Poetry at Stake

Poetry at Stake
Author: Carrie Noland
Publisher: Princeton University Press
Total Pages: 277
Release: 2021-03-09
Genre: Literary Criticism
ISBN: 0691227543

Taking seriously Guillaume Apollinaire's wager that twentieth-century poets would one day "mechanize" poetry as modern industry has mechanized the world, Carrie Noland explores poetic attempts to redefine the relationship between subjective expression and mechanical reproduction, high art and the world of things. Noland builds upon close readings to construct a tradition of diverse lyricists--from Arthur Rimbaud, Blaise Cendrars, and René Char to contemporary performance artists Laurie Anderson and Patti Smith--allied in their concern with the nature of subjectivity in an age of mechanical reproduction.

Proof of Stake: An Elegy

Proof of Stake: An Elegy
Author: Charles Valle
Publisher:
Total Pages: 78
Release: 2021-05-14
Genre: Literary Criticism
ISBN: 9781734456660

A book of poetry by Charles Valle

Hearts at Stake

Hearts at Stake
Author: Alyxandra Harvey
Publisher: Open Road Media
Total Pages: 237
Release: 2018-11-20
Genre: Young Adult Fiction
ISBN: 1504055292

The first novel in a YA fantasy romance series featuring “vampires with bite and girls who bite back. A witty, exhilarating and fresh take on an old tale” (Kelley Armstrong). On her sixteenth birthday, Solange Drake is going to die . . . But that’s okay. As the only daughter ever born to an ancient vampire dynasty, Solange’s sweet sixteen just means she will fully come into her own as an immortal. Unfortunately, it also means a lot of people both dead and undead are now watching her. Especially Kieran Black—a vengeful agent with an anti-vampire league who blames Solange’s family for his father’s death. Luckily, Solange has her human best friend, Lucy, who tries to help her have as normal a life as possible, despite her overprotective brothers and the politics of the undead realm. But when Solange is abducted by a power-hungry vampire queen, it will take all her friends—as well as the daring and dangerous Kieran—to rescue her before she loses her eternal life . . . In this “action-packed” (School Library Journal) story of love, loyalty, and blood ties, Alyxandra Harvey kicks off a saga of thrills with a nail-biter—and a neck-biter—that will have readers eager to devour the rest of the series. Hearts at Stake is the 1st book in the Drake Chronicles, which also includes Blood Feud and Out for Blood.

Entering Sappho

Entering Sappho
Author: Sarah Dowling
Publisher: Coach House Books
Total Pages: 84
Release: 2020-10-06
Genre: Poetry
ISBN: 1770566511

An abandoned town named for the classical lesbian leads to questions about history and settlement. Driving along the Pacific Coast Highway, you come to a road sign: Entering Sappho. Nothing remains of the town, just trash at the side of the highway and thick, wet bush. Can Sappho’s breathless eroticism tell us anything about settlement—about why we’re here in front of this sign? Mixing historical documents, oral histories, and experimental translations of the original lesbian poet’s works, this book combines documentary and speculation, surveying a century in reverse. This town is one of many with a classical name. Take it as a symbol: perhaps in a place that no longer exists, another kind of future might be possible.

At Stake

At Stake
Author: Yves Bonnefoy
Publisher:
Total Pages: 13
Release: 2002
Genre:
ISBN:

Poetry's Touch

Poetry's Touch
Author: William Addison Waters
Publisher: Cornell University Press
Total Pages: 204
Release: 2003
Genre: Literary Criticism
ISBN: 9780801441202

To whom does a poem speak? Do poems really communicate with those they address? Is reading poems like overhearing? Like intimate conversation? Like performing a script? William Waters pursues these questions by closely reading a selection of poems that say "you" to a human being: to the reader, to the beloved, or to the dead. In any account of reading lyric poetry, Waters argues, there will be places where the participant roles of speaker, intended hearer, and bystander melt together or away; these are moments of wonder.Looking both at poetry's "you" and at how readers encounter it, Waters asserts that poetic address shows literature pressing for a close relation with those into whose hands it may fall. What is at stake for us as readers and critics is our ability to acknowledge the claims made on us by the works of art with which we engage. In second-person poems, in a poem's touch, we may come to see why poetry matters to us, and how we, in turn, come to feel answerable to it. Poetry's Touch takes as a central thread the poetry of Rainer Maria Rilke, a writer whose work is unusually self-conscious about poetic address. The book also draws examples from a gamut of European and American poems, ranging from archaic Greek inscriptions to Keats, Dickinson, and Ashbery.

