Pianos And Politics In China
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Author | : Richard Curt Kraus |
Publisher | : Oxford University Press, USA |
Total Pages | : 317 |
Release | : 1989 |
Genre | : China |
ISBN | : 0195058364 |
During the Cultural Revolution the piano, the musical embodiment of Western culture, became the object of intense hostility. This book examines the evolution of China's ever-changing disposition towards European music and Western influences generally.
Author | : Richard Curt Kraus |
Publisher | : Oxford University Press |
Total Pages | : 317 |
Release | : 1989-07-13 |
Genre | : Political Science |
ISBN | : 0195363264 |
In China, a nation where the worlds of politics and art are closely linked, Western classical music was considered during the cultural revolution to be an imperialist intrusion, in direct conflict with the native aesthetic. In this revealing chronicle of the relationship between music and politics in twentieth-century China, Richard Kraus examines the evolution of China's ever-changing disposition towards European music and demonstrates the steady westernization of Chinese music. Placing China's cultural conflicts in global perspective, he traces the lives of four Chinese musicians and reflects on how their experiences are indicative of China's place at the furthest edge of an expanding Western international order.
Author | : Richard Curt Kraus |
Publisher | : Univ of California Press |
Total Pages | : 230 |
Release | : 1991-07-24 |
Genre | : Art |
ISBN | : 9780520072855 |
Explores the interplay of politics and the art of writing in China today to explain the complex relationship between tradition and modernity in Chinese culture.
Author | : Richard Curt Kraus |
Publisher | : Rowman & Littlefield Publishers |
Total Pages | : 261 |
Release | : 2004-04-02 |
Genre | : History |
ISBN | : 1417503564 |
In this original exploration of the dynamic and potent interface between Chinese culture and politics, Richard Kraus examines the impact of the market on the once-comprehensive system of state patronage of the arts in the PRC. The author uses all genres of art to explore the changing nature of politics, seen through such phenomena as ideology, propaganda, censorship, and the relationship of artists to the state. Kraus makes three provocative arguments: First, the commercialization of China's cultural life has been intellectually liberating, but also poses serious economic challenges that artists are sometimes slow to master. Second, despite conventional wisdom in the West that China's economic reforms have not been followed by serious political reform, he shows that the shift from state patronage to a mixed system of private and public sponsorship is in fact a fundamental political change. Third, Western recognition of the reformation in China's cultural life has been obscured by a combination of ignorance, ideological barriers, and foreign policy rivalry. Cogent, witty, and deeply informed, this comprehensive overview of the Chinese arts scene will be an essential text for all observers of contemporary China.
Author | : William A. Joseph |
Publisher | : Oxford University Press, USA |
Total Pages | : 457 |
Release | : 2010 |
Genre | : History |
ISBN | : 0195335309 |
Sixty years ago, China was one of the poorest countries in the world, populated mostly by rural peasants, and still suffering from more than a century of internal turmoil and international humiliation. Today, China is a rapidly modernizing economic dynamo with growing global influence. Politics in China is an authoritative introduction to how this transformation occurred, and how China is governed today. Written by an international team of highly-regarded China scholars, each chapter offers an accessible overview of a key topic in Chinese politics. The opening section provides readers with a firm grounding in China's modern political history, from the fall of the last imperial dynasty through era of communist rule under Mao Zedong, Deng Xiaoping, and their successors. The next section covers the political system, with chapters on Communist Party ideology, the structure of the political system, and the policies behind the country's spectacular economic performance. The book then focuses on several major issues in China today: politics in the countryside and the cities; the arts; the environment; public health; and population policy. The final chapters cover politics in four important areas located on China's geographic periphery: Tibet, Xinjiang, Hong Kong, and Taiwan. Comprehensive and fully up to date in its coverage, Politics in China is essential not only for students studying contemporary China, but for any reader interested in learning how this rising power has evolved in recent times and the workings of its current political system.
Author | : Robert Bickers |
Publisher | : Penguin UK |
Total Pages | : 675 |
Release | : 2017-03-30 |
Genre | : History |
ISBN | : 1846146194 |
SHORTLISTED FOR THE 2018 WOLFSON HISTORY PRIZE The extraordinary and essential story of how China became the powerful country it is today. Even at the high noon of Europe's empires China managed to be one of the handful of countries not to succumb. Invaded, humiliated and looted, China nonetheless kept its sovereignty. Robert Bickers' major new book is the first to describe fully what has proved to be one of the modern era's most important stories: the long, often agonising process by which the Chinese had by the end of the 20th century regained control of their own country. Out of China uses a brilliant array of unusual, strange and vivid sources to recreate a now fantastically remote world: the corrupt, lurid modernity of pre-War Shanghai, the often tiny patches of 'extra-territorial' land controlled by European powers (one of which, unnoticed, had mostly toppled into a river), the entrepôts of Hong Kong and Macao, and the myriad means, through armed threats, technology and legal chicanery, by which China was kept subservient. Today Chinese nationalism stays firmly rooted in memories of its degraded past - the quest for self-sufficiency, a determination both to assert China's standing in the world and its outstanding territorial claims, and never to be vulnerable to renewed attack. History matters deeply to Beijing's current rulers - and Out of China explains why.
