Paul Blaisdell, Monster Maker

Paul Blaisdell, Monster Maker
Author: Randy Palmer
Publisher: McFarland
Total Pages: 305
Release: 2015-07-11
Genre: Performing Arts
ISBN: 147660729X

Paul Blaisdell was the man behind the monsters in such movies as The She Creature, Invasion of the Saucer Men, Not of This Earth, It! Terror from Beyond Space and many others. Working in primarily low-budget films, Blaisdell was forced to rely on greasepaint, guts and, most importantly, an unbounded imagination for his creations. From his inauspicious beginning through The Ghost of Dragstrip Hollow (1959), the construction of Blaisdell's monsters and the making of the movies in which they appeared are fully detailed here. Blaisdell's work in the early monster magazines of the 1960s is also covered.

The Battle for the Bs

The Battle for the Bs
Author: Blair Davis
Publisher: Rutgers University Press
Total Pages: 275
Release: 2012-04-06
Genre: Performing Arts
ISBN: 0813553245

The emergence of the double-bill in the 1930s created a divide between A-pictures and B-pictures as theaters typically screened packages featuring one of each. With the former considered more prestigious because of their larger budgets and more popular actors, the lower-budgeted Bs served largely as a support mechanism to A-films of the major studios—most of which also owned the theater chains in which movies were shown. When a 1948 U.S. Supreme Court antitrust ruling severed ownership of theaters from the studios, the B-movie soon became a different entity in the wake of profound changes to the corporate organization and production methods of the major Hollywood studios. In The Battle for the Bs, Blair Davis analyzes how B-films were produced, distributed, and exhibited in the 1950s and demonstrates the possibilities that existed for low-budget filmmaking at a time when many in Hollywood had abandoned the Bs. Made by newly formed independent companies, 1950s B-movies took advantage of changing demographic patterns to fashion innovative marketing approaches. They established such genre cycles as science fiction and teen-oriented films (think Destination Moon and I Was a Teenage Werewolf) well before the major studios and also contributed to the emergence of the movement now known as underground cinema. Although frequently proving to be multimillion-dollar box-office draws by the end of the decade, the Bs existed in opposition to the cinematic mainstream in the 1950s and created a legacy that was passed on to independent filmmakers in the decades to come.

It Came from 1957

It Came from 1957
Author: Rob Craig
Publisher: McFarland
Total Pages: 256
Release: 2013-09-21
Genre: Performing Arts
ISBN: 1476612439

America in the 1950s was a cauldron of contradictions. Advances in technology chafed against a grimly conservative political landscape; the military-industrial complex ceaselessly promoted the "Communist menace"; young marrieds fled crumbling cities for artificial communities known as suburbs; and the corporate cipher known as "The Organization Man" was created, along with stifling images of women. The decade, huddled under the fear of nuclear holocaust, was also dedicated to all things futuristic. Science fiction was in its salad days, in magazines and novels and in motion pictures, trying every trick in the book to lure customers back from television, including reliance on monster movies. All of these forces collided in 1957, when an astounding 57 movies of the science fiction, horror and fantasy variety were shown in the United States--a record unmatched to this day. Reflecting some of the socio-political topics of the day, several are exceptional examples of their genres. This book critically discusses each of the films.

Hostile Aliens, Hollywood and Today's News

Hostile Aliens, Hollywood and Today's News
Author: Melvin E. Matthews
Publisher: Algora Publishing
Total Pages: 178
Release: 2007
Genre: Fiction
ISBN: 087586497X

1950s Cold War-era monsters meet 21st-century terrorists: Matthews provides a thoughtful interpretation of sci-fi movies that examines the similarities and differences between the political environment and popular culture of two eras. This well-researched examination and appreciation of science fiction films includes behind-the-scenes tales about their production and many quotes from those who produced and starred in the films. The book will tantalize not only fans of the science fiction genre but also sociologists, film historians, and politicians. The author draws parallels between the Cold War fears of the 1950s and 60s and the constant "terrorism alerts" of the September 11th era, exploring how the politics and the psychological climate of the times influences and is reflected in this vehicle of popular culture. This book is the first of its kind, studying the pop culture genre in the wake of the September 11th tragedy. The alien invaders of the 1950s signified a Russian invasion of America, while other films of the genre such as "Invaders from Mars" depicted aliens utilizing mind control to manipulate humans to commit acts of sabotage, signifying Communist enslavement. If such a film were made now, such invaders could be seen as terrorist masterminds using human slaves to commit terrorist acts. "Them!" the 1954 atomic mutation classic, is the spiritual ancestor of the 2002 film "Eight Legged Freaks." Finally, several 1950s films depicted the end of the world at a time when Americans expected a nuclear war with Russia. Godzilla, the only 1950s-era monster to remain a "movie star" beyond that era, can be fashioned to reflect whatever issues dominate the times: nuclear war in the1950s, environmental pollution in the 1970s. Conceivably a Godzilla for the age of terrorism is soon to be released. The immediate pre-September 11th era witnessed films presenting galactic threats to mankind's existence ("Independence Day," "Armageddon," "Deep Impact"), while the early 2000s witnessed the popularity of the "Left Behind" Christian films dramatizing the Tribulation period in the Book of Revelation. It seems that whatever the era and whatever the challenges and crises confronting America, many entertainment themes remain the same, reflecting their respective times and the relevant issues. * Melvin E. Matthews, Jr. is a freelance writer and a horror movie aficionado who has been studying the genre for thirty years. In this work he shares his personal correspondence with film and television star Beverly Garland, and brings together a wealth of detail about the fun and the challenges of the costumes, stunts and special effects, as well as the actors' and producers' thoughts on the meaning behind the stories.

