Photographing Men
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| Author | : Jeff Rojas |
| Publisher | : Peachpit Press |
| Total Pages | : 435 |
| Release | : 2016-03-08 |
| Genre | : Photography |
| ISBN | : 0134433246 |
More and more men are seeking out great portrait, commercial, or fashion photography. For working photographers, photographing men may be one of today's greatest new opportunities. But, while there are dozens of books, guides, and workshops on photographing women, there's been practically nothing comparable for men… until now! Jeff Rojas's Photographing Men is today's definitive full-color guide to every aspect of modern male photography. Rojas builds on his unique in-person course, which has made him Google's #1 go-to search result for knowledge on photographing males. Rojas covers posing, styling, posing, lighting, post-production, and more, showing how to achieve outstanding results and maximum creative expression. You'll discover how to: Make male clients look natural, masculine, and confident Skillfully document your male clients' best attributes, physical and emotional Define every man's face shapes, body shapes, and other features Compensate for flaws and perceived flaws, including acne, baldness, double chins, gray hair, wrinkles, and large features Overcome the challenges of styling male subjects, including big, skinny, and short men Understand how a suit should really fit your subject - and what to do if suits are out of the question Properly light all shapes and sizes of men for portraits, fashion, and commercial images (with complete lighting diagrams, behind-the-scenes images, and gear lists) Get detailed examples and tips for portraits, 3/4 poses, and full-length poses Photograph entrepreneurs, managers, prosperous men, innovators, "classic" and "handsome" men, athletes, muscle men, underwear models, and even movie stars Complement every man's features in post-production techniques And much more
| Author | : Michelle Perkins |
| Publisher | : Amherst Media |
| Total Pages | : 511 |
| Release | : 2011-07-01 |
| Genre | : Photography |
| ISBN | : 1608954951 |
Designed to address the challenges of posing two subjects together, this visual sourcebook offers creative, evocative poses for a variety of two-subject groupings, including romantic couples, business partners, friends, and siblings. Through the inclusion of contemporary images from some of the world’s most accomplished photographers, shutterbugs will learn how to finesse poses to show the relationship between the subjects in the portrait. Grouped according to how much of the subject is included in the frame—from head-and-shoulder shots to full-length portraits—this manual is organized to teach compositional skills and how to direct the eye to points of focus within an image. An indispensible handbook for beginning, intermediate, or professional photographers, this book provides inspiration along with a plethora of images for igniting a creative spark.
| Author | : John Ibson |
| Publisher | : |
| Total Pages | : 0 |
| Release | : 2006 |
| Genre | : Male friendship |
| ISBN | : 9780226368580 |
These photographs, spanning from before the Civil War to the 1950s, reveal a lost world. Rather than imposing contemporary notions of sexuality by assuming the images only illustrate a portion of the gay past, Ibson returns them to their own time to examine what they meant to the subjects. His perspective unearths a hidden aspect of American men's history. 140 photos.
| Author | : Jeff Rojas |
| Publisher | : Rocky Nook, Inc. |
| Total Pages | : 419 |
| Release | : 2016-12-16 |
| Genre | : Photography |
| ISBN | : 1681981769 |
| Author | : Michael L. Abramson |
| Publisher | : |
| Total Pages | : 96 |
| Release | : 2018-06 |
| Genre | : |
| ISBN | : 9781910566299 |
One day each year camera-wielding men who paid the cover charge were invited into the Festival Theater, a strip club in Chicago, for 'Camera Night' and permitted to direct their lens anywhere they liked. Shot between 1978-80, these images offer a cheeky retrospective look at the way in which men used to look at women. By choosing to photograph the men photographing the women, Abramson was able to remove himself from the sordidness and yet show it to us at the same time.
