Painting The Land
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| Author | : Vernon Kerr |
| Publisher | : Walter Foster Publishing |
| Total Pages | : 46 |
| Release | : 2019-05-07 |
| Genre | : Art |
| ISBN | : 1633227758 |
Featuring the artwork of Vernon Kerr, Painting: Land & Sea includes a variety of easy-to-follow, step-by-step projects that are approachable for the beginning artist, including dynamic landscapes and seascapes with sweeping vistas. Nature provides an endless variety of appealing subjects to inspire the artist. And with the versatile mediums of oil and acrylic, you can both layer transparent glazes and apply thick, luscious strokes of color for a wide range of interesting effects. In Painting: Land & Sea, artist Vernon Kerr shows you his step-by-step process for painting seascapes and landscapes in oil and acrylic, from simple sketches to the most elaborate renderings. In addition, he demonstrates how to capture the beauty of nature in all its seasons and at different times of the day, as well as the importance of making small color studies and learning the various cloud formations. You’ll also discover tips for using color effectively, with additional helpful information on composition, perspective, texture, and contrast. And along the way, you’ll learn special techniques for creating dramatic skies, luminous waves, and lush landscapes. From rendering light and shadow to creating realism through depth and texture, aspiring artists will discover the basics of oil and acrylic painting through engaging, inspirational lessons and useful artist tips. Beginning artists will find helpful information about selecting the right paintbrushes, supports, and paints to get started in acrylic painting. Additionally, artists will discover useful tips for using basic and special acrylic painting techniques to render textures, suggest dimension, and create effects. Designed for beginners, the How to Draw & Paint series offers an easy-to-follow guide that introduces artists to basic tools and materials and includes simple step-by-step lessons for a variety of projects suitable for the aspiring artist. With comprehensive instruction, plenty of artist tips and tricks, and beautiful artwork to inspire, Painting: Land & Sea is the perfect resource for any aspiring acrylic painter.
| Author | : Mitchell Albala |
| Publisher | : Watson-Guptill |
| Total Pages | : 202 |
| Release | : 2011-11-15 |
| Genre | : Art |
| ISBN | : 0823008347 |
Because nature is so expansive and complex, so varied in its range of light, landscape painters often have to look further and more deeply to find form and structure, value patterns, and an organized arrangement of shapes. In Landscape Painting, Mitchell Albala shares his concepts and practices for translating nature's grandeur, complexity, and color dynamics into convincing representations of space and light. Concise, practical, and inspirational, Landscape Painting focuses on the greatest challenges for the landscape artist, such as: • Simplification and Massing: Learn to reduce nature's complexity by looking beneath the surface of a subject to discover the form's basic masses and shapes.• Color and Light: Explore color theory as it specifically applies to the landscape, and learn the various strategies painters use to capture the illusion of natural light.• Selection and Composition: Learn to select wisely from nature's vast panorama. Albala shows you the essential cues to look for and how to find the most promising subject from a world of possibilities. The lessons in Landscape Painting—based on observation rather than imitation and applicable to both plein air and studio practice—are accompanied by painting examples, demonstrations, photographs, and diagrams. Illustrations draw from the work of more than 40 contemporary artists and such masters of landscape painting as John Constable, Sanford Gifford, and Claude Monet. Based on Albala's 25 years of experience and the proven methods taught at his successful plein air workshops, this in-depth guide to all aspects of landscape painting is a must-have for anyone getting started in the genre, as well as more experienced practitioners who want to hone their skills or learn new perspectives.
| Author | : Jean Van't Hul |
| Publisher | : Shambhala Publications |
| Total Pages | : 297 |
| Release | : 2019-06-11 |
| Genre | : Family & Relationships |
| ISBN | : 1611807204 |
Bring out your child’s creativity and imagination with more than 60 artful activities in this completely revised and updated edition Art making is a wonderful way for young children to tap into their imagination, deepen their creativity, and explore new materials, all while strengthening their fine motor skills and developing self-confidence. The Artful Parent has all the tools and information you need to encourage creative activities for ages one to eight. From setting up a studio space in your home to finding the best art materials for children, this book gives you all the information you need to get started. You’ll learn how to: * Pick the best materials for your child’s age and learn to make your very own * Prepare art activities to ease children through transitions, engage the most energetic of kids, entertain small groups, and more * Encourage artful living through everyday activities * Foster a love of creativity in your family
| Author | : César Aira |
| Publisher | : New Directions Publishing |
| Total Pages | : 97 |
| Release | : 2006-05-25 |
| Genre | : Fiction |
| ISBN | : 0811219801 |
An astounding novel from Argentina that is a meditation on the beautiful and the grotesque in nature, the art of landscape painting, and one experience in a man's life that became a lightning rod for inspiration. An Episode in the Life of a Landscape Painter is the story of a moment in the life of the German artist Johan Moritz Rugendas (1802-1858). Greatly admired as a master landscape painter, he was advised by Alexander von Humboldt to travel West from Europe to record the spectacular landscapes of Chile, Argentina, and Mexico. Rugendas did in fact become one of the best of the nineteenth-century European painters to venture into Latin America. However this is not a biography of Rugendas. This work of fiction weaves an almost surreal history around the secret objective behind Rugendas' trips to America: to visit Argentina in order to achieve in art the "physiognomic totality" of von Humboldt's scientific vision of the whole. Rugendas is convinced that only in the mysterious vastness of the immense plains will he find true inspiration. A brief and dramatic visit to Mendosa gives him the chance to fulfill his dream. From there he travels straight out onto the pampas, praying for that impossible moment, which would come only at an immense pricean almost monstrously exorbitant price that would ultimately challenge his drawing and force him to create a new way of making art. A strange episode that he could not avoid absorbing savagely into his own body interrupts the trip and irreversibly and explosively marks him for life.