Author | : Kevin Latham |
Publisher | : Bloomsbury Publishing USA |
Total Pages | : 404 |
Release | : 2007-07-27 |
Genre | : Social Science |
ISBN | : 185109587X |
This exciting title in ABC-CLIO's Popular Culture in the Contemporary World series offers the nonspecialist reader the only up-to-date introduction to all facets of popular culture in China. China's release from Maoist austerity has produced an explosion in popular culture. The Chinese have embraced such technologies as television and cell phones and shaped them to their own social context. Understanding modern China requires a thorough knowledge of daily life there. This book presents readers, from high-school and college students to the inquisitive tourist, with that knowledge. The author, a scholar of Chinese culture, draws on his own fieldwork, along with authoritative scholarship and reporting, to give the reader a comprehensive, lively, and accessible introduction to all aspects of Chinese popular culture. The book begins with an introduction to understanding popular culture in China and covers mass media; print media; cinema, film, and video; the Internet; and also discusses the rise of consumption and consumerism. From the modernization of traditional theater to the traditional uses of modern technology, this book presents a guide to the emerging culture of a country that will inevitably become increasingly influential in coming years.
Author | : Nicole Talmacs |
Publisher | : Taylor & Francis |
Total Pages | : 203 |
Release | : 2017-02-03 |
Genre | : History |
ISBN | : 1315393972 |
Cover -- Title -- Copyright -- Dedication -- Contents -- List of figures and tables -- List of abbreviations -- Acknowledgements -- 1 Chinese audiences and the cinema of class -- 2 Class on screen and in reality: pre-conditioning audiences -- 3 Let the Bullets Fly: the socialisation of assumptions -- 4 Lost on Journey: prejudice in class relations -- 5 Go Lala Go!: secretaries, shopping and spinsterhood -- 6 House Mania: homeownership, marriageability and masculinity -- 7 The Piano in a Factory: suzhi, industrial heroes and the spectacle of poverty -- 8 Conclusion: class, the film and the filmmaker -- Films list -- Appendix: group discussants -- Let the Bullets Fly -- Lost on Journey -- Go Lala Go! -- House Mania -- The Piano in a Factory -- Index
Author | : Shiping Hua |
Publisher | : Springer Nature |
Total Pages | : 309 |
Release | : 2022-02-06 |
Genre | : History |
ISBN | : 9811680329 |
This book is a study of the change and continuity in paradigms in China studies, both inside and outside of China. In the last few years, the United States and China appeared to be moving in the direction of “de-coupling,” indicating that the engagement policy with China in the last four decade is ending. The “modernization theory” that is the theoretical foundation of the engagement policy has proved to be insufficient. This situation calls for a reexamination of the field of China studies. Historically, scholarly paradigms shifts often went hand in hand with drastic social change. As we have entered an era of great uncertainty, it is constructive to reflect on the paradigms in China studies in the past and explore the possibility of new paradigms in the future. How are the shifts of major theories, methods and paradigms in China studies in the west related to social change? How did some of China’s paradigms impact on the country’s social change and developments? This book will appeal to a wide readership, including scholars and graduate students, upper division undergraduate students of China studies, Asian studies.
Author | : Grace Wang |
Publisher | : Duke University Press |
Total Pages | : 255 |
Release | : 2015-02-15 |
Genre | : Social Science |
ISBN | : 0822376083 |
In Soundtracks of Asian America, Grace Wang explores how Asian Americans use music to construct narratives of self, race, class, and belonging in national and transnational spaces. She highlights how they navigate racialization in different genres by considering the experiences of Asians and Asian Americans in Western classical music, U.S. popular music, and Mandopop (Mandarin-language popular music). Her study encompasses the perceptions and motivations of middle-class Chinese and Korean immigrant parents intensely involved in their children's classical music training, and of Asian and Asian American classical musicians whose prominence in their chosen profession is celebrated by some and undermined by others. Wang interviews young Asian American singer-songwriters who use YouTube to contest the limitations of a racialized U.S. media landscape, and she investigates the transnational modes of belonging forged by Asian American pop stars pursuing recording contracts and fame in East Asia. Foregrounding musical spaces where Asian Americans are particularly visible, Wang examines how race matters and operates in the practices and institutions of music making.