R. Kinder first documented a series of sophisticated and innovative experiments that unobtrusively altered the order and emphasis of news stories in selected television broadcasts. Their resulting book News That Matters, now hailed as a classic by scholars of political science and public opinion alike, is here updated for the twenty-first century, with a new preface and epilogue by the authors. Backed by careful analysis of public opinion surveys, the authors show how, despite changing American politics, those issues that receive extended coverage in the national news become more important to viewers, while those that are ignored lose credibility. Moreover, those issues that are prominent in the news stream continue to loom more heavily as criteria for evaluating the president and for choosing between political candidates. “News That Matters does matter, because it demonstrates conclusively that television newscasts powerfully affect opinion. . . . All that follows, whether it supports, modifies, or challenges their conclusions, will have to begin here.”—The Public Interest
| Author | : William L. Benoit |
| Publisher | : Lexington Books |
| Total Pages | : 249 |
| Release | : 2014-04-01 |
| Genre | : Political Science |
| ISBN | : 0739188992 |
A Functional Analysis of Political Television Advertisements examines theory and research on election advertisements. William Benoit employs the Functional Theory of Political Campaign Discourse to understand the nature or content of television spots in election campaigns. Beginning with a look at American presidential spots from 1952–2012, Benoit investigates the three functions—acclaims, attacks, and defenses—and the topics of policy and character for these groups of political commercials. The following chapters are devoted to reporting similar data on presidential primary advertisements, presidential third party spots, other theories including Issue Ownership Theory and Functional Federalism Theory, as well as nonpresidential and non-U.S. election advertising. Benoit considers the data, discusses the development of political advertising over time, and finally, presents areas for further research. This book is a uniquely comprehensive examination of the value and use of television spots in political election rhetoric.
| Author | : Michael Tracey |
| Publisher | : Taylor & Francis |
| Total Pages | : 323 |
| Release | : 2023-12-22 |
| Genre | : Performing Arts |
| ISBN | : 1003820433 |
The Production of Political Television (1977) is a study of the organization and methods of production of political television that covers not only news broadcasts and current affairs programmes but all programmes involved with the policy making process in Britain. It examines the procedures by which producers put their programmes together, and analyses the impact of external institutions on the programme-making process.
| Author | : Lynda Lee Kaid |
| Publisher | : Nova Publishers |
| Total Pages | : 260 |
| Release | : 1999 |
| Genre | : Performing Arts |
| ISBN | : 9781560727538 |
Throughout the world, television has become an important part of the way in which political candidates and parties present their messages to voters during election campaigns. This is particularly true in campaigns at the national level where voters have little personal contact with candidates and must rely on experiencing candidates through the media. Despite the importance of the media for voter-government interaction, however, many new reform governments in the post-communist era in Eastern European countries failed to appreciate the demands of creating workable new media systems.
| Author | : Florian Schneider |
| Publisher | : BRILL |
| Total Pages | : 307 |
| Release | : 2012-09-14 |
| Genre | : Performing Arts |
| ISBN | : 9004221492 |
Visual Political Communication in Popular Chinese Television Series has been granted the EastAsiaNet 2014 Award! In Visual Political Communication in Popular Chinese Television Series, Florian Schneider analyses political discourses in Chinese TV dramas, the most popular entertainment format in China today. Schneider shows that despite their often nationalistic stories of glorious emperors and courageous officials, such programmes should not be mistaken for official propaganda. Instead, the highly didactical messages of such series are the outcome of complex cultural governance practices, which are influenced by diffuse political interests, commercial considerations, viewing habits, and ideological assumptions. Schneider argues that these interlinking factors lead to a highly restrictive creative environment and to conservative entertainment content that ultimately risks creating precisely the kind of passive masses that Chinese media workers and government officials are trying so hard to emancipate.
