Passing Figures
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| Author | : Kathleen Wehnert |
| Publisher | : Diplomica Verlag |
| Total Pages | : 53 |
| Release | : 2010-02 |
| Genre | : Language Arts & Disciplines |
| ISBN | : 3836685116 |
Larsen and other African-American writers, including James Weldon Johnson, explored the intricacies and contradictions of the concept of race at the beginning of the 20th century, in particular by addressing the phenomenon of 'passing'. Passing has many definitions, most often it is associated with the term 'passing for white', which implies the crossing of the colour line from black to white in order to transcend racial barriers. Until the end of the 19th and beginning of the 20th century, writers hardly had addressed the passing figure in literature. Passing has always been a much camouflaged topic because the successful passer does not want their identity to be uncloaked. This constitutes probably also the main reason why only little, and rather pioneering, research has been conducted up to today and why it still remains difficult to investigate the issue. The sole witnesses of the concepts of passing in the time period are passing narratives. James Weldon Johnson's Autobiography of an Ex-colored Man (1912), Nella Larsen's Quicksand (1928) and her novella Passing (1929) are perhaps the most exemplary examples of an analysis of the passing figure and classic epitomes of the racial situations during the Harlem Renaissance. The novels challenge stereotypes of race and disclose concepts of doubleness and visibility. In order to disentangle the complexities of the theme, these novels, will serve to examine in depth in the nature and the motifs of the phenomenon of passing. In this book, I will be exploring the motifs of passing in these novels of the Harlem Renaissance in the context of DuBois' concept of double consciousness and the discourse of race. Chapter One will set the critical historical and cultural context for the passing narratives, as this is indispensable and crucial for the understanding of the motifs of the theme. With this in mind, the second Chapter will account for what destabilizes the African-American identity and thus identify the motives of p
| Author | : Pamela L. Caughie |
| Publisher | : University of Illinois Press |
| Total Pages | : 310 |
| Release | : 1999 |
| Genre | : Art |
| ISBN | : 9780252067709 |
The current academic milieu displays a deep ambivalence about the teaching of Western culture and traditional subject matter. This ambivalence, the product of a unique historical convergence of theory and diversity, opens up new opportunities for what Pamela Caughie calls "passing":recognizing and accounting for the subject positions involved in representing both the material being taught and oneself as a teacher. Caughie's discussion of passing illuminates a recent phenomenon in academic writing and popular culture that revolves around identities and the ways in which they are deployed, both in the arts and in lived experience. Through a wide variety of texts--novels, memoirs, film, drama, theory, museum exhibits, legal cases--she demonstrates the dynamics of passing, presenting it not as the assumption of a fraudulent identity but as the recognition that the assumption of any identity, including for the purposes of teaching, is a form of passing. Astutely addressing the relevance of passing for pedagogy, Caughie presents the possibility of a dynamic ethics responsive to the often polarizing difficulties inherent in today's culture. Challenging and thought-provoking, Passing and Pedagogy offers insight and inspiration for teachers and scholars as they seek to be responsible and effective in a complex, rapidly changing intellectual and cultural environment.
| Author | : Nella Larsen |
| Publisher | : Alien Ebooks |
| Total Pages | : 159 |
| Release | : 2022 |
| Genre | : Fiction |
| ISBN | : 166762265X |
Harlem Renaissance author Nella Larsen (1891 –1964) published just two novels and three short stories in her lifetime, but achieved lasting literary acclaim. Her classic novel Passing first appeared in 1926.
| Author | : S. Jonathon O'Donnell |
| Publisher | : Fordham University Press |
| Total Pages | : 297 |
| Release | : 2020-12-01 |
| Genre | : Religion |
| ISBN | : 0823289699 |
Demonization has increasingly become central to the global religious and political landscape. Passing Orders interrogates this centrality through an analysis of evangelical “spiritual warfare” demonologies in contemporary America. Situating spiritual warfare as part of broader frameworks of American exceptionalism, ethnonationalism, and empire management, author S. Jonathon O’Donnell exposes the theological foundations of the systems of queer- and transphobia, anti-blackness, Islamophobia, and settler colonialism that justify the dehumanizing practices of the current U.S. political order. O’Donnell argues that demonologies are not only tools of dehumanization but also ontological and biopolitical systems that create and maintain structures of sovereign power, or orthotaxies—models of the “right ordering” of space, time, and bodies that stratify humanity into hierarchies of being and nonbeing. Alternative orders are demonized as passing, framed as counterfeit, transgressive, and transient. Yet these orders refuse to simply pass on, instead giving strength to deviant desires that challenge the legitimacy of sovereign violence. Critically examining this challenge in the demonologies of three figures—Jezebel, the Islamic Antichrist, and Leviathan—Passing Orders re-imagines demons as a surprising source of political and social resistance, reflecting fragile and fractious communities bound by mutual passing and precarity into strategic coalitions of solidarity, subversion, and survival.
