Poets Poetry Of The 19th Cen
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Author | : John Hollander |
Publisher | : |
Total Pages | : 48 |
Release | : 2004 |
Genre | : Children's poetry, American |
ISBN | : 9781402719936 |
Contains a collection of poetry that spans two centuries and provides a diverse point of view of American life. American Poetry offers a collection of 26 verses by our finest poets, all with their unique perspective on the land they loved and accompanied by remarkable paintings that enhance the meaning of the words. Here, beautifully illustrated, are such unforgettable works.
Author | : Elizabeth K. Helsinger |
Publisher | : |
Total Pages | : 0 |
Release | : 2015 |
Genre | : English poetry |
ISBN | : 9780813938004 |
In arguing for the crucial importance of song for poets in the long nineteenth century, Elizabeth Helsinger focuses on both the effects of song on lyric forms and the mythopoetics through which poets explored the affinities of poetry with song. Looking in particular at individual poets and poems, Helsinger puts extensive close readings into productive conversation with nineteenth-century German philosophic and British scientific aesthetics. While she considers poets long described as "musical"--Alfred, Lord Tennyson, Gerard Manly Hopkins, Emily Brontë, and Algernon Charles Swinburne--Helsinger also examines the more surprising importance of song for those poets who rethought poetry through the medium of visual art: Dante Gabriel Rossetti, William Morris, and Christina Rossetti. In imitating song's forms and sound textures through lyric's rhythm, rhyme, and repetition, these poets were pursuing song's "thought" in a double sense. They not only asked readers to think of particular kinds of song as musical sound in social performance (ballads, national airs, political songs, plainchant) but also invited readers to think like song: to listen to the sounds of a poem as it moves minds in a different way from philosophy or science. By attending to the formal practices of these poets, the music to which the poets were listening, and the stories and myths out of which each forged a poetics that aspired to the condition of music, Helsinger suggests new ways to think about the nature and form of the lyric in the nineteenth century.
Author | : E. H. Blackmore |
Publisher | : Oxford University Press, USA |
Total Pages | : 369 |
Release | : 2000 |
Genre | : Literary Criticism |
ISBN | : 019283973X |
'Poetry will no longer keep in time with action; it will be ahead of it.' Arthur Rimbaud The active and colourful lives of the poets of nineteenth-century France are reflected in the diversity and vibrancy of their works. At once sacred and profane, passionate and satirical, these remarkable and innovative poems explore the complexities of human emotion and ponder the great questions of religion and art. They form as rich a body of work as any one age and language has ever produced. This unique anthology includes generous selections from the six nineteenth-century French poets most often read in the English-speaking world today: Lamartine, Hugo, Baudelaire, Verlaine, Rimbaud, and Mallarmé. Modern translations are printed opposite the original French verse, and the edition contains over a thousand lines of poetry never previously translated into English.
Author | : Cheryl Walker |
Publisher | : Rutgers University Press |
Total Pages | : 484 |
Release | : 1992 |
Genre | : Poetry |
ISBN | : 9780813517919 |
This publication marks the first time in a hundred years that a wide range of nineteenth-century American women's poetry has been accessible to the general public in a single volume. Included are the humorous parodies of Phoebe Cary and Mary Weston Fordham and the stirring abolitionist poems of Lydia Sigourney, Frances Harper, Maria Lowell, and Rose Terry Cooke. Included, too, are haunting reflections on madness, drug use, and suicide of women whose lives, as Cheryl Walker explains, were often as melodramatic as the poems they composed and published. In addition to works by more than two dozen poets, the anthology includes ample headnotes about each author's life and a brief critical evaluation of her work. Walker's introduction to the volume provides valuable contextual material to help readers understand the cultural background, economic necessities, literary conventions, and personal dynamics that governed women's poetic production in the nineteenth century.
Author | : |
Publisher | : |
Total Pages | : 0 |
Release | : 2003 |
Genre | : American poetry |
ISBN | : 9781592640409 |
This Toby anthology, compiled and presented by Professor Shira Wolosky, presents a substantial number of texts by a select group of poets, providing a gripping view of the creativity of nineteenth century American women that until recently was almost entirely lost to literary history. By focusing solely on the major voices of the time, and doing so in depth, the opportunity is given to engage deeply with the poetry; to see the range within each poet's writings and the relation between the poets. This poetry began the efforts at the redefinition of self, of America, and of womanhood, that continues to touch the lives and thoughts of so many today. An introductory essay to the book identifies central concerns, historical backgrounds, evolving patterns and poetic issues, while there is also a specific introduction for each poet. Book jacket.
