Performance Feminism And Affect In Neoliberal Times
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| Author | : Elin Diamond |
| Publisher | : Springer |
| Total Pages | : 317 |
| Release | : 2017-04-29 |
| Genre | : Social Science |
| ISBN | : 1137598107 |
This book is a provocative new study of global feminist activism that opposes neoliberal regimes across several sites including Asia, Australia, Canada, Europe, Latin America and the United States. The feminist performative acts featured in the book contest the aggressive unravelling of collectively won gains in gender, sexual and racial equality, the appearance of new planes of discrimination, and the social consequences of political economies based on free market ideology. The investigations of affect theory follow the circulation of intensities – of political impingements on bodies, subjective and symbolic violence, and the shock of dispossession – within and beyond individuals to the social and political sphere. Affect is a helpful matrix for discussing the volatile interactivity between performer and spectator, whether live or technologically mediated. Contending that there is no activism without affect, the collection brings back to the table the activist and hopeful potential of feminism.
| Author | : Anne Harris |
| Publisher | : Routledge |
| Total Pages | : 266 |
| Release | : 2020-12-10 |
| Genre | : Social Science |
| ISBN | : 1000262359 |
Affective Movements, Methods and Pedagogies invites readers to think with affect about performance, pedagogies and their inherent activist, embodied and collective natures. It works across multiple spheres to help readers understand how to deploy affective approaches rather than to simply think with affect theory about traditional methods. The book is structured and curated across three main thematic sections: affective movements, methods and pedagogies, each of which treats the core explorations of affect and performance through a different perspective. It is concerned with the ways performance and theatrical methods work with and through a theoretics of affect. The sixteen chapters include work that models theoretical practices in writing, and demonstrates how theorising affect and its methods is itself a performative practice. The contributors offer rich examples from diverse geopolitical as well as disciplinary contexts, innovative methods, and finally, intersectional theoretics. This collection will be of interest to higher education students exploring methodologies, and academic researchers and teachers in the fields of performance studies, communication, critical studies, sociology and the arts.
| Author | : Andy Lavender |
| Publisher | : Routledge |
| Total Pages | : 106 |
| Release | : 2021-08-11 |
| Genre | : Performing Arts |
| ISBN | : 0429576137 |
Neoliberalism, Theatre and Performance tackles one of the most slippery but significant topics in culture and politics. Neoliberalism is defined by the contributors as a political-economic system, and the ideas and assumptions (individualism, market forces and globalisation) that it promotes are consequently examined. Readers will gain an insight into how neoliberalism shapes contemporary theatre, dance and performance, and how festival programmers, directors and other artists have responded. Jen Harvie gives a broad overview of neoliberalism, before examining its implications for theatre and performance and specific works that confront its grip, including Churchill’s Serious Money and Prebble’s Enron. Liesbeth Groot Nibbelink conducts a fascinating discussion with Rainer Hofmann, artistic director of the SPRING Festival in Utrecht, on ways in which performance festivals can respond to neoliberal culture. Cristina Rosa explores contemporary dance in neoliberal Brazil as a site for both commodification and challenge. Sarah Woods and Andrew Simms discuss and present excerpts from their activist satire Neoliberalism: The Break-up Tour. Slim and elegant, forceful and wide-ranging, Neoliberalism, Theatre and Performance is an accessible resource for students, practitioners and scholars interested in how neoliberalism both suffuses and is resisted by today’s contemporary performance scene.
| Author | : Tiina Rosenberg |
| Publisher | : Taylor & Francis |
| Total Pages | : 226 |
| Release | : 2024-10-28 |
| Genre | : Performing Arts |
| ISBN | : 1040134033 |
This accessible introduction challenges fixed understandings of the geographical or conceptual "origins" of feminist performance, offering a fresh and open-ended guide to the moments and movements that have come to define this vital field. Designed for weekly use on performance studies courses, each of the book’s ten chapters highlights the key works of feminist performance, including performance art, live art, body art, activism, and theater. These milestones are all linked to acts of rupture and political reanimation, as artists broke with dominant understandings of gender, art, and value, that were taken to be insurmountable and static. Milestones are a range of accessible textbooks, breaking down the need-to-know moments in the social, cultural, political, and artistic development of foundational subject areas.
| Author | : Marcela A. Fuentes |
| Publisher | : University of Michigan Press |
| Total Pages | : 179 |
| Release | : 2019-10-21 |
| Genre | : Political Science |
| ISBN | : 0472054228 |
Performance Constellations maps transnational protest movements and the dynamics of networked expressive behavior in the streets and online, as people struggle to be heard and effect long-term social justice. Its case studies explore collective political action in Latin America, including the Zapatistas in the mid-’90s, protests during the 2001 Argentine economic crisis, the 2011 Chilean student movement, the 2014–2015 mobilizations for the disappeared Ayotzinapa students, and the 2018 transnational reproductive rights movement. The book analyzes uses of space, time, media communication, and corporeality in protests such as virtual sit-ins, flash mobs, scarfazos, and hashtag campaigns, arguing that these protests not only challenge hegemonic power but are also socially transformative. While other studies have focused either on digital activism or on street protests, Performance Constellations shows that they are in fact integrally entwined. Zooming in on protest movements and art-activism in Mexico, Argentina, and Chile, and putting contemporary insurgent actions in dialogue with their historical precedents, the book demonstrates how, even in moments of extreme duress, social actors in Latin America have taken up public and virtual space to intervene politically and to contest dominant powers.