| Author | : John Michael Vlach |
| Publisher | : UNC Press Books |
| Total Pages | : 248 |
| Release | : 2002 |
| Genre | : Art |
| ISBN | : |
Planter's Prospect: Privilege and Slavery in Plantation Paintings
| Author | : J.W. Buel |
| Publisher | : Рипол Классик |
| Total Pages | : 807 |
| Release | : 2012 |
| Genre | : History |
| ISBN | : 5882290163 |
An illustrated history of the wonderful and curious things of nature existing before and since the deluge being a natural history of the sea illustrated by stirring adventures with whales also a natural history of land-creatures.
| Author | : Brian Keeler |
| Publisher | : North Light Books |
| Total Pages | : 128 |
| Release | : 2014-05-16 |
| Genre | : Art |
| ISBN | : 9781440329326 |
Artist Brian Keeler shares his methods for bringing dramatic color into landscape oil and pastel artwork.
| Author | : Ian Waites |
| Publisher | : Boydell Press |
| Total Pages | : 210 |
| Release | : 2012 |
| Genre | : Architecture |
| ISBN | : 1843837617 |
An examination of the treatment of common land in the work of English painters, at a time when much of it was to disappear forever. A most elegantly written book that calmly knocked many entrenched but erroneous notions about British landscape painting firmly on the head. Longlisted and commended by the judges of the 2013 William M. B. Berger prize forBritish art history. During the eighteenth and nineteenth centuries, much of England's common land was eradicated by the processes of parliamentary enclosure. However, despite the fact that the landscape was frequentlyviewed as unproductive, outmoded and unsightly, many British landscape painters of the time - including Constable, Gainsborough and Turner - resolutely continued to depict it. This book is the first full study of how they did so, using evidence drawn not only from art-historical picture analysis, but from contemporary poems and novels, and the contemporary pamphlets, essays and reports that advanced the rhetoric of both agricultural improvement and new theories on landscape aesthetics. It highlights a deep-rooted social and cultural attachment to the common field landscape, and demonstrates that common land played a significant but - until now - underestimated role in both the history of English art and of the formation of an English national identity, reflecting what are still highly sensitive issues of progress, nostalgia and loss within the English countryside. Recasting common land as a recurrentfacet of English culture in the modern period, the numerous paintings, drawings and prints featured in this book give the reader a comprehensive and evocative sense of what this now almost wholly lost landscape looked like in itshey-day. Ian Waites is Senior Lecturer in History of Art and Design at the University of Lincoln.
| Author | : Marie Geissler |
| Publisher | : Cambridge Scholars Publishing |
| Total Pages | : 220 |
| Release | : 2020-09 |
| Genre | : Bark painting |
| ISBN | : 9781527555464 |
This publication brings together existing research as well as new data to show how Arnhem Land bark painting was critical in the making of Indigenous Australian contemporary art and the self-determination agendas of Indigenous Australians. It identifies how, when and what the shifts in the reception of the art were, especially as they occurred within institutional exhibition displays. Despite key studies already being published on the reception of Aboriginal art in this area, the overall process is not well known or always considered, while the focus has tended to be placed on Western Desert acrylic paintings. This text, however represents a refocus, and addresses this more fully by integrating Arnhem Land bark painting into the contemporary history of Aboriginal art. The trajectory moves from its understanding as a form of ethnographic art, to seeing it as conceptual art and appreciating it for its cultural agency and contemporaneity.
| Author | : Kate Morris |
| Publisher | : |
| Total Pages | : 0 |
| Release | : 2019 |
| Genre | : Art |
| ISBN | : 9780295745367 |
A distinctly Indigenous form of landscape representation is emerging in the creations of contemporary Indigenous artists from North America. For centuries, landscape painting in European art typically used representational strategies such as single-point perspective to lure viewers--and settlers--into the territories of the old and new worlds. In the twentieth century, abstract expressionism transformed painting to encompass something beyond the visual world, and later, minimalism and the Land Art movement broadened the genre of landscape art to include sculptural forms and site-specific installations. In Shifting Grounds, art historian Kate Morris argues that Indigenous artists are expanding, reconceptualizing, and remaking the forms of the genre still further, expressing Indigenous attitudes toward land and belonging even as they draw upon mainstream art practices. The resulting works are rarely if ever primarily visual representations, but instead evoke all five senses: from the overt sensuality of Kay WalkingStick's tactile paintings to the eerie soundscapes of Alan Michelson's videos and Postcommodity's installations to the immersive environments of Kent Monkman's dioramas, this landscape art resonates with a fully embodied and embedded subjectivity. In the works of these and many other Native artists, Shifting Grounds explores themes of presence and absence, connection and dislocation, survival and vulnerability, memory and commemoration, and power and resistance, illuminating the artists' sustained engagement not only with land and landscape but also with the history of representation itself. A Helen Marie Ryan Wyman Book Art History Publication Initiative. For more information, visit http: //arthistorypi.org/books/shifting-grounds
