Poetry Off The Page
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Author | : Laura Severin |
Publisher | : Routledge |
Total Pages | : 129 |
Release | : 2017-03-02 |
Genre | : Literary Criticism |
ISBN | : 1351910604 |
This study examines the performed poetry of Charlotte Mew, Anna Wickham, Edith Sitwell, Stevie Smith, Liz Lochhead, and Jackie Kay as an alternative radical tradition of British poetry, developed to convey women's experience. Through a historical treatment in which the poets are discussed in pairs, the chapters trace how these six women used a performative poetry to deal with difficulties regarding women's representation: from simply presenting difference in the case of Mew and Wickham, to deconstructing difference in the case of Sitwell and Smith, to avoiding the recapture of cultural imagery in the case of Lochhead and Kay. Laura Severin claims that twentieth-century British women poets have been neglected by both feminist and more traditional literary critics because they cannot be read within available literary frameworks. Feminist criticism, in particular, has overlooked the value of other poetic ancestries by locating the only radical tradition of modern poetry in fractured form. At least one alternative radical tradition can be found in a narrative and performed poetry that maximizes its transgressive potential with multiple framing devices. Though a female poet always experiences difficulty in controlling both cultural imagery and her own public presentation, these framing devices work together both to deconstruct the essentialized category of woman and to recover the multiplicity of women's experience.
Author | : Julia Novak |
Publisher | : Rodopi |
Total Pages | : 264 |
Release | : 2011 |
Genre | : Language Arts & Disciplines |
ISBN | : 9401206929 |
Preliminary Material -- Introduction -- Key Challenges for the Scholar of Live Poetry -- Towards a Definition of Live Poetry -- Analysing Live Poetry -- Audiotext -- Body Communication -- Contextualising the Performance -- Jackie Hagan's “Coffee or Tea?”: A Sample Analysis -- Checklist for the Analysis of Live Poetry Performances -- Conclusion -- Bibliography -- Table of Figures -- Index.
Author | : Marjorie Perloff |
Publisher | : Northwestern University Press |
Total Pages | : 396 |
Release | : 1998 |
Genre | : Literary Collections |
ISBN | : 9780810115613 |
The fourteen essays that make up this collection have as their common theme a reconsideration of the role historical and cultural change has played in the evolution of twentieth-century poetry and poetics. Committed to the notion that, in John Ashbery's words, "You can't say it that way anymore," Poetry On & Off the Page describes the formations and transformations of literary and artistic discourses, and traces these discourses as they have evolved in their dialogue with history, culture, and society. The volume is testimony to the important role that contemporary artistic practice will continue to play as we move into the twenty-first century.
Author | : Kevin Kantor |
Publisher | : SCB Distributors |
Total Pages | : 102 |
Release | : 2021-03-23 |
Genre | : Poetry |
ISBN | : 1943735956 |
Please Come Off-Book queers the theatrical canon we all grew up with. Kantor critiques the treatment of queer figures and imagines a braver and bolder future that allows queer voices the agency over their own stories. Drawing upon elements of the Aristotelian dramatic structure and the Hero's Journey, Please Come Off-Book is both a love letter to and a scathing critique of American culture and the lenses we choose to see ourselves through.
Author | : Sarah J. Sloat |
Publisher | : Sarabande Books |
Total Pages | : 99 |
Release | : 2020-09-15 |
Genre | : Poetry |
ISBN | : 1946448656 |
Visually arresting and utterly one-of-a-kind, Sarah J. Sloat's Hotel Almighty is a book-length erasure of Misery by Stephen King, a reimagining of the novel's themes of constraint and possibility in elliptical, enigmatic poems. Here, "joy would crawl over broken glass, if that was the way." Here, sleep is “a circle whose diameter might be small," a circle "pitifully small," a "wrecked and empty hypothetical circle." Paired with Sloat's stunning mixed-media collage, each poem is a miniature canvas, a brief associative profile of the psyche—its foibles, obsessions, and delights.