Beautiful & Pointless

Beautiful & Pointless
Author: David Orr
Publisher: Harper Collins
Total Pages: 161
Release: 2011-04-12
Genre: Literary Criticism
ISBN: 0062079417

"David Orr is no starry-eyed cheerleader for contemporary poetry; Orr’s a critic, and a good one. . . . Beautiful & Pointless is a clear-eyed, opinionated, and idiosyncratic guide to a vibrant but endangered art form, essential reading for anyone who loves poetry, and also for those of us who mostly just admire it from afar." —Tom Perrotta Award-winning New York Times Book Review poetry columnist David Orr delivers an engaging, amusing, and stimulating tour through the world of poetry. With echoes of Francine Prose’s Reading Like a Writer, Orr’s Beautiful & Pointless offers a smart and funny approach to appreciating an art form that many find difficult to embrace.

Feeling as a Foreign Language

Feeling as a Foreign Language
Author: Alice Fulton
Publisher:
Total Pages: 324
Release: 1999-03
Genre: Literary Collections
ISBN:

In Feeling as a Foreign Language, Alice Fulton considers poetry's uncanny ability to access and recreate emotions so wayward they go unnamed. Fulton contemplates topics ranging from the intricacies of a rare genetic syndrome to fractals from the aesthetics of complexity theory to the need for "cultural incorrectness." Along the way, she falls in love with an outrageous 17th century poet, argues for a Dickinsonian tradition in American letters, and calls for a courageous poetics of inconvenient knowledge.

The Stakes

The Stakes
Author: Kristin Garth
Publisher:
Total Pages: 68
Release: 2022-04-19
Genre:
ISBN: 9781087927640

"Kristin Garth's new collection, The Stakes, is a force to be reckoned with: a brilliant fusion of personal history, a poetry of witness, and popular culture combine to tell the reader that fire, so long used (and still used) to punish and destroy women, can be taken back to fight against something, misogyny, that, as Garth writes, "has no nationality." Garth's words are necessary and enraged. Dare to read them." -Sarah Nichols, author of Hexenhaus "The Stakes" is more than a powerful collection of personal poems. It's also a shocking exploration into how women have been abused by fire and beyond throughout human history. It's eye-opening, enraging, and beautifully written." -Gina Tron, author of Employment "In these incandescent, powerfully crafted poems, Kristin Garth skillfully weaves together strands from personal and political history to show that, for women and others who are seen as "other," the "stakes" for mere existence are dangerous -- and often deadly so. Through historical record, contemporary example, and personal narrative, these poems give voice to the voiceless, burning with the truths they were not allowed to speak. But there is hope here, too: even in the ashes, embers survive, and through speaking truth against injustice, these poems are the kind of spark that can inspire necessary change." -Emma Bolden, author of "House Is An Enigma" and other books. "My obsession with the subject of death by fire, and specifically female death by fire, began with my own abuse by a firefighter, I quickly learned how privileged I was in comparison to the women I read about. Though I had nightmares of being burned regularly, I never was. The women I read about - like Joan of Arc, the women accused of witchcraft or lesser crimes that resulted in a stake, they suffered my nightmares as reality. Reading their stories made me humbled and angry for my gender, clearly disproportionately punished with fire and threats of fire." -Kristin Garth, author Kristin Garth is a Pushcart, Rhysling nominated sonneteer and a Best of the Net 2020 finalist. Her sonnets have stalked journals like Glass, Yes, Five:2: One, Luna Luna and more. She is the author of 23 books of poetry including Candy Cigarette Womanchild Noir (Hedgehog Poetry Press) and Atheist Barbie (Maverick Duck Press). She is the founder of Pink Plastic House a tiny journal and co-founder of Performance Anxiety, an online poetry reading series. Follow her on Twitter: (@lolaandjolie) and her website kristingarth.com

Lyric Poetry

Lyric Poetry
Author: Mutlu Blasing
Publisher: Princeton University Press
Total Pages: 226
Release: 2009-01-10
Genre: Literary Criticism
ISBN: 1400827418

Lyric poetry has long been regarded as the intensely private, emotional expression of individuals, powerful precisely because it draws readers into personal worlds. But who, exactly, is the "I" in a lyric poem, and how is it created? In Lyric Poetry, Mutlu Blasing argues that the individual in a lyric is only a virtual entity and that lyric poetry takes its power from the public, emotional power of language itself. In the first major new theory of the lyric to be put forward in decades, Blasing proposes that lyric poetry is a public discourse deeply rooted in the mother tongue. She looks to poetic, linguistic, and psychoanalytic theory to help unravel the intricate historical processes that generate speaking subjects, and concludes that lyric forms convey both personal and communal emotional histories in language. Focusing on the work of such diverse twentieth-century American poets as T. S. Eliot, Ezra Pound, Wallace Stevens, and Anne Sexton, Blasing demonstrates the ways that the lyric "I" speaks, from first to last, as a creation of poetic language.