A Year of Fear

A Year of Fear
Author: Bryan Senn
Publisher: McFarland
Total Pages: 561
Release: 2015-03-26
Genre: Performing Arts
ISBN: 1476610908

This eclectic overview of horror cinema offers up a collection of horror films for practically any occasion and literally every day of the year. For example, the author recommends commemorating United Nations Day (October 24) with a screening of The Colossus of New York, whose startling climax takes place at the U.N. Building. Each day-by-day entry includes the movie title, production year, plot summary and critique, along with a brief explanation of how the film fits into the history of that particular day and interesting anecdotes on the film's production.

Fantastic Monsters of the Films Complete Collection

Fantastic Monsters of the Films Complete Collection
Author:
Publisher: Vintage
Total Pages: 484
Release: 2017-02-21
Genre: Antiques & Collectibles
ISBN: 1939977924

Horror guaranteed to shock you dead or your life refunded! The cult classic monster magazine is back. All of the horror, all of the madness, all of the monsters, all together in one complete collection for the first time ever! Delve back in to the nostalgia of the golden age of horror in a time before the internet if you wanted the latest scoop on your favorite monsters and how they were created you got Fantastic Monsters of the Films, featuring the Devil’s Work Shop and Monster of the Month. Over 450 pages of ghoulish delight the time has come to go back to the grave and resurrect the forgotten past of monster movie history.

Cheap Tricks and Class Acts

Cheap Tricks and Class Acts
Author: John Johnson
Publisher: McFarland
Total Pages: 424
Release: 1996
Genre: Performing Arts
ISBN: 9780786400935

Reveals the behind-the-scenes production secrets of the Hollywood films of the 1950s.

Xerox Ferox

Xerox Ferox
Author: John Szpunar
Publisher: SCB Distributors
Total Pages: 786
Release: 2013-10-08
Genre: Performing Arts
ISBN: 1909394114

A scene that influenced generations of writers, filmmakers and fans, XEROX FEROX is the first book to cover the horror film fanzine and the culture it spawned. From Famous Monsters of Filmland to Fangoria and everything in between, XEROX FEROX is much more than a book about monster magazines. It examines the home-grown DIY fanzines that dared to dig deeper than the slick and shiny newsstand mags ever would... or indeed even could. The titles are as lurid as the films that they covered. Gore Gazette. Deep Red. Sleazoid Express. Before message boards, before blogs, before the Internet itself, the fanzine reigned as the chief source of news and information for horror fans worldwide. Often printed on the cheap and sold for the price of postage, madcap and irreverent mags like Slimetime, Subhuman and Shock Xpress travelled the globe, creating a thriving network of fans and professionals alike. XEROX FEROX traces the rise of the horror film fanzine, from the Famous Monster-starved kids of the 1960s to the splatter-crazed gorehounds that followed. Featuring in-depth interviews with fifty writers, editors, and industry pros, XEROX FEROX is the final word on an era that changed the world of fandom forever.

Tech-Noir

Tech-Noir
Author: Paul Meehan
Publisher: McFarland
Total Pages: 273
Release: 2015-08-13
Genre: Performing Arts
ISBN: 147660973X

This critical study traces the common origins of film noir and science fiction films, identifying the many instances in which the two have merged to form a distinctive subgenre known as Tech-Noir. From the German Expressionist cinema of the late 1920s to the present-day cyberpunk movement, the book examines more than 100 films in which the common noir elements of crime, mystery, surrealism, and human perversity intersect with the high technology of science fiction. The author also details the hybrid subgenre's considerable influences on contemporary music, fashion, and culture.

"Twice the Thrills! Twice the Chills!"

Author: Bryan Senn
Publisher: McFarland
Total Pages: 434
Release: 2019-03-19
Genre: Performing Arts
ISBN: 1476668949

In the mid-1950s, to combat declining theater attendance, film distributors began releasing pre-packaged genre double-bills--including many horror and science fiction double features. Though many of these films were low-budget and low-end, others, such as Invasion of the Body Snatchers, Horror of Dracula and The Fly, became bona fide classics. Beginning with Universal-International's 1955 pairing of Revenge of the Creature and Cult of the Cobra, 147 officially sanctioned horror and sci-fi double-bills were released over a 20-year period. This book presents these double features year-by-year, and includes production details, historical notes, and critical commentary for each film.