Author | : Elizabeth Acevedo |
Publisher | : HarperCollins |
Total Pages | : 345 |
Release | : 2018-03-06 |
Genre | : Young Adult Fiction |
ISBN | : 0062662821 |
Winner of the National Book Award for Young People’s Literature, the Michael L. Printz Award, and the Pura Belpré Award! Fans of Jacqueline Woodson, Meg Medina, and Jason Reynolds will fall hard for this astonishing New York Times-bestselling novel-in-verse by an award-winning slam poet, about an Afro-Latina heroine who tells her story with blazing words and powerful truth. Xiomara Batista feels unheard and unable to hide in her Harlem neighborhood. Ever since her body grew into curves, she has learned to let her fists and her fierceness do the talking. But Xiomara has plenty she wants to say, and she pours all her frustration and passion onto the pages of a leather notebook, reciting the words to herself like prayers—especially after she catches feelings for a boy in her bio class named Aman, who her family can never know about. With Mami’s determination to force her daughter to obey the laws of the church, Xiomara understands that her thoughts are best kept to herself. So when she is invited to join her school’s slam poetry club, she doesn’t know how she could ever attend without her mami finding out. But she still can’t stop thinking about performing her poems. Because in the face of a world that may not want to hear her, Xiomara refuses to be silent. “Crackles with energy and snaps with authenticity and voice.” —Justina Ireland, author of Dread Nation “An incredibly potent debut.” —Jason Reynolds, author of the National Book Award Finalist Ghost “Acevedo has amplified the voices of girls en el barrio who are equal parts goddess, saint, warrior, and hero.” —Ibi Zoboi, author of American Street This young adult novel, a selection of the Schomburg Center's Black Liberation Reading List, is an excellent choice for accelerated tween readers in grades 6 to 8. Plus don't miss Elizabeth Acevedo's With the Fire on High and Clap When You Land!
Author | : Joelle Taylor |
Publisher | : Saqi Books |
Total Pages | : 115 |
Release | : 2021-06-07 |
Genre | : Poetry |
ISBN | : 1908906499 |
WINNER OF THE T S ELIOT PRIZE 2021 WINNER OF THE POLARI PRIZE 2022 'Visionary and powerful. I loved it.' Hollie McNish The female body is a political space. C+nto enters the private lives of women from the butch counterculture, telling the inside story of the protests they led in the '90s to reclaim their bodies as their own – their difficult balance between survival and self-expression. History, magic, rebellion, party and sermon vibrate through Joelle Taylor's cantos to uncover these underground communities forged by women. Part-memoir and part-conjecture, Taylor explores sexuality and gender in poetry that is lyrical, expansive, imagistic, epic and intimate. C+nto is a love poem, a riot, a late night, and an honouring. minds. Here is poetry that defends our right to walk without fear, wear what we choose, be who we uniquely are." - - Diana Souhami
Author | : L.E. Bowman |
Publisher | : SCB Distributors |
Total Pages | : 206 |
Release | : 2021-09-21 |
Genre | : Poetry |
ISBN | : 1638340188 |
2021 Button Poetry Short Form Poetry Contest Winner What I Learned from the Trees delves into the intricate relationship between humans and nature, and how these often overlooked, everyday interactions affect us as individuals, families, and communities. With a backbone rooted in primordial imagery and allegory, and a focus on how the growing disconnect with our own wants, needs, and fears creates deeper divides in our relationships, this collection is notably relevant to today's society and the struggles we face with the ever-expanding detachment between humans and the natural world. Aren't all living creatures seeking a notable existence? A deep sense of belonging? Of relevance? Of purpose? Of love? How often do we yearn for these wants, yet fight the vulnerability it takes to reach them? Why do we so clearly seek each other, yet refuse to reach out our hands?
Author | : Tony Medina |
Publisher | : Crown |
Total Pages | : 322 |
Release | : 2009-04-23 |
Genre | : Poetry |
ISBN | : 0307565645 |
Bum Rush the Page is a groundbreaking collection, capturing the best new work from the poets who have brought fresh energy, life, and relevance to American poetry. “Here is a democratic orchestration of voices and visions, poets of all ages, ethnicities, and geographic locations coming together to create a dialogue and to jam–not slam. This is our mouth on paper, our hearts on our sleeves, our refusal to shut up and swallow our silence. These poems are tough, honest, astute, perceptive, lyrical, blunt, sad, funny, heartbreaking, and true. They shout, they curse, they whisper, and sing. But most of all, they tell it like it is.” –Tony Medina, from the Introduction
Author | : Laura Severin |
Publisher | : Routledge |
Total Pages | : 136 |
Release | : 2004 |
Genre | : Literary Criticism |
ISBN | : |
This study examines the performed poetry of Charlotte Mew, Anna Wickham, Edith Sitwell, Stevie Smith, Liz Lochhead, and Jackie Kay as an alternative radical tradition of British poetry, developed to convey women's experience. Through a historical treatment in which the poets are discussed in pairs, the chapters trace how these six women used a performative poetry to deal with difficulties regarding women's representation: from simply presenting difference in the case of Mew and Wickham, to deconstructing difference in the case of Sitwell and Smith, to avoiding the recapture of cultural imagery in the case of Lochhead and Kay. Laura Severin claims that twentieth-century British women poets have been neglected by both feminist and more traditional literary critics because they cannot be read within available literary frameworks. Feminist criticism, in particular, has overlooked the value of other poetic ancestries by locating the only radical tradition of modern poetry in fractured form. At least one alternative radical tradition can be found in a narrative and performed poetry that maximizes its transgressive potential with multiple framing devices. Though a female poet always experiences difficulty in controlling both cultural imagery and her own public presentation, these framing devices work together both to deconstruct the essentialized category of woman and to recover the multiplicity of women's experience.