Poems Of West Texas Life
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Author | : Flora Smith Dean |
Publisher | : LifeRich Publishing |
Total Pages | : 272 |
Release | : 2023-09-19 |
Genre | : Poetry |
ISBN | : 1489746900 |
The soul of a poet, the mind of a dreamer, Eyes that see visions afar. But her hands are the work-worn hands of a doer, The keeper of things that are. As a West Texas homesteader, Flora Smith Dean worked hard to provide for her children, yet still took time to grow flowers, sing songs, regale her children with stories of the old days, and read the Bible. Because her life was not easy, she penned most of her poems after a long day of hard work. Later in life, after her husband’s health issues, Flora tended the farm during the day while still writing poetry to capture stories of the past, express a connection with God, and elicit emotional memories of that era. In a collection of original poems compiled by her son, Joseph, and shared in thematic categories to best tell her story, others receive a candid glimpse into the lives of the early settlers in West Texas through her lyrical reflections and Joseph’s additional thoughts. Within her writings, Flora offers insight into the hardships she faced, her community, and faith and family connections, ultimately bringing to life a period that is often overlooked and oversimplified in modern times. Poems of West Texas Life is a collection of poems and insights by a descendent that share a candid glimpse into the experiences and hardships of an early settler in West Texas.
Author | : El Blanco |
Publisher | : AuthorHouse |
Total Pages | : 61 |
Release | : 2011-11-14 |
Genre | : Poetry |
ISBN | : 1467800783 |
El Blanco has tried to capture some of the 21st century aspects of the region based on his observation while living in West Texas. He would have to say that the Rock House Fire of 2011 was the most inspiring event to date. (The Devil Came To Texas). He fell in love with the people, places and history of this region and hope to continue writing about it.
Author | : Jim Wayne Corder |
Publisher | : University of Arkansas Press |
Total Pages | : 164 |
Release | : 2008-01-01 |
Genre | : Literary Criticism |
ISBN | : 9780913785065 |
But of all the markers of Corder's Soul-questing, the most poignant is his last: his description of his grandmother's quilt-making, whose intricate (yet homemade) patterns express the true American folk-mandala, symbolic of psychic wholeness."--Jacket.
Author | : Paul H. Carlson |
Publisher | : University of Oklahoma Press |
Total Pages | : 321 |
Release | : 2014-03-04 |
Genre | : History |
ISBN | : 0806145242 |
Texas is as well known for its diversity of landscape and culture as it is for its enormity. But West Texas, despite being popularized in film and song, has largely been ignored by historians as a distinct and cultural geographic space. In West Texas: A History of the Giant Side of the State, Paul H. Carlson and Bruce A. Glasrud rectify that oversight. This volume assembles a diverse set of essays covering the grand sweep of West Texas history from the ancient to the contemporary. In four parts—comprehending the place, people, politics and economic life, and society and culture—Carlson and Glasrud and their contributors survey the confluence of life and landscape shaping the West Texas of today. Early chapters define the region. The “giant side of Texas” is a nineteenth-century geographical description of a vast area that includes the Panhandle, Llano Estacado, Permian Basin, and Big Bend–Trans-Pecos country. It is an arid, windblown environment that connects intimately with the history of Texas culture. Carlson and Glasrud take a nonlinear approach to exploring the many cultural influences on West Texas, including the Tejanos, the oil and gas economy, and the major cities. Readers can sample topics in whichever order they please, whether they are interested in learning about ranching, recreation, or turn-of-the-century education. Throughout, familiar western themes arise: the urban growth of El Paso is contrasted with the mid-century decline of small towns and the social shifting that followed. Well-known Texas scholars explore popular perceptions of West Texas as sparsely populated and rife with social contradiction and rugged individualism. West Texas comes into yet clearer view through essays on West Texas women, poets, Native peoples, and musicians. Gathered here is a long overdue consideration of the landscape, culture, and everyday lives of one of America’s most iconic and understudied regions.
Author | : Vievee Francis |
Publisher | : Northwestern University Press |
Total Pages | : 98 |
Release | : 2012-08-31 |
Genre | : Poetry |
ISBN | : 0810128403 |
Bold and skilled, Francis takes us into the still landscapes of Texas, evoking the African American South in fluid detail. Her poems become panhandle folktales fraught with the weight of memories both individual and collective. Her creative tangle of metaphors, people, and geography will keep the reader rooted in the good earth of extraordinary verse.
