Parry Before Jerusalem
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| Author | : Bernard Benoliel |
| Publisher | : Routledge |
| Total Pages | : 301 |
| Release | : 2019-03-25 |
| Genre | : Social Science |
| ISBN | : 0429821417 |
First published in 1997, this volume demonstrates that through his activities as a composer, historian, lecturer and administrator, Sir Hubert Parry (1848-1918) played a significant role in British music during the latter half of the nineteenth century. Yet despite his achievements, this century has for the most part neglected both Parry’s writings and his compositions; his name is remembered by the general public for one work alone – Jerusalem. In this collection of essays, Bernard Benoliel examines some of the reasons for this neglect and reassesses some of Parry’s most important works. These essays show that it was due to the large number and diversity of his public engagements (both social and work related) that Parry’s musical achievements did not often reach the heights of creative genius of which he might otherwise have been capable. By examining Parry’s personal relationships with his family, and in particular with his wife, Maude, Benoliel reveals an immensely complex personality; a man whose private and public selves were very much shaped by the society in which he lived. The book concludes with a selection of Parry’s own published writings, with introductions by the author.
| Author | : Jason Whittaker |
| Publisher | : Oxford University Press |
| Total Pages | : 262 |
| Release | : 2022-06-16 |
| Genre | : Literary Criticism |
| ISBN | : 0192660837 |
The stanzas beginning, 'And did those feet' are among the most famous works written by the Romantic poet and artist, William Blake. Set to music by Hubert Parry in 1916 and renamed, 'Jerusalem', this hymn has become an emblem of Englishness in the past century, and is regularly invoked at sporting events, public and private ceremonies, and, of course, as part of Last Night of the Proms. Yet when Blake first engraved his lines in his epic work, Milton a Poem, he had been tried for sedition. Likewise, although Parry was commissioned to compose his music as part of the war effort by the organization Fight for Right, he soon removed permission for that group to perform his hymn and instead gave the copyright to the women's suffrage movement. 'Jerusalem', then, is a much more contested vision of England's green and pleasant land than is often assumed. This book traces the history of the poem and the music from Blake's original verses, written in Felpham, via the turmoil of the First and Second World Wars, its recording history in the late twentieth century, and its use in political controversies such as the 2016 Brexit vote. An anthem for both the left and the right, Blake's own vision of what it meant to build Jerusalem in England is both strange and familiar to many who invoke it. As such, this book explores the deep complexities of what Englishness means into the twenty-first century.
| Author | : William Parry |
| Publisher | : Chicago Review Press |
| Total Pages | : 193 |
| Release | : 2011-04-01 |
| Genre | : History |
| ISBN | : 1569768587 |
This stunning book of photographs captures the graffiti and art that have transformed Israel's wall into a living canvas of resistance and solidarity. Featuring the work of artists Banksy, Ron English, Blu, and others, as well as Palestinian artists and activists, these photographs express outrage, compassion, and touching humor. They illustrate the wall's toll on lives and livelihoods, showing the hardship it has brought to tens of thousands of people, preventing their access to work, education, and vital medical care. Mixed with the images are portraits and vignettes, offering a heartfelt and inspiring account of a people determined to uphold their dignity in the face of profound injustice.
| Author | : Stephen Town |
| Publisher | : Routledge |
| Total Pages | : 387 |
| Release | : 2016-04-15 |
| Genre | : Music |
| ISBN | : 1317181867 |
The rehabilitation of British music began with Hubert Parry and Charles Villiers Stanford. Ralph Vaughan Williams assisted in its emancipation from continental models, while Gerald Finzi, Edmund Rubbra and George Dyson flourished in its independence. Stephen Town's survey of Choral Music of the English Musical Renaissance is rooted in close examination of selected works from these composers. Town collates the substantial secondary literature on these composers, and brings to bear his own study of the autograph manuscripts. The latter form an unparalleled record of compositional process and shed new light on the compositions as they have come down to us in their published and recorded form. This close study of the sources allows Town to identify for the first time instances of similarity and imitation, continuities and connections between the works.
