Phenomenal Blackness
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Author | : Mark Christian Thompson |
Publisher | : University of Chicago Press |
Total Pages | : 204 |
Release | : 2022-01-21 |
Genre | : Literary Criticism |
ISBN | : 0226816435 |
This unorthodox account of 1960s Black thought rigorously details the field’s debts to German critical theory and explores a forgotten tradition of Black singularity. Phenomenal Blackness examines the changing interdisciplinary investments of key mid-century Black writers and thinkers, including the growing interest in German philosophy and critical theory. Mark Christian Thompson analyzes this shift in intellectual focus across the post-war decades, placing Black Power thought in a philosophical context. Prior to the 1960s, sociologically oriented thinkers such as W. E. B. Du Bois had understood Blackness as a singular set of socio-historical characteristics. In contrast, writers such as Amiri Baraka, James Baldwin, Angela Y. Davis, Eldridge Cleaver, and Malcolm X were drawn to notions of an African essence, an ontology of Black being. With these perspectives, literary language came to be seen as the primary social expression of Blackness. For this new way of thinking, the works of philosophers such as Adorno, Habermas, and Marcuse were a vital resource, allowing for continued cultural-materialist analysis while accommodating the hermeneutical aspects of Black religious thought. Thompson argues that these efforts to reimagine Black singularity led to a phenomenological understanding of Blackness—a “Black aesthetic dimension” wherein aspirational models for Black liberation might emerge.
Author | : Mark Christian Thompson |
Publisher | : University of Chicago Press |
Total Pages | : 204 |
Release | : 2022-01-21 |
Genre | : HISTORY |
ISBN | : 0226816427 |
The essence of the matter -- The politics of Black friendship : Gadamer, Baldwin and the Black hermeneutic -- The Aardvark of history : Malcolm X, language and power -- Black aesthetic autonomy : Ralph Ellison, Amiri Baraka, and "literary Negro-ness" -- The revolutionary will not be hypnotized : Eldridge Cleaver and Black ideology -- Unrepeatable : Angela Y. Davis and Black critical theory -- Black aesthetic theory.
Author | : Uriah Kriegel |
Publisher | : Routledge |
Total Pages | : 264 |
Release | : 2013-10-01 |
Genre | : Philosophy |
ISBN | : 1136299963 |
Philosophy of mind is one of the most dynamic fields in philosophy, and one that invites debate around several key questions. There currently exist annotated tomes of primary sources, and a handful of single-authored introductions to the field, but there is no book that captures philosophy of mind’s recent dynamic exchanges for a student audience. By bringing compiling ten newly commissioned pieces in which leading philosophers square off on five central, related debates currently engaging the field, editor Uriah Kriegel has provided such a publication.The five debates include: Mind and Body: The Prospects for Russellian Monism Mind in Body: The Scope and Nature of Embodied Cognition Consciousness: Representationalism and the Phenomenology of Moods Mental Representation: The Project of Naturalization The Nature of Mind: The Importance of Consciousness. Preliminary descriptions of each chapter, annotated bibliographies for each controversy, and a supplemental guide to further controversies in philosophy of mind (with bibliographies) help provide clearer and richer views of active controversies for all readers.
Author | : E. Lâle Demirtürk |
Publisher | : Rowman & Littlefield |
Total Pages | : 269 |
Release | : 2019-08-09 |
Genre | : Literary Criticism |
ISBN | : 1498596223 |
African American Novels in the Black Lives Matter Era: Transgressive Performativity of Black Vulnerability as Praxis in Everyday Life explores the undoing of whiteness by black people, who dissociate from scripts of black criminality through radical performative reiterations of black vulnerability. It studies five novels that challenge the embodied discursive practices of whiteness in interracial social encounters, showing how they use strategic performances of Blackness to enable subversive practices in everyday life, which is constructed and governed by white mechanisms of racialized control. The agency portrayed in these novels opens up alternative spaces of Blackness to impact the social world and effects transformative change as a forceful critique of everyday life. African American Novels in the Black Lives Matter Era shows how these novels reformulate the problem of black vulnerability as a constitutive source of the right to life in their refusal of subjection to vulnerability, enacted by white institutional and individual forms of violence. It positions a white-black-encounter-oriented reading of these “neo-resistance novels” of the Black Lives Matter era as a critique of everyday life in an effort to explore spaces of radical performativity of blackness to make happen social change and transformation.
Author | : Tiziana Morosetti |
Publisher | : Springer Nature |
Total Pages | : 517 |
Release | : 2021-04-20 |
Genre | : Performing Arts |
ISBN | : 3030439577 |
The first comprehensive publication on the subject, this book investigates interactions between racial thinking and the stage in the modern and contemporary world, with 25 essays on case studies that will shed light on areas previously neglected by criticism while providing fresh perspectives on already-investigated contexts. Examining performances from Europe, the Americas, the Middle East, Africa, China, Australia, New Zealand, and the South Pacifi c islands, this collection ultimately frames the history of racial narratives on stage in a global context, resetting understandings of race in public discourse.
