Paul Heermann 1673 1732
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Author | : Wolfram Koeppe |
Publisher | : Metropolitan Museum of Art |
Total Pages | : 430 |
Release | : 2008 |
Genre | : Art |
ISBN | : 1588392880 |
"In the royal and princely courts of Europe, artworks made of multicolored semiprecious stones were passionately coveted objects. Known as pietre dure, or hardstones, this type of artistic expression includes?paintings in stone,? which were composed of intricately cut separate pieces that were made into magnificent tabetops, cabinets, and wall decorations. Other works included vessels and ornaments carved with virtuosic skill from a single piece of rare and brilliant lapis lazuli, chalcedony, jasper, or similarly prized substance; exquisite objects such as boxes, clocks, and jewelry; and portraits of nobles sculpted in variously colored stones. Derived from ancient Roman decorative stonework, the art of pietre dure was developed in Renaissance Florence, where the manufacture of such objects was enthusiastically sponsored by Medici princes. Ideally suited for ostentatious display, the works sent an unmistakable message of wealth and political might that was understood in centers of power everywhere. From Italy the medium spread across Europeto Prague, Madrid, Naples, Paris, and later Saint Petersburg. Precious and fragile, pietre dure objects are rarely brought together in large numbers. This richly illustrated catalogue contains more than 150 masterworks from across Europe, dating from five centuries, including almost every artistic use of semiprecious stone during this time as well as some of the finest examples of the medium. Eight essays by European and American experts discuss the individualized development of pietre dure in every European region, the latest developments in scholarship, the interrelationships between art and dynastic politics and between cultures, and a variety of techniques used to produce these luxurious masterworks."--Metropolitan Museum of Art website.
Author | : Joseph Manca |
Publisher | : Parkstone International |
Total Pages | : 544 |
Release | : 2014-11-24 |
Genre | : Art |
ISBN | : 1783104074 |
From the Antiquity to the 20th century, this sculpture collection offers a truly original vision of Western art. Here are the most sensual and harmonious masterworks to the most provocative and minimalist sculptures. Sculpture shapes the world and our concept of beauty, leaving everlasting silhouettes and always creating new intriguing ones. These masterworks are the mirror of an era, of an artist and his public and through this sculpture gallery, one visits not only the history of art, but history as a whole. Between the acclaimed ideals of beauty and the most controversial works, 1000 Sculptures of Genius will give you a true panoramic view of Western sculpture. Along with numerous references, comments on masterworks, and biographies, this work enables the reader to rediscover the Western world heritage and is the perfect guide for art students and statuary lovers.
Author | : Metropolitan Museum of Art (New York, N.Y.) |
Publisher | : Metropolitan Museum of Art |
Total Pages | : 362 |
Release | : 1984 |
Genre | : Art |
ISBN | : 0870993704 |
A catalogue of 373 masterpieces from the Linsky's collection of European paintings, medieval and Renaissance objets d'art, sculpture, jewelry, furniture, carpets, clocks, gilt bronzes, and porcelains. -- Metropolitan Museum of Art website.
Author | : Victoria Charles |
Publisher | : Parkstone International |
Total Pages | : 544 |
Release | : 2014-11-24 |
Genre | : Art |
ISBN | : 1783104015 |
According to the defined canons of art technique, a portrait should be, above all, a faithful representation of its model. However, this gallery of 1000 portraits illustrates how the genre has been transformed throughout history, and has proven itself to be much more complex than a simple imitation of reality. Beyond exhibiting the skill of the artist, the portrait must surpass the task of imitation, as just and precise as it may be, to translate both the intention of the artist as well as that of its patron, without betraying eitherÊs wishes. Therefore, these silent witnesses, carefully selected in these pages, reveal more than faces of historic figures or anonymous subjects: they reveal a psychology more than an identity, illustrate an allegory, serve as political and religious propaganda, and embody the customs of their epochs. With its impressive number of masterpieces, biographies, and commentaries on works, this book presents and analyses different portraits, consequently exposing to the reader, and to any art lover, a reflection of the evolution of society, and above all the upheavals of a genre that, over 300 centuries of painting, has shaped the history of art.
Author | : Seattle Art Museum |
Publisher | : |
Total Pages | : 216 |
Release | : 1991 |
Genre | : Art |
ISBN | : |
Author | : Julie Emerson |
Publisher | : |
Total Pages | : 330 |
Release | : 2000 |
Genre | : China |
ISBN | : |
Author | : Anette Loesch |
Publisher | : |
Total Pages | : 268 |
Release | : 1998 |
Genre | : Dental Porcelain |
ISBN | : |
Author | : Clare Le Corbeiller |
Publisher | : |
Total Pages | : 66 |
Release | : 1990 |
Genre | : Porcelain |
ISBN | : |
Author | : George Frederick Kunz |
Publisher | : |
Total Pages | : 722 |
Release | : 1916 |
Genre | : Carvers (Decorative artists) |
ISBN | : |
Author | : Dirk Syndram |
Publisher | : |
Total Pages | : 188 |
Release | : 2006 |
Genre | : Art |
ISBN | : |
Detailing the contents of the "Gr�nes Gew�lbe"—or Green Vault—this catalog surveys the Treasury of the Saxonian Kings, depicting the collections of August the Strong, King of Saxony and Poland. The study illustrates how the museum was unparalleled in its time and maintains its distinction today with an extravagant profusion of precious objects in the gold, silver, enamel, and precious stones that proclaimed the wealth and artistic taste of the Saxon dynasty. Capturing a treasure trove from the early 18th century, this examination presents the vault's eight exquisitely decorated display rooms designed to inspire amazement in visitors.