| Author | : Brad Jersak |
| Publisher | : Wipf and Stock Publishers |
| Total Pages | : 187 |
| Release | : 2010-01-01 |
| Genre | : Religion |
| ISBN | : 1630871281 |
Everlasting hell and divine judgment, a lake of fire and brimstone--these mainstays of evangelical tradition have come under fire once again in recent decades. Would the God of love revealed by Jesus really consign the vast majority of humankind to a destiny of eternal, conscious torment? Is divine mercy bound by the demands of justice? How can anyone presume to know who is saved from the flames and who is not? Reacting to presumptions in like manner, others write off the fiery images of final judgment altogether. If there is a God who loves us, then surely all are welcome into the heavenly kingdom, regardless of their beliefs or behaviors in this life. Yet, given the sheer volume of threat rhetoric in the Scriptures and the wickedness manifest in human history, the pop-universalism of our day sounds more like denial than hope. Mercy triumphs over judgment; it does not skirt it. Her Gates Will Never Be Shut endeavors to reconsider what the Bible and the Church have actually said about hell and hope, noting a breadth of real possibilities that undermines every presumption. The polyphony of perspectives on hell and hope offered by the prophets, apostles, and Jesus humble our obsessive need to harmonize every text into a neat theological system. But they open the door to the eternal hope found in Revelation 21-22: the City whose gates will never be shut; where the Spirit and Bride perpetually invite the thirsty who are outside the city to "Come, drink of the waters of life."
| Author | : |
| Publisher | : |
| Total Pages | : 330 |
| Release | : 1884 |
| Genre | : Ballads, English |
| ISBN | : |
| Author | : Sarah Collins |
| Publisher | : Cambridge University Press |
| Total Pages | : 269 |
| Release | : 2019-06-06 |
| Genre | : Art |
| ISBN | : 1108480055 |
Examines the interaction between music and liberal discourses in Victorian Britain, revealing the close interdependence of political and aesthetic practices.
| Author | : Edwin John Lerner |
| Publisher | : John Hunt Publishing |
| Total Pages | : 172 |
| Release | : 2022-12-09 |
| Genre | : History |
| ISBN | : 1803411058 |
Jerusalem: The Story of a Song is a popular history of England's unofficial national anthem, which began life as a poem by William Blake, was set to music by Hubert Parry and is sung every year at the Last Night of the Proms.
| Author | : Gregory MacDonald |
| Publisher | : SPCK |
| Total Pages | : 374 |
| Release | : 2012-11-15 |
| Genre | : Religion |
| ISBN | : 0281068763 |
Can an orthodox Christian, committed to the historic faith of the Church and the authority of the Bible, be a universalist? Is it possible to believe that salvation is found only by grace, through faith in Christ, and yet to maintain that in the end all people will be saved? Can one believe passionately in mission if one does not think that anyone will be lost forever? Could universalism be consistent with the teachings of the Bible? In The Evangelical Universalist the author argues that the answer is ‘yes!’ to all of these questions. Weaving together philosophical, theological, and biblical considerations, he seeks to show that being a committed universalist is consistent with the central teachings of the biblical texts and of historic Christian theology.
| Author | : Michael Allis |
| Publisher | : Boydell & Brewer |
| Total Pages | : 382 |
| Release | : 2020 |
| Genre | : Music |
| ISBN | : 1783275286 |
The Symphonic Poem in Britain 1850-1950 aims to raise the status of the genre generally and in Britain specifically. The volume reaffirms British composers' confidence in dealing with literary texts and takes advantage of the contributors' interdisciplinary expertise by situating discussions of the tone poem in Britain in a variety of historical, analytical and cultural contexts. This book highlights some of the continental models that influenced British composers, and identifies a range of issues related to perceptions of the genre. Richard Strauss became an important figure in Britain during this time, not only in terms of the clear impact of his tone poems, but the debates over their value and even their ethics. A focus on French orchestral music in Britain represents a welcome addition to scholarly debate, and links to issues in several other chapters. The historical development of the genre, the impact of compositional models, issues highlighted in critical reception as well as programming strategies all contribute to a richer understanding of the symphonic poem in Britain. Works by British composers discussed in more detail include William Wallace's Villon (1909), Gustav Holst's Beni Mora(1909-10), Hubert Parry's From Death to Life (1914), John Ireland's Mai-Dun (1921), and Frank Bridge's orchestral 'poems' (1903-15).
