Photography On The Color Line
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Author | : Shawn Michelle Smith |
Publisher | : Duke University Press |
Total Pages | : 276 |
Release | : 2004-06-07 |
Genre | : Art |
ISBN | : 9780822333432 |
DIVAn exploration of the visual meaning of the color line and racial politics through the analysis of archival photographs collected by W.E.B. Du Bois and exhibited at the Paris Exposition of 1900./div
Author | : Jason Chambers |
Publisher | : University of Pennsylvania Press |
Total Pages | : 332 |
Release | : 2009-05-22 |
Genre | : Business & Economics |
ISBN | : 9780812220605 |
Until now, most works on the history of African Americans in advertising have focused on the depiction of blacks in advertisements. Madison Avenue and the Color Line breaks new ground by examining the history of black advertising agency employees and agency owners.
Author | : Shawn Michelle Smith |
Publisher | : Duke University Press |
Total Pages | : 178 |
Release | : 2020-01-03 |
Genre | : Photography |
ISBN | : 147800553X |
In Photographic Returns Shawn Michelle Smith traces how historical moments of racial crisis come to be known photographically and how the past continues to inhabit, punctuate, and transform the present through the photographic medium in contemporary art. Smith engages photographs by Rashid Johnson, Sally Mann, Deborah Luster, Lorna Simpson, Jason Lazarus, Carrie Mae Weems, Taryn Simon, and Dawoud Bey, among others. Each of these artists turns to the past—whether by using nineteenth-century techniques to produce images or by re-creating iconic historic photographs—as a way to use history to negotiate the present and to call attention to the unfinished political project of racial justice in the United States. By interrogating their use of photography to recall, revise, and amplify the relationship between racial politics of the past and present, Smith locates a temporal recursivity that is intrinsic to photography, in which images return to haunt the viewer and prompt reflection on the present and an imagination of a more just future.
Author | : The W.E.B. Du Bois Center at the University of Massachusetts Amherst |
Publisher | : Chronicle Books |
Total Pages | : 152 |
Release | : 2018-11-06 |
Genre | : |
ISBN | : 1616897775 |
The colorful charts, graphs, and maps presented at the 1900 Paris Exposition by famed sociologist and black rights activist W. E. B. Du Bois offered a view into the lives of black Americans, conveying a literal and figurative representation of "the color line." From advances in education to the lingering effects of slavery, these prophetic infographics —beautiful in design and powerful in content—make visible a wide spectrum of black experience. W. E. B. Du Bois's Data Portraits collects the complete set of graphics in full color for the first time, making their insights and innovations available to a contemporary imagination. As Maria Popova wrote, these data portraits shaped how "Du Bois himself thought about sociology, informing the ideas with which he set the world ablaze three years later in The Souls of Black Folk."
Author | : Max Kozloff |
Publisher | : |
Total Pages | : 0 |
Release | : 2014 |
Genre | : Photography |
ISBN | : 9783865214133 |
"Saul Leiter's early black and white photographs are as innovative and challenging as his highly regarded early work in color. Breaking with the documentary tradition, Leiter responded to the dynamic street life of New York City with a spontaneity and openness that resulted in vibrant, impressionistic images that have the immediacy of an accomplished artist's sketch. With his unconventional framing and nuanced use of light, shadow and tone, Leiter created images with a lyrical subtlety like no other photographer of his era, and brought the same sensibility to his intimate and frank portrayals of family members and friends. Early Black and White shows the impressive range of Leiter's early photography."--Slipcase.
Author | : Ray Stannard Baker |
Publisher | : |
Total Pages | : 396 |
Release | : 1908 |
Genre | : African Americans |
ISBN | : |
Author | : James Brooks |
Publisher | : U of Nebraska Press |
Total Pages | : 412 |
Release | : 2002-07-01 |
Genre | : Social Science |
ISBN | : 9780803206281 |
Confounding the Color Line is an essential, interdisciplinary introduction to the myriad relationships forged for centuries between Indians and Blacks in North America.øSince the days of slavery, the lives and destinies of Indians and Blacks have been entwined-thrown together through circumstance, institutional design, or personal choice. Cultural sharing and intermarriage have resulted in complex identities for some members of Indian and Black communities today. The contributors to this volume examine the origins, history, various manifestations, and long-term consequences of the different connections that have been established between Indians and Blacks. Stimulating examples of a range of relations are offered, including the challenges faced by Cherokee freedmen, the lives of Afro-Indian whalers in New England, and the ways in which Indians and Africans interacted in Spanish colonial New Mexico. Special attention is given to slavery and its continuing legacy, both in the Old South and in Indian Territory. The intricate nature of modern Indian-Black relations is showcased through discussions of the ties between Black athletes and Indian mascots, the complex identities of Indians in southern New England, the problem of Indian identity within the African American community, and the way in which today's Lumbee Indians have creatively engaged with African American church music. At once informative and provocative, Confounding the Color Line sheds valuable light on a pivotal and not well understood relationship between these communities of color, which together and separately have affected, sometimes profoundly, the course of American history.
Author | : Mark Perry |
Publisher | : Teaching for Social Justice (H |
Total Pages | : 189 |
Release | : 2000 |
Genre | : Education |
ISBN | : 9780807739655 |
In this book, the author chronicles three years in the life of a predominately Latino alternative high school for adolescents who have been pushed out or dropped out of school. He shares the story of these students, their teachers, and himself as they work toward transformation and critical consciousness.
Author | : Quincy T. Mills |
Publisher | : University of Pennsylvania Press |
Total Pages | : 337 |
Release | : 2013-11-21 |
Genre | : Business & Economics |
ISBN | : 0812245415 |
Examines the history of black-owned barber shops in the United States, from pre-Civil War Era through today.
Author | : Jesse Day |
Publisher | : Skyhorse Publishing Inc. |
Total Pages | : 145 |
Release | : 2013-04 |
Genre | : Art |
ISBN | : 1621532445 |
The only guide of its kind, Line Color Form offers a thorough introduction to design theory and terminology in a visually appealing and accessible format. With hundreds of illustrations and minimal text, this primer was created with visual learners in mind, making it ideal for art students as well as those for whom English is a second language. Each chapter focuses on a single aspect of visual composition, such as line, color, or material. After an illustrated discussion of fundamental vocabulary, the chapters move on to applications of the concepts through images, including photographs, color wheels, significant works of art, and other visual aids. Each image is accompanied by a descriptive paragraph offering an example of how the vocabulary can be applied in visual analysis. The book culminates with a section on formal analysis, aimed at teaching readers how to express their observations in formal writing and critical discourse. Whether you are a design educator, student, or professional, native or non-native English speaker, this reference is a must.