Piano Concerto No. 2 in B-flat, Opus 19
Author | : Ludwig van Beethoven |
Publisher | : Alfred Music |
Total Pages | : 52 |
Release | : 1996-02-01 |
Genre | : Music |
ISBN | : 9781457472428 |
A Piano Duet for 2 pianos, 4 hands, composed by Ludwig van Beethoven.
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Author | : Ludwig van Beethoven |
Publisher | : Alfred Music |
Total Pages | : 52 |
Release | : 1996-02-01 |
Genre | : Music |
ISBN | : 9781457472428 |
A Piano Duet for 2 pianos, 4 hands, composed by Ludwig van Beethoven.
Author | : Ludwig van Beethoven |
Publisher | : Eulenburg |
Total Pages | : 87 |
Release | : 2017-11-02 |
Genre | : Music |
ISBN | : 3795721407 |
Over 200 works of the well-known Edition Eulenburg series of scores from orchestral and choral literature, chamber music and music theatre are now available in digital format. You can now enjoy the yellow study scores digitally with one click in excellent reproduction quality. Über 200 Werke der berühmten Edition Eulenburg Partiturreihe für Orchester- und Chorliteratur, Kammermusik und Musiktheater sind nun auch in einer digitalen Aufbereitung erhältlich. In optisch hervorragender Darstellung kann man die gelben Studienpartituren mit einem Klick jetzt auch digital genießen.
Author | : Stephan D. Lindeman |
Publisher | : Pendragon Press |
Total Pages | : 368 |
Release | : 1999 |
Genre | : Juvenile Nonfiction |
ISBN | : 9781576470008 |
Lindeman, a musicologist, traces and defines the historical development of the concerto form as it passed from Mozart to succeeding generations. He then assesses Beethoven's contributions, and examines the classical model of the form in the early 19th century by overviewing several early romantic composers' works. Subsequent chapters analyze and assess the responses of five precursers of Schumann, whose work offers a synthesis of radical experiments and traditional tenets. He concludes by suggesting that concertos of Lizst offer a road into further developments of the genre in the second half of the century. Illustrated with bandw portraits of composers and excerpts from musical scores. Annotation copyrighted by Book News, Inc., Portland, OR
Author | : Christopher Reynolds |
Publisher | : U of Nebraska Press |
Total Pages | : 270 |
Release | : 1992-01-01 |
Genre | : Music |
ISBN | : 9780803239067 |
This inaugural volume of Beethoven Forum presents the work of ten leading scholars who focus on an array of matters that clearly illustrate the vitality of current thought on Beethoven. Scott Burnham leads off the collection with a discussion of the reception of Beethoven's Third Symphony, the Eroica, a composition that continues to spur new interpretations. In succeeding chapters James Webster analyzes the formal sophistication of Beethoven's most influential and idiosyncratic creation, the last movement of his Ninth Symphony; Roger Kamien and William Kinderman examine piano sonatas; David Smyth and Richard Kramer investigate string quartets; Robert Freeman discusses his discovery of previously unknown cadenzas for Beethoven's piano concertos; Theodore Albrecht relates Beethoven's reading of Shakespeare to Beethoven's own life, and both to the "Tempest" Sonata; and Nicholas Marston uses Barry Cooper's recent work on Beethoven as the basis for a consideration of value of sketch studies. In an especially innovating article Julia Moore discusses the economic forces that shaped Beethoven's career. An annual series, Beethoven Forum will serve as an international venue for articles, notes, queries, critical exchanges, and reviews.
Author | : Kenneth Birkin |
Publisher | : Cambridge University Press |
Total Pages | : 735 |
Release | : 2011-07-07 |
Genre | : Biography & Autobiography |
ISBN | : 1107005868 |
A detailed study of the life of one of the most important and influential musical figures of the nineteenth century.