| Author | : Peta Tait |
| Publisher | : Bloomsbury Publishing |
| Total Pages | : 200 |
| Release | : 2021-01-14 |
| Genre | : Performing Arts |
| ISBN | : 1350030872 |
Theory for Theatre Studies: Emotion explores how emotion is communicated in drama, theatre, and contemporary performance and therefore in society. From Aristotle and Shakespeare to Stanislavski, Brecht and Caryl Churchill, theatre reveals and, informs but also warns about the emotions. The term 'emotion' encompasses the emotions, emotional feelings, affect and mood, and the book explores how these concepts are embodied and experienced within theatrical practice and explained in theory. Since emotion is artistically staged, its composition and impact can be described and analysed in relation to interdisciplinary approaches. Readers are encouraged to consider how emotion is dramatically, aurally, and visually developed to create innovative performance. Case studies include: Medea, Twelfth Night, The Caucasian Chalk Circle, Ibsen's A Doll's House, and performances by Mabou Mines, Robert Lepage, Rimini Protokoll, Anna Deavere Smith, Socìetas Raffaello Sanzio, Marina Abramovic, and The Wooster Group. By way of these detailed case studies, readers will appreciate new methodologies and approaches for their own exploration of 'emotion' as a performance component. Online resources to accompany this book are available at https://www.bloomsbury.com/theory-for-theatre-studies-emotion-9781350030848/.
| Author | : Sarah French |
| Publisher | : Springer |
| Total Pages | : 270 |
| Release | : 2017-04-13 |
| Genre | : Performing Arts |
| ISBN | : 1137465433 |
This book examines sexuality, gender and race in Australia’s vibrant independent theatre and performance culture. It analyses selected feminist and queer performances that interrogate the cultural construction of sexuality and gender, challenge the normative trends of mainstream Australian society and culture and open up spaces for alternative representations of gender identity and sexual expression. Offering the first full-length study on sexuality and gender in Australian theatre since 2005, this book reveals a resurgence of feminist themes in independent performance and explores the intersection of feminist and queer politics. Ranging across drag, burlesque, cabaret, theatre and performance art, the book provides an accessible and engaging account of some of the most innovative, entertaining and politically subversive Australian theatrical works from the past decade.
| Author | : Miriam Haughton |
| Publisher | : Springer |
| Total Pages | : 250 |
| Release | : 2018-03-16 |
| Genre | : Performing Arts |
| ISBN | : 1137536632 |
This book investigates contemporary British and Irish performances that stage traumatic narratives, histories, acts and encounters. It includes a range of case studies that consider the performative, cultural and political contexts for the staging and reception of sexual violence, terminal illness, environmental damage, institutionalisation and asylum. In particular, it focuses on 'bodies in shadow' in twenty-first century performance: those who are largely written out of or marginalised in dominant twentieth-century patriarchal canons of theatre and history. This volume speaks to students, scholars and artists working within contemporary theatre and performance, Irish and British studies, memory and trauma studies, feminisms, performance studies, affect and reception studies, as well as the medical humanities.
| Author | : Eleonora Federici |
| Publisher | : Routledge |
| Total Pages | : 232 |
| Release | : 2021-11-30 |
| Genre | : Language Arts & Disciplines |
| ISBN | : 1000467724 |
This collection expands the body of research on the intersection of gender and translation to highlight perspectives across different countries in Europe, showcasing developments in the field from its origins in the emergence of feminist translation in Quebec over the last thirty years. Building off seminal work on feminist translation by scholars in Canada in the 1980s and 1990s, the book explores the evolution of the discipline in shifting translation practices and research across a range of European countries, with a focus on underrepresented areas such as Malta, Serbia, and Poland. The different chapters examine key developments such as the critical reframing of gender and identity, the viewing of historical translation activity by women through the lens of ideological and political motivations, and the analysis of socio-political contexts where feminist or gender-inspired translation has impacted translators’ practices. The volume looks concurrently at the European context and beyond it, putting the spotlight on new voices in translation and gender research in the region but also encouraging transnational dialogues on key issues in the discipline, pushing the field further into new directions. This book will be of particular interest to scholars in translation studies, gender studies, and European literature.
| Author | : Maria do Mar Pereira |
| Publisher | : Routledge |
| Total Pages | : 352 |
| Release | : 2017-02-10 |
| Genre | : Social Science |
| ISBN | : 131743367X |
Feminist scholarship is sometimes dismissed as not quite ‘proper’ knowledge – it’s too political or subjective, many argue. But what are the boundaries of ‘proper’ knowledge? Who defines them, and how are they changing? How do feminists negotiate them? And how does this boundary-work affect women’s and gender studies, and its scholars’ and students’ lives? These are the questions tackled by this ground-breaking ethnography of academia inspired by feminist epistemology, Foucault, and science and technology studies. Drawing on data collected over a decade in Portugal and the UK, US and Scandinavia, this title explores different spaces of academic work and sociability, considering both official discourse and ‘corridor talk’. It links epistemic negotiations to the shifting political economy of academic labour, and situates the smallest (but fiercest) departmental negotiations within global relations of unequal academic exchange. Through these links, this timely volume also raises urgent questions about the current state and status of gender studies and the mood of contemporary academia. Indeed, its sobering, yet uplifting, discussion of that mood offers fresh insight into what it means to produce feminist work within neoliberal cultures of academic performativity, demanding increasing productivity. As the first book to analyse how academics talk (publicly or in off-the-record humour) about feminist scholarship, Power, Knowledge and Feminist Scholarship is essential reading for scholars and students in gender studies, LGBTQ studies, post-colonial studies, STS, sociology and education. Winner of the FWSA 2018 Book Prize competition The Open Access version of this book, available at https://doi.org/10.4324/9781315692623, has been made available under a Creative Commons Attribution-Non Commercial-No Derivatives 4.0 license.