Author | : Oliphant, Dave |
Publisher | : Wings Press |
Total Pages | : 468 |
Release | : 2015-10-01 |
Genre | : Literary Criticism |
ISBN | : 1609404823 |
Dave Oliphant is widely considered the finest poetry critic ever produced by Texas. This volume brings together some 40 years of essays, articles, and reviews on the topic of Texas poetry -- its history as well as addressing individual poets and their books. Only one other book in the last two decades addressed the topic, and GENERATIONS OF TEXAS POETS is larger, more comprehensive, and of superior literary quality. In 1971, Larry McMurtry famously descried the lack of good Texas poetry; Oliphant has spent a lifetime nurturing it, publishing it, and has become its best critic.
Author | : Various |
Publisher | : Penguin |
Total Pages | : 507 |
Release | : 2003-08-26 |
Genre | : Poetry |
ISBN | : 1101174978 |
Every day people tune in to The Writer's Almanac on public radio and hear Garrison Keillor read them a poem. And here, for the first time, is an anthology of poems from the show, chosen by the narrator for their wit, their frankness, their passion, their "utter clarity in the face of everything else a person has to deal with at 7 a.m." The title Good Poems comes from common literary parlance. For writers, it's enough to refer to somebody having written a good poem. Somebody else can worry about greatness. Mary Oliver's "Wild Geese" is a good poem, and so is James Wright's "A Blessing." Regular people love those poems. People read them aloud at weddings, people send them by e-mail. Good Poems includes poems about lovers, children, failure, everyday life, death, and transcendance. It features the work of classic poets, such as Emily Dickinson, Walt Whitman, and Robert Frost, as well as the work of contemporary greats such as Howard Nemerov, Charles Bukowski, Donald Hall, Billy Collins, Robert Bly, and Sharon Olds. It's a book of poems for anybody who loves poetry whether they know it or not.
Author | : Billy Bob Hill |
Publisher | : TCU Press |
Total Pages | : 560 |
Release | : 2002 |
Genre | : Literary Criticism |
ISBN | : 9780875652672 |
And, of course, one poem about Texas that is magnificent in its awfulness, "Lasca," with memorable lines like "Scratches don't count/In Texas down by the Rio Grande."".
Author | : Linda Kirkpatrick |
Publisher | : Cowboy Miner Productions |
Total Pages | : 166 |
Release | : 2002-04 |
Genre | : History |
ISBN | : 9781931725019 |
Author | : Natalie Diaz |
Publisher | : Graywolf Press |
Total Pages | : 117 |
Release | : 2020-03-03 |
Genre | : Poetry |
ISBN | : 1644451131 |
WINNER OF THE 2021 PULITZER PRIZE IN POETRY FINALIST FOR THE 2020 NATIONAL BOOK AWARD FOR POETRY Natalie Diaz’s highly anticipated follow-up to When My Brother Was an Aztec, winner of an American Book Award Postcolonial Love Poem is an anthem of desire against erasure. Natalie Diaz’s brilliant second collection demands that every body carried in its pages—bodies of language, land, rivers, suffering brothers, enemies, and lovers—be touched and held as beloveds. Through these poems, the wounds inflicted by America onto an indigenous people are allowed to bloom pleasure and tenderness: “Let me call my anxiety, desire, then. / Let me call it, a garden.” In this new lyrical landscape, the bodies of indigenous, Latinx, black, and brown women are simultaneously the body politic and the body ecstatic. In claiming this autonomy of desire, language is pushed to its dark edges, the astonishing dunefields and forests where pleasure and love are both grief and joy, violence and sensuality. Diaz defies the conditions from which she writes, a nation whose creation predicated the diminishment and ultimate erasure of bodies like hers and the people she loves: “I am doing my best to not become a museum / of myself. I am doing my best to breathe in and out. // I am begging: Let me be lonely but not invisible.” Postcolonial Love Poem unravels notions of American goodness and creates something more powerful than hope—in it, a future is built, future being a matrix of the choices we make now, and in these poems, Diaz chooses love.