| Author | : |
| Publisher | : |
| Total Pages | : 850 |
| Release | : 1926 |
| Genre | : Photography |
| ISBN | : |
| Author | : Claire Raymond |
| Publisher | : Taylor & Francis |
| Total Pages | : 256 |
| Release | : 2017-04-21 |
| Genre | : Art |
| ISBN | : 1317242467 |
Women Photographers and Feminist Aesthetics makes the case for a feminist aesthetics in photography by analysing key works of twenty-two women photographers, including cis- and trans-woman photographers. Claire Raymond provides close readings of key photographs spanning the history of photography, from nineteenth-century Europe to twenty-first century Africa and Asia. She offers original interpretations of well-known photographers such as Diane Arbus, Sally Mann, and Carrie Mae Weems, analysing their work in relation to gender, class, and race. The book also pays close attention to the way in which indigenous North Americans have been represented through photography and the ways in which contemporary Native American women photographers respond to this history. Developing the argument that through aesthetic force emerges the truly political, the book moves beyond polarization of the aesthetic and the cultural. Instead, photographic works are read for their subversive political and cultural force, as it emerges through the aesthetics of the image. This book is ideal for students of Photography, Art History, Art and Visual Culture, and Gender.
| Author | : Michelle Perkins |
| Publisher | : Amherst Media |
| Total Pages | : 562 |
| Release | : 2015-06-22 |
| Genre | : Photography |
| ISBN | : 1608959104 |
It’s the portrait photographer’s job to create a flattering—perhaps idealized—likeness of the subject in front of his or her lens. There are countless things to consider both technically and artistically in order to make that happen. One thing is for certain: The more you show in the portrait, the more of the body that you will need to carefully position and refine. Nowhere is this more true than when photographing a full-length subject. Every part of the body, from the hair to the tips of the toes, must be posed, clothed, lighted, and shaded in order to look its best. The truth is, most photographers have trouble with conceptualizing and carrying out their client’s full-length poses. They have their clients strike a pose and try to envision how to make it look natural, comfortable, and photogenic. Unfortunately, their attempts often result in a stiff, unflattering, flat, or just plain awkward presentation. This visual sourcebook features a wide range of full-length poses designed for men, women, teens, kids, and groups—in the studio and on location. Photographers will find examples of poses for subjects of all ages that work perfectly for any portrait style, from reserved to edgy and fashion-forward, in seated, standing, and reclining presentations. Featuring studio and location (indoor and outdoor) portraits from twenty heralded portrait pros, this book will allow photographers to find a pose to re-create with their client—and adventurous shooters can use a sample portrait as a springboard for a new pose they conceptualize to suit their unique client or one-of-a-kind portrait concept. Complete with text on posing basics, this book is an indispensable resource that you’ll turn to over and over again.
| Author | : Raoul J. Granqvist |
| Publisher | : MSU Press |
| Total Pages | : 270 |
| Release | : 2017-04-01 |
| Genre | : Photography |
| ISBN | : 1628952881 |
This book is the first to question both why and how the colonialist mythologies represented by the work of photographer Eliot Elisofon persist. It documents and discusses a heterogeneous practice of American coloniality of power as it explores Elisofon’s career as war photographer-correspondent and staff photographer for LIFE, filmmaker, author, artist, and collector of “primitive art” and sculpture. It focuses on three areas: Elisofon’s narcissism, voyeurism, and sexism; his involvement in the homogenizing of Western social orders and colonial legacies; and his enthused mission of “sending home” a mass of still-life photographs, annexed African artifacts, and assumed vintage knowledge. The book does not challenge his artistic merit or his fascinating personality; what it does question is his production and imagining of “difference.” As the text travels from World War II to colonialism, postcolonialism, and the Cold War, from Casablanca to Leopoldville (Kinshasa), it proves to be a necessarily strenuous and provocative trip.
| Author | : Norman Phillips |
| Publisher | : Amherst Media |
| Total Pages | : 317 |
| Release | : 2005-10-28 |
| Genre | : Photography |
| ISBN | : 1584284609 |
Combining two disciplines—posing and wedding portraiture—this professional resource helps photographers create flattering poses to build the best possible portraits and highest possible sales. Photographers are taught how to position the head, shoulders, torso, arms, hands, legs, and feet to correct figure flaws, make a client feel relaxed, and evoke a dynamic image that tells a story or defines a relationship. The challenges of shooting on location are addressed with tips for adjusting poses in any situation. A discussion of body language and how small
