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| Author | : Angela Wright |
| Publisher | : Edinburgh University Press |
| Total Pages | : 272 |
| Release | : 2015-11-16 |
| Genre | : Literary Criticism |
| ISBN | : 074869675X |
"Traces the Gothic impulses in proto-Romantic and Romantic British, American and European culture, 1740-1830"--Quatrième de couverture.
| Author | : Kerstin-Anja Münderlein |
| Publisher | : Routledge |
| Total Pages | : 209 |
| Release | : 2021-11-29 |
| Genre | : Literary Criticism |
| ISBN | : 1000487776 |
This book brings together an analysis of the theoretical connection of genre, reception, and frame theory and a practical demonstration thereof, using a set of parodies of the first wave of the Gothic novel, ranging from well-known titles such as Jane Austen’s Northanger Abbey, to little known and researched titles such as Mary Charlton’s Rosella. Münderlein traces the development of socio-political debates conducted in the late eighteenth and early nineteenth centuries on female roles, behaviour, and subversion from the subtly subversive Gothic novel to the Gothic parody. Combining two major areas of research, literary criticism and Gothic studies, the book provides both a new take on an ongoing debate in literary criticism as well as an in-depth study of a virtually neglected aspect of Gothic studies, the Gothic parody.
| Author | : Thomas Love Peacock |
| Publisher | : |
| Total Pages | : 238 |
| Release | : 1818 |
| Genre | : |
| ISBN | : |
A satire on Byronism and pessimism in general. A gathering of eccentric characters in a country house, including Mr Glowry, his son Scythrop and Mr Toobad, leads to a series of absurd incidents.
| Author | : Melanie Strieder |
| Publisher | : GRIN Verlag |
| Total Pages | : 29 |
| Release | : 2011-10 |
| Genre | : Language Arts & Disciplines |
| ISBN | : 3656036179 |
Essay from the year 2003 in the subject English Language and Literature Studies - Literature, grade: 2,0, University of Duisburg-Essen, 4 entries in the bibliography, language: English, abstract: Why is Jane Austen's Northanger Abbey often referred to as a parody of the Gothic novel?_ Jane Austen (1775-1817) is often regarded as the greatest English female novelist. Her novels are praised for their underlieing social comedy and thorough description of human relationships. She lived and worked during a time predominated by novels of sentiment, sensation and sensibility. However she stayed aloof from this literary style and especially her novel Northanger Abbey is often regarded to as a parody of the Gothic novel. Main authors of these so called 'Gothic' romances are for example Ann Radcliffe, Horace Walpole and M.G. Lewis. The Gothic novel has its origins in the Middle Ages and deals with mysterious, frightening, fantastic, supernatural, sexual and sublime things. The stories seem rather ridiculous to us today. The reader always finds similar characters and plots in those novels: "the tyrannical father, the importunate and unscrupulous suitor, the hero and heroine of sensibility and of mysterious but noble birth, the confidante[...], the chaperone."1 The heroine is always unbelievable beautiful but weak and virtuous. Then she is threatened by a veil man and saved by the hero in the end. In contrast to such a story Jane Austen's Northanger Abbey is often considered as a "amusing and bitingly satirical pastiche of the 'Gothic' romances popular in her day."2 [...] _____ 1 Mudrick, Marvin: Irony versus Gothicism. In: Jane Austen: Northanger Abbey and Persuasion. Edited by B.C. Southam. MacMillan Education Ltd. Hampshire, London. 1986 (Casebook Series); page 75 2 Austen, Jane: Northanger Abbey. Penguin Popular Classics. London. 1994; blurb
| Author | : Leland Chandler May |
| Publisher | : Ayer Publishing |
| Total Pages | : 131 |
| Release | : 1969 |
| Genre | : Literary Criticism |
| ISBN | : 9780405126543 |
| Author | : Amanda Grange |
| Publisher | : Penguin |
| Total Pages | : 188 |
| Release | : 2011-12-06 |
| Genre | : Fiction |
| ISBN | : 1101559020 |
A charming retelling of Jane Austen's Northanger Abbey--a tale of gothic misunderstandings through Henry Tilney's eyes... At the age of four and twenty, Henry is content with his life as a clergyman, leaving his older brother Frederick to inherit Northanger Abbey. But General Tilney is determined to increase the family's means by having all three of his children marry wealthy partners. During a trip to Bath, Henry meets the delightful Miss Catherine Morland and believes he may have found the woman he's been looking for, although she has no great fortune. When the General takes an unusual liking to Catherine and invites her to visit the Abbey, Henry is thrilled. But just as in the Gothic novels Henry loves, not everything is as it seems...
