Painting And Sculpture In Europe 1780 To
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| Author | : Fritz Novotny |
| Publisher | : Yale University Press |
| Total Pages | : 488 |
| Release | : 1995-01-01 |
| Genre | : Art |
| ISBN | : 9780300053210 |
From the Classicism of Jacques-Louis David to the Realism of Courbet and the Early Impressionism of Renoir, this book outlines the course taken by painting and sculpture in Europe during the 19th century. Faced with the untidy sprawl of individualism which followed the French Revolution and threw up isolated geniuses like Goya, the author nevertheless charts the currents in what was predominantly a century of Naturalism and also - whilst artists were increasingly preoccupied with the inner man - of great landscape-painting when Friedrich, Corot and the Impressionists proper added light and atmosphere to the former achievements of the great Dutch masters.
| Author | : George Heard Hamilton |
| Publisher | : Yale University Press |
| Total Pages | : 628 |
| Release | : 1993-01-01 |
| Genre | : Art |
| ISBN | : 9780300056495 |
This new edition of 'a book that offers the best available grounding in its huge subject,' as the Sunday Times called it, includes color plates and a revised and expanded bibliography. Professor Hamilton traces the origins and growth of modern art, assessing the intrinsic qualities of individual works and describing the social forces in play. The result is an authoritative guide through the forest of artistic labels-Impressionism and Expressionism, Symbolism, Cubism, Constructivism, Surrealism, etc.-and to the achievements of Degas and Cezanne, Ensor and Munch, Matisse and Kandinsky, Picasso, Braque, and Epstein, Mondrian, Dali, Modigliani, Utrillo and Chagall, Klee, Henry Moore, and many other artists in a revolutionary age.
| Author | : Fritz Novotny |
| Publisher | : |
| Total Pages | : 0 |
| Release | : 1960 |
| Genre | : Art, European |
| ISBN | : 9789140077448 |
| Author | : Fritz Novotny |
| Publisher | : |
| Total Pages | : 483 |
| Release | : 1985 |
| Genre | : |
| ISBN | : |
| Author | : Michael Levey |
| Publisher | : Yale University Press |
| Total Pages | : 344 |
| Release | : 1993-01-01 |
| Genre | : Art |
| ISBN | : 9780300064940 |
Discusses the major painters and sculptors of the period during the last years of France's ancien regime - a period that started with Watteau and the fete galante and closed with the revolutionary history paintings of David.
| Author | : Fritz Novotny |
| Publisher | : |
| Total Pages | : 288 |
| Release | : 2003-01-01 |
| Genre | : |
| ISBN | : 9780758166104 |
| Author | : Fritz Novotny |
| Publisher | : |
| Total Pages | : |
| Release | : 1880 |
| Genre | : |
| ISBN | : |
| Author | : Allison Lee Palmer |
| Publisher | : Scarecrow Press |
| Total Pages | : 314 |
| Release | : 2011-02-11 |
| Genre | : Art |
| ISBN | : 0810874741 |
The Historical Dictionary of Neoclassical Art and Architecture provides an overview of Neoclassicism, focusing on its major artists, architects, stylistic subcategories, ideas, and historical framework of the 18th century style found mainly in Europe and the United States. This is done through a chronology, an introductory essay, an extensive bibliography, and over 200 dictionary entries on famous artists, sculptors, architects, patrons, and other historical figures and events.
| Author | : Moshe Barasch |
| Publisher | : NYU Press |
| Total Pages | : 400 |
| Release | : 1990 |
| Genre | : Art |
| ISBN | : 081471272X |
In this volume, the third in his classic series of texts surveying the history of art theory, Moshe Barasch traces the hidden patterns and interlocking themes in the study of art, from Impressionism to Abstract Art. Barasch details the immense social changes in the creation, presentation, and reception of art which have set the history of art theory on a vertiginous new course: the decreased relevance of workshops and art schools; the replacement of the treatise by the critical review; and the interrelation of new modes of scientific inquiry with artistic theory and praxis. The consequent changes in the ways in which critics as well as artists conceptualized paintings and sculptures were radical, marked by an obsession with intense, immediate sensory experiences, psychological reflection on the effects of art, and a magnetic pull to the exotic and alien, making for the most exciting and fertile period in the history of art criticism.
| Author | : Theodore Ziolkowski |
| Publisher | : Camden House (NY) |
| Total Pages | : 265 |
| Release | : 2018 |
| Genre | : Art |
| ISBN | : 1640140425 |
Employs an innovative approach by stages to offer a unified vision of European Romanticism over the half-century of its growth and decline.