| Author | : Christina Yi |
| Publisher | : University of Hawaii Press |
| Total Pages | : 217 |
| Release | : 2023-11-30 |
| Genre | : History |
| ISBN | : 0824896270 |
Passing, Posing, Persuasion interrogates the intersections between cultural production, identity, and persuasive messaging that idealized inclusion and unity across Japan’s East Asian empire (1895–1945). Japanese propagandists drew on a pan-Asian rhetoric that sought to persuade colonial subjects to identify with the empire while simultaneously maintaining the distinctions that subjugated them and marking their attempts to self-identify as Japanese as inauthentic, illegitimate forms of “passing” or “posing.” Visions of inclusion encouraged assimilation but also threatened to disrupt the very logic of imperialism itself: If there was no immutable difference between Taiwanese and Japanese subjects, for example, then what justified the subordination of the former to the latter? The chapters emphasize the plurality and heterogeneity of empire, together with the contradictions and tensions of its ideologies of race, nation, and ethnicity. The paradoxes of passing, posing, and persuasion opened up unique opportunities for colonial contestation and negotiation in the arenas of cultural production, including theater, fiction, film, magazines, and other media of entertainment and propaganda consumed by audiences in mainland Japan and its colonies. From Meiji adaptations of Shakespeare and interwar mass media and colonial fiction to wartime propaganda films, competing narratives sought to shape how ambiguous identities were performed and read. All empires necessarily engender multiple kinds of border crossings and transgressions; in the case of Japan, the policing and blurring of boundaries often pivoted on the outer markers of ethno-national identification. This book showcases how actors—in multiple senses of the word—from all parts of the empire were able to move in and out of different performative identities, thus troubling its ontological boundaries.
| Author | : Müge Galin |
| Publisher | : SUNY Press |
| Total Pages | : 308 |
| Release | : 1997-01-01 |
| Genre | : History |
| ISBN | : 9780791433836 |
Considers how Lessing's exposure to a particular aspect of tasawwuf, the classical Sufi Way, has shaped her work. Impresses upon the reader the degree to which Lessing is seriously offering her space-fiction utopias as plausible and even necessary alternatives to our present Western ways of life.
| Author | : Allyson Hobbs |
| Publisher | : Harvard University Press |
| Total Pages | : 395 |
| Release | : 2014-10-13 |
| Genre | : Biography & Autobiography |
| ISBN | : 067436810X |
Between the eighteenth and mid-twentieth centuries, countless African Americans passed as white, leaving behind families and friends, roots and community. It was, as Allyson Hobbs writes, a chosen exile, a separation from one racial identity and the leap into another. This revelatory history of passing explores the possibilities and challenges that racial indeterminacy presented to men and women living in a country obsessed with racial distinctions. It also tells a tale of loss. As racial relations in America have evolved so has the significance of passing. To pass as white in the antebellum South was to escape the shackles of slavery. After emancipation, many African Americans came to regard passing as a form of betrayal, a selling of one’s birthright. When the initially hopeful period of Reconstruction proved short-lived, passing became an opportunity to defy Jim Crow and strike out on one’s own. Although black Americans who adopted white identities reaped benefits of expanded opportunity and mobility, Hobbs helps us to recognize and understand the grief, loneliness, and isolation that accompanied—and often outweighed—these rewards. By the dawning of the civil rights era, more and more racially mixed Americans felt the loss of kin and community was too much to bear, that it was time to “pass out” and embrace a black identity. Although recent decades have witnessed an increasingly multiracial society and a growing acceptance of hybridity, the problem of race and identity remains at the center of public debate and emotionally fraught personal decisions.
| Author | : National Research Council (U.S.). Highway Research Board |
| Publisher | : |
| Total Pages | : 654 |
| Release | : 1969 |
| Genre | : Highway engineering |
| ISBN | : |
| Author | : |
| Publisher | : |
| Total Pages | : 350 |
| Release | : 1968 |
| Genre | : Highway engineering |
| ISBN | : |
| Author | : Nick Russell |
| Publisher | : MIT Press |
| Total Pages | : 380 |
| Release | : 2016-02-26 |
| Genre | : Computers |
| ISBN | : 0262329417 |
A comprehensive guide to well-known workflow patterns: recurrent, generic business process constructs, described from the control-flow, data, and resource perspectives. The study of business processes has emerged as a highly effective approach to coordinating an organization's complex service- and knowledge-based activities. The growing field of business process management (BPM) focuses on methods and tools for designing, enacting, and analyzing business processes. This volume offers a definitive guide to the use of patterns, which synthesize the wide range of approaches to modeling business processes. It provides a unique and comprehensive introduction to the well-known workflow patterns collection—recurrent, generic constructs describing common business process modeling and execution scenarios, presented in the form of problem-solution dialectics. The underlying principles of the patterns approach ensure that they are independent of any specific enabling technology, representational formalism, or modeling approach, and thus broadly applicable across the business process modeling and business process technology domains. The authors, drawing on extensive research done by the Workflow Patterns Initiative, offer a detailed introduction to the fundamentals of business process modeling and management; describe three major pattern catalogs, presented from control-flow, data, and resource perspectives; and survey related BPM patterns. The book, a companion to the authoritative Workflow Patterns website, will be an essential resource for both academics and practitioners working in business process modeling and business process management.