Author | : Joan R. Sherman |
Publisher | : University of Illinois Press |
Total Pages | : 516 |
Release | : 1992 |
Genre | : Literary Criticism |
ISBN | : 9780252062469 |
Afro-Americans of the nineteenth century are the invisible poets of our national literature. This anthology brings together 171 poems by 35 poets, from the best known to the unknown, in one volume.
Author | : John Hollander |
Publisher | : Library of America: The Americ |
Total Pages | : 1158 |
Release | : 1993-10 |
Genre | : Fiction |
ISBN | : |
Author | : Kerry Larson |
Publisher | : Cambridge University Press |
Total Pages | : 311 |
Release | : 2011-12-01 |
Genre | : Literary Criticism |
ISBN | : 1107494257 |
This Companion is the first critical collection of its kind devoted solely to American poetry of the nineteenth century. It covers a wide variety of authors, many of whom are currently being rediscovered. A number of anthologies in the recent past have been devoted to the verse of groups such as Native Americans, African-Americans and women. This volume offers essays covering these groups as well as more familiar figures such as Dickinson, Whitman, Longfellow and Melville. The contents are divided between broad topics of concern such as the poetry of the Civil War or the development of the 'poetess' role and articles featuring specific authors such as Edgar Allan Poe or Sarah Piatt. In the past two decades a growing body of scholarship has been engaged in reconceptualizing and re-evaluating this largely neglected area of study in US literary history - this Companion reflects and advances this spirit of revisionism.
Author | : Various |
Publisher | : Library of America |
Total Pages | : 1096 |
Release | : 1993-09-01 |
Genre | : Poetry |
ISBN | : 9780940450783 |
This second volume of The Library of America’s two-volume collection of nineteenth-century American poetry follows the evolution of American poetry from the monumental mid-century achievements of Herman Melville and Emily Dickinson to the modernist stirrings of Stephen Crane and Edwin Arlington Robinson. The cataclysm of the Civil War—reflected in fervent antislavery protests, in marching songs and poetic calls to arms, and in muted post-bellum expressions of grief and reconciliation—ushered in a period of accelerating change and widening regional perspectives. Here too are the pioneering African-American poets (Frances Harper, Albery Allson Whitman, Paul Laurence Dunbar); popular humorists (James Whitcomb Riley, Eugene Field); writers embodying America’s newfound cosmopolitanism (Edith Wharton, George Santayana); and extravagant self-mythologizing figures who could have existed nowhere else, like the actress Adah Isaacs Menken and the frontier poet Joaquin Miller. Parodies, dialect poems, song lyrics, and children’s verse evoke the liveliness of an era when poetry was accessible to all. Here are poems that played a crucial role in American public life, whether to arouse the national conscience (Edwin Markham’s “The Man with the Hoe”) or to memorialize the golden age of the national pastime (Ernest Lawrence Thayer’s “Casey at the Bat”). An entire section of this volume is devoted to American Indian poetry in nineteenth-century versions, making available—some for the first time since their initial publication—an astonishing range of translations and adaptations: Ojibwa healing rituals, the songs of the Ghost Dance religion, Zuni mythological narratives, chants from the Kwakiutl Winter Ceremonial. Also included is a generous selection from America’s rich heritage of anonymous folk songs, ballads, and hymns. Unprecedented in its textual authority, the anthology includes newly researched biographical sketches of each poet, a year-by-year chronology of poets and poetry from 1800 to 1900, and extensive notes. LIBRARY OF AMERICA is an independent nonprofit cultural organization founded in 1979 to preserve our nation’s literary heritage by publishing, and keeping permanently in print, America’s best and most significant writing. The Library of America series includes more than 300 volumes to date, authoritative editions that average 1,000 pages in length, feature cloth covers, sewn bindings, and ribbon markers, and are printed on premium acid-free paper that will last for centuries.
Author | : Paula Bernat Bennett |
Publisher | : Wiley-Blackwell |
Total Pages | : 576 |
Release | : 1998-02-04 |
Genre | : Literary Criticism |
ISBN | : 9780631203995 |
Paula Bernat's anthology, based on seven years of pioneering archival research, establishes nineteenth-century American women's poetry as a major field in American literature and American women's history.