Author | : Harvey Young |
Publisher | : University of Michigan Press |
Total Pages | : 272 |
Release | : 2010-07 |
Genre | : Art |
ISBN | : 0472051113 |
the highly predictable and anticipated arrival of racial violence within a person's lifetime --
Author | : Eli Alshanetsky |
Publisher | : Oxford University Press |
Total Pages | : 185 |
Release | : 2019-11-28 |
Genre | : Philosophy |
ISBN | : 0191088935 |
Articulating a thought can be astoundingly easy. We generally have no trouble expressing complex ideas that we have never considered before, though not always. Articulating a thought can also be extremely hard. Our difficulties in articulating thoughts pervade many aspects of philosophical inquiry, as well as many ordinary situations. While we may overcome some of the challenges through education and practice, we cannot do away with them altogether. And the hardest thoughts to articulate often come to us unbidden: as we neither assemble them from other thoughts nor get them from any source of external information. They can come from us freely and spontaneously, and frequently we articulate them in order to find out what they are. In many cases, we would not bother articulating our thoughts if we already had this knowledge--yet, when we find the right words, we can often instantly tell that they express our thought. How do we manage to recognize the formulations of our thoughts, in the absence of prior knowledge of what we are thinking? And why is it that producing a public language formulation contributes in any way to the deeply private undertaking of coming to know our own thoughts? In Articulating a Thought, Eli Alshanetsky considers how we make our thoughts clear to ourselves in the process of putting them into words and examines the paradox of those difficult cases where we do not already know what we are struggling to articulate.
Author | : Annette Arlander |
Publisher | : Routledge |
Total Pages | : 377 |
Release | : 2017-12-06 |
Genre | : Performing Arts |
ISBN | : 1351654330 |
Performance as Research (PAR) is characterised by an extraordinary elasticity and interdisciplinary drive. Performance as Research: Knowledge, Methods, Impact celebrates this energy, bringing together chapters from a wide range of disciplines and eight different countries. This volume focuses explicitly on three critical, often contentious themes that run through much discussion of PaR as a discipline: Knowledge - the areas and manners in which performance can generate knowledge Methods - methods and methodologies for approaching performance as research Impact - a broad understanding of the impact of this form of research These themes are framed by four essays from the book's editors, contextualising their interrelated conversations, teasing out common threads, and exploring the new questions that the contributions pose to the field of performance. As both an intervention into and extension of current debates, this is a vital collection for any reader concerned with the value and legitimacy of performance as research.
Author | : Edia Connole |
Publisher | : Mimesis |
Total Pages | : 247 |
Release | : 2015-09-18T00:00:00+02:00 |
Genre | : Music |
ISBN | : 8869770362 |
Floating Tomb: Black Metal Theory is a collaborative collection of writings in black metal theory (BMT), an amorphous ‘metallectual’ movement initiated in 2009 with the symposium Hideous Gnosis. According to its earliest formulation, BMT seeks to creatively destroy the boundary between metal and theory, to make something new in the space of their shared negativity: ‘Not black metal. Not theory. Not not black metal. Not not theory. Black metal theory. Theoretical blackening of metal. Metallic blackening of theory. Mutual blackening. Nigredo in the intoxological crucible of symposia’. This volume gathers together previously published and new work on BMT focusing onmysticism, a domain of thought and experience with deep connections both to the black metal genre and to theory (theoria, vision, contemplation). More than a topic for BMT, the mystical is here explored in terms of the continuous intersection of black metal andtheory, the ‘floating tomb’ wherein metal is elevated into the intellectual and visionary experience that it already is.
Author | : Kennan Ferguson |
Publisher | : U of Minnesota Press |
Total Pages | : 174 |
Release | : 2022-01-04 |
Genre | : Philosophy |
ISBN | : 1452966273 |
What it means to celebrate the potential and the power of no What does it mean to refuse? To not participate, to not build a better world, to not come up with a plan? To just say “no”? Against the ubiquitous demands for positive solutions, action-oriented policies, and optimistic compromises, The Big No refuses to play. Here leading scholars traverse the wide range of political action when “no” is in the picture, analyzing topics such as collective action, antisocialism, empirical science, the negative and the affirmative in Deleuze and Derrida, the “real” and the “clone,” Native sovereignty, and Afropessimism. In his introduction, Kennan Ferguson sums up the concept of the “Big No,” arguing for its political importance. Whatever its form—he identifies various strains—the Big No offers power against systems of oppression. Joshua Clover argues for the importance of Marx and Fanon in understanding how people are alienated and subjugated. Theodore Martin explores the attractions of antisociality in literature and life, citing such novelists as Patricia Highsmith and Richard Wright. François Laruelle differentiates nonphilosophy from other forms of French critical theory. Katerina Kolozova applies this insight to the nature of reality itself, arguing that the confusion of thought and reality leads to manipulation, automation, and alienation. Using poetry and autobiography, Frank Wilderson shows how Black people—their bodies and being—are displaced in politics, replaced and erased by the subjectivities of violence, suffering, and absence. Andrew Culp connects these themes of negativity, comparing and contrasting the refusals of antiphilosophy and Afropessimism. Thinking critically usually demands alternatives: how would you fix things? But, as The Big No shows, being absolutely critical—declining the demands of world-building—is one necessary response to wrong, to evil. It serves as a powerful reminder that the presumption of political action is always positive. Contributors: Joshua Clover, U of California Davis and U of Copenhagen; Andrew Culp, California Institute of the Arts; Katerina Kolozova, Institute of Social Sciences and Humanities Skopje; Theodore Martin, U of California, Irvine; Anthony Paul Smith, La Salle U; Frank B. Wilderson III, U of California, Irvine.