| Author | : |
| Publisher | : |
| Total Pages | : |
| Release | : 2020-06-23 |
| Genre | : |
| ISBN | : 9780989025966 |
Newly married to her beloved Henry, Catherine's eyes are now open to the grownup pleasures of wedded life. Yet she still hasn't quite given up her girlhood fascination with all things Gothic. When she first visited Northanger Abbey, she only imagined dreadful events had occurred there. This time the horror is all too real. There's been a murder, and Henry has fallen under suspicion. Catherine is determined to clear her husband's name, but at the same time, she's afraid for her own safety, since there's a very good chance the real murderer is still in the house.This delightful sequel reprises the mischievous spirit of Austen's original spoof on the Gothic novel, while giving Catherine a genuine murder mystery to unravel.
| Author | : Diane Long Hoeveler |
| Publisher | : Penn State Press |
| Total Pages | : 274 |
| Release | : 2010-11-01 |
| Genre | : Literary Criticism |
| ISBN | : 0271040971 |
As British women writers in the late eighteenth and early nineteenth centuries sought to define how they experienced their era's social and economic upheaval, they helped popularize a new style of bourgeois female sensibility. Building on her earlier work in Romantic Androgyny, Diane Long Hoeveler now examines the Gothic novels of Charlotte Smith, Ann Radcliffe, Jane Austen, Charlotte Dacre Byrne, Mary Shelley, and the Bront&ës to show how these writers helped define femininity for women of the British middle class. Hoeveler argues that a female-created literary ideology, now known as &"victim feminism,&" arose as the Gothic novel helped create a new social role of professional victim for women adjusting to the new bourgeois order. These novels were thinly disguised efforts at propagandizing a new form of conduct for women, teaching that &"professional femininity&"&—a cultivated pose of wise passiveness and controlled emotions&—best prepared them for social survival. She examines how representations of both men and women in these novels moved from the purely psychosexual into social and political representations, and how these writers constructed a series of ideologies that would allow their female characters&—and readers&—fictitious mastery over an oppressive social and political system. Gothic Feminism takes a neo-feminist approach to these women's writings, treating them not as sacred texts but as thesis-driven works that attempted to instruct women in a series of strategic poses. It offers both a new understanding of the genre and a wholly new interpretation of feminism as a literary ideology.
| Author | : Magdalena Przytarska |
| Publisher | : GRIN Verlag |
| Total Pages | : 58 |
| Release | : 2014-12-22 |
| Genre | : Foreign Language Study |
| ISBN | : 3656865205 |
Bachelor Thesis from the year 2009 in the subject Didactics for the subject English - Literature, Works, grade: 1, University of Gdansk, course: English Literature, language: English, abstract: The parody of Gothicism emerged as a reaction against its conventions, just as Gothic novel itself was directed against the rationality of Neoclassicism. At first, the Gothic novel gained great interest of the readers, the genre developed rapidly and many writers, like Clara Reeve, Mary Shelley or Charles Maturin contributed to this kind of fiction. However, the set of conventions established by Horace Walpole and then developed by Mrs. Radcliffe, became a point of reference for Jane Austen to create a novel titled Northanger Abbey, which became an outstanding parody of the conventions. Thus, Jane Austen reused many Gothic elements, retold the story in a parodying way in order to show the silliness and artificiality of the genre.