Author | : Wise Publications |
Publisher | : Wise Publications |
Total Pages | : 130 |
Release | : 2016-12-06 |
Genre | : Music |
ISBN | : 1783239700 |
Everybody's Favorite: Easy Piano Pieces contains 55 notable works by some of the world's best-known composers in the classical tradition. Spanning over 250 years, from Bach to Rachmaninoff, players can enjoy an inspiring journey through the history of classical music whilst learning to play these celebrated compositions. Short biographies are included for selected composers, allowing players to gain further insight into their lives and works. All the pieces in this book have been arranged in Easy Piano format in a considered and thoughtful fashion, retaining as much of the original musical substance as possible. Songlist: C.P.E. Bach - Pastorale J.S. Bach - Minuet in G minor - Sheep may safely graze (from Cantata 208) - Toccata and Fugue in D minor Beethoven - Fidelio - Für Elise - Moonlight Sonata (1st movement) - Pathétique Sonata (2nd movement) - Symphony No. 5 (1st movement) Bizet - The Flower Song (from Carmen) - Prelude in E minor (Op. 2, No. 4) Brahms - Hungarian Dance No. 5 - Symphony No. 3 (2nd movement) - Waltz (Op. 39, No. 15) Chopin - Grande valse bbrillante (Op. 18) - Nocturne in E major (Op. 9, No. 2) - Raindrop Prelude (Op. 28, No. 15) Debussey - Clair de Lune (from Suite Bergamasque) - En Bateau (from Petite Suite) Dvořák - Symphony No. 9 ‘From the New World’ (2nd movement) Fauré - Pie Jesu (from Requiem) Franck - Panis Angelicus Grieg - Morning (from Peer Gynt) - Piano Concerto (1st movement) Handel - The Arrival of the Queen of Sheba - Hornpipe (from Water Music) - Lascia ch’io pianga (from Rinaldo) Haydn - Menuetto con Variazioni (Sonata in D major) - Serenade (from String Quartet Op. 3, No. 5) - Symphony No. 104 ‘London’ (2nd movement) Holst - Jupiter (from The Planets) Liszt -Liebestraum No. 3 Massenet - Méditation (from Thaïs)Mendelssohn - The Hebrides Overture (Fingal’s Cave) Mozart - Là ci darem la mano (from Don Giovanni) - Piano Concerto No. 21 in C major - ‘Elvira Madigan’ (2nd movement) - Sonata in A major (1st movement) Purcell - When I Am Laid In Earth (from Dido and Aeneas) Rachmaninoff - Piano Concerto No. 2 (2nd movement) - Piano Concerto No. 3 (1st movement) Scarlatti - Larghetto Schubert - Ave Maria - Death and the Maiden (String Quartet No. 14 in D minor) - Entr’acte (from Rosamunde) Schumann - Soldier’s March (from Album For The Young) - Träumerei (from Album For The Young) Strauss - Emperor Waltz - Tales from the Vienna Woods Tchaikovsky - Pathétique Symphony (1st movement) - Piano Concerto No. 1 in Bb major(1st movement) - Waltz of the Flowers (from The Nutcracker Suite) Telemann - Danse Galante Verdi - Chorus of the Hebrew Slaves (from Nabucco) - La donna è mobile (from Rigoletto) Vivaldi - Autumn (from The Four Seasons)
Author | : Stephen Downes |
Publisher | : Routledge |
Total Pages | : 324 |
Release | : 2021-05-30 |
Genre | : Music |
ISBN | : 0429837410 |
In a wide-ranging study of sentimentalism’s significance for styles, practices and meanings of music in the nineteenth and twentieth centuries, a series of interpretations scrutinizes musical expressions of sympathetic responses to suffering and the longing to belong. The book challenges hierarchies of artistic value and the associated denigration of sentimental feeling in gendered discourses. Fresh insights are thereby developed into sentimentalism’s place in musical constructions of emotion, taste, genre, gender, desire, and authenticity. The contexts encompass diverse musical communities, performing spaces, and listening practices, including the nineteenth-century salon and concert hall, the cinema, the intimate stage persona of the singer-songwriter, and the homely ambiguities of ‘easy’ listening. Interdisciplinary insights inform discussions of musical form, affect, appropriation, nationalisms, psychologies, eco-sentimentalism, humanitarianism, consumerism, and subject positions, with a particular emphasis on masculine sentimentalities. Music is drawn from violin repertory associated with Joseph Joachim, the piano music of Chopin, Schumann, and Liszt, sentimental waltzes from Schubert to Ravel, concert music by Bartók, Szymanowski and Górecki, the Merchant-Ivory adaptation of The Remains of the Day, Antônio Carlos Jobim’s bossa nova, and songs by Duke Ellington, Burt Bacharach, Carole King, Barry Manilow and Jimmy Webb. The book will attract readers interested in both the role of music in the history of emotion and the persistence and diversity of sentimental arts after their flowering in the eighteenth-century age of sensibility.
Author | : Stephan D. Lindeman |
Publisher | : Routledge |
Total Pages | : 666 |
Release | : 2006-11-06 |
Genre | : Music |
ISBN | : 1135922055 |
Twelve-tone and serial music were dominant forms of composition following World War II and remained so at least through the mid-1970s. In 1961, Ann Phillips Basart published the pioneering bibliographic work in the field.
Author | : John Michael Cooper |
Publisher | : Oxford University Press, USA |
Total Pages | : 262 |
Release | : 2003 |
Genre | : Language Arts & Disciplines |
ISBN | : 9780198166535 |
This study of the composition, reception, extramusical implications and stylistic eclecticism of Mendelssohn's Italian Symphony devotes extensive attention to the differences between the posthumously published familiar version of the work and the composer's revision, which remained unpublised until 2001.
Author | : Johann Sebastian Bach |
Publisher | : Alfred Music |
Total Pages | : 358 |
Release | : |
Genre | : Music |
ISBN | : 9781457471193 |
Bach: Concerto in D minor for one clavier * Concerto in F minor for one clavier * Concerto in C Major for two claviers * Concerto in C minor for two claviers * Concerto in D minor for three claviers * Concerto in C Major for three claviers * Concerto in A minor for four claviers. Beethoven: Concerto No. 1 in C (Op. 15) * Concerto No. 2 in B-flat (Op. 19) * Concerto No. 3 in C minor * Concerto No. 4 in G (Op. 58) * Concerto No. 5 in E-flat (Op. 73). Brahms: Concerto in D minor (Op. 15) * Concerto in B-flat (Op. 83).