Patriotic Gore Studies In The Literature Of The Anmerican Civil War By Edmund Wilson
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Author | : Edmund Wilson |
Publisher | : Macmillan + ORM |
Total Pages | : 754 |
Release | : 2019-11-12 |
Genre | : Literary Criticism |
ISBN | : 1466899638 |
Featuring critical and biographical portraits of notable figures of the American Civil War, Patriotic Gore remains one of Edmund Wilson's greatest achievements. Considered one of the 100 Best Nonfiction books by The Modern Library. Figures discussed include Harriet Beecher Stowe, Abraham Lincoln, Ulysses S. Grant, William Tecumseh Sherman, and Oliver Wendell Holmes, among many others.
Author | : Edmund Wilson |
Publisher | : W. W. Norton & Company |
Total Pages | : 852 |
Release | : 1994 |
Genre | : History |
ISBN | : 9780393312560 |
Regarded by many critics as Edmund Wilson's greatest book, Patriotic Gore brilliantly portrays the vast political, spiritual, and material crisis of the Civil War as reflected in the lives and writings of some thirty representative Americans.
Author | : Edmund Wilson |
Publisher | : |
Total Pages | : 816 |
Release | : 1984 |
Genre | : |
ISBN | : |
Author | : Edmund Wilson |
Publisher | : University of Iowa Press |
Total Pages | : 292 |
Release | : 2001 |
Genre | : Fiction |
ISBN | : 9780877457695 |
A young man leaves his bohemian lifestyle in Greenwich Village to pursue the chorus girl he loves.
Author | : Edmund Wilson |
Publisher | : New York Review of Books |
Total Pages | : 548 |
Release | : 2003 |
Genre | : History |
ISBN | : 9781590170335 |
Presents a critical and historical study of European writers and theorists of Socialism in the one hundred fifty years leading to the Bolshevik Revolution of 1917 and discusses European socialism, anarchism, and theories of revolution.
Author | : Coleman Hutchison |
Publisher | : Cambridge University Press |
Total Pages | : 639 |
Release | : 2015-12-01 |
Genre | : Literary Criticism |
ISBN | : 1316432416 |
This book is the first omnibus history of the literature of the American Civil War, the deadliest conflict in US history. A History of American Civil War Literature examines the way in which the war has been remembered and rewritten over time in prose, poems, and other narratives. This history incorporates new directions in Civil War historiography and cultural studies while giving equal attention to writings from both northern and southern states. It redresses the traditional neglect of southern literary cultures by moving between the North and the South, thus finding a balance between Union and Confederate texts. Written by leading scholars in the field, this book works to redefine the boundaries of American Civil War literature while posing a fundamental question: why does this 150-year-old conflict continue to capture the American imagination?
Author | : Edmund Wilson |
Publisher | : Farrar, Straus and Giroux |
Total Pages | : 941 |
Release | : 2019-11-12 |
Genre | : Literary Collections |
ISBN | : 1466899697 |
The last of Edmund Wilson's posthumously published journals turned out to be one of his major books, The Sixties: the Last Journal, 1960–1972--a personal history that is also brilliant social comedy and an anatomy of the times. Wilson catches the flavor of an international elite -- Stravinsky, Auden, Andre Malraux, and Isaiah Berlin -- as well as the New York literati and the Kennedy White House, but he never strays too far from the common life, whether noting the routines of his normal neighbors or the struggle of his own aging. "Candor and intelligence come through on every page--in this always absorbing journal by perhaps the last great man of American letters." - Kirkus Reviews
Author | : Douglas L. Wilson |
Publisher | : Vintage |
Total Pages | : 399 |
Release | : 2011-03-30 |
Genre | : Biography & Autobiography |
ISBN | : 0307765814 |
Abraham Lincoln's remarkable emergence from the rural Midwest and his rise to the presidency have been the stuff of romance and legend. But as Douglas L. Wilson shows us in Honor's Voice, Lincoln's transformation was not one long triumphal march, but a process that was more than once seriously derailed. There were times, in his journey from storekeeper and mill operator to lawyer and member of the Illinois state legislature, when Lincoln lost his nerve and self-confidence - on at least two occasions he became so despondent as to appear suicidal - and when his acute emotional vulnerabilities were exposed. Focusing on the crucial years between 1831 and 1842, Wilson's skillful analysis of the testimonies and writings of Lincoln's contemporaries reveals the individual behind the legends. We see Lincoln as a boy: not the dutiful son studying by firelight, but the stubborn rebel determined to make something of himself. We see him as a young man: not the ascendant statesman, but the canny local politician who was renowned for his talents in wrestling and storytelling (as well as for his extensive store of off-color jokes). Wilson also reconstructs Lincoln's frequently anguished personal life: his religious skepticism, recurrent bouts of depression, and difficult relationships with women - from Ann Rutledge to Mary Owens to Mary Todd. Meticulously researched and well written, this is a fascinating book that makes us reexamine our ideas about one of the icons of American history.
Author | : David W. Blight |
Publisher | : Harvard University Press |
Total Pages | : 248 |
Release | : 2013-10-07 |
Genre | : Social Science |
ISBN | : 0674262115 |
“The ghosts of the Civil War never leave us, as David Blight knows perhaps better than anyone, and in this superb book he masterfully unites two distant but inextricably bound events.”―Ken Burns Standing on the steps of the Lincoln Memorial on August 28, 1963, a century after the signing of the Emancipation Proclamation, Martin Luther King, Jr., declared, “One hundred years later, the Negro still is not free.” He delivered this speech just three years after the Virginia Civil War Commission published a guide proclaiming that “the Centennial is no time for finding fault or placing blame or fighting the issues all over again.” David Blight takes his readers back to the centennial celebration to determine how Americans then made sense of the suffering, loss, and liberation that had wracked the United States a century earlier. Amid cold war politics and civil rights protest, four of America’s most incisive writers explored the gulf between remembrance and reality. Robert Penn Warren, the southern-reared poet-novelist who recanted his support of segregation; Bruce Catton, the journalist and U.S. Navy officer who became a popular Civil War historian; Edmund Wilson, the century’s preeminent literary critic; and James Baldwin, the searing African-American essayist and activist—each exposed America’s triumphalist memory of the war. And each, in his own way, demanded a reckoning with the tragic consequences it spawned. Blight illuminates not only mid-twentieth-century America’s sense of itself but also the dynamic, ever-changing nature of Civil War memory. On the eve of the 150th anniversary of the war, we have an invaluable perspective on how this conflict continues to shape the country’s political debates, national identity, and sense of purpose.
Author | : Jennifer C. James |
Publisher | : UNC Press Books |
Total Pages | : 337 |
Release | : 2012-09-01 |
Genre | : Literary Criticism |
ISBN | : 1469606674 |
In the first comprehensive study of African American war literature, Jennifer James analyzes fiction, poetry, autobiography, and histories about the major wars waged before the desegregation of the U.S. military in 1948. Examining literature about the Civil War, the Spanish-American Wars, World War I, and World War II, James introduces a range of rare and understudied texts by writers such as Victor Daly, F. Grant Gilmore, William Gardner Smith, and Susie King Taylor. She argues that works by these as well as canonical writers such as William Wells Brown, Paul Laurence Dunbar, and Gwendolyn Brooks mark a distinctive contribution to African American letters. In establishing African American war literature as a long-standing literary genre in its own right, James also considers the ways in which this writing, centered as it is on moments of national crisis, complicated debates about black identity and African Americans' claims to citizenship. In a provocative assessment, James argues that the very ambivalence over the use of violence as a political instrument defines African American war writing and creates a compelling, contradictory body of literature that defies easy summary.