Ovid Revisited
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| Author | : Jo-Marie Claassen |
| Publisher | : A&C Black |
| Total Pages | : 305 |
| Release | : 2013-11-20 |
| Genre | : Literary Criticism |
| ISBN | : 1472521439 |
In time for the bimillennium of Ovid's relegation to Tomis on the Black Sea by the emperor Augustus in 8 AD, Jo-Marie Claassen here revises and integrates into a more popular format two decades of scholarship on Ovid's exile. Some twenty articles and reviews from scholarly journals have been shortened, rearranged and merged into seven chapters, which, together with some new material, offer a wide-ranging overview of the exiled poet and his works. "Ovid Revisited" treats the poems from exile as the literary culmination of Ovid's oeuvre, ascribing the poet's resilience in the face of extreme hardship to the relief that his poetry afforded him. An introduction considers the phenomenon of Ovid's continued popularity, explains the importance of chronology in reading the exilic poems and gives a brief summary of the contents of the 'Tristia' and 'Epistulae ex Ponto'. The rest of the book ranges from consideration of Ovid's relationship with the emperor and with his own poetry, to his ubiquitous humour, to his skill in metrics, vocabulary and verbal play, and to his use of mythological figures from earlier parts of his oeuvre. The degree to which Ovid universalised the sufferings of the dispossessed is assessed in a chapter comparing his exilic works with modern exilic literature. An excursus considers various directions in Ovidian studies today.
| Author | : Helena Taylor |
| Publisher | : Oxford University Press |
| Total Pages | : 308 |
| Release | : 2017-04-28 |
| Genre | : Literary Criticism |
| ISBN | : 0192516884 |
Seventeenth-century France saw one of the most significant 'culture wars' Europe has ever known. Culminating in the Quarrel of the Ancients and Moderns, this was a confrontational, transitional time for the reception of the classics. Helena Taylor explores responses to the life of the ancient Roman poet, Ovid, within this charged atmosphere. To date, criticism has focused on the reception of Ovid's enormously influential work in this period, but little attention has been paid to Ovid's lives and their uses. Through close analysis of a diverse corpus, which includes prefatory Lives, novels, plays, biographical dictionaries, poetry, and memoirs, this study investigates how the figure of Ovid was used to debate literary taste and modernity and to reflect on translation practice. It shows how the narrative of Ovid's life was deployed to explore the politics and poetics of exile writing; and to question the relationship between fiction and history. In so doing, this book identifies two paradoxes: although an ancient poet, Ovid became key to the formulation of aspects of self-consciously 'modern' cultural movements; and while Ovid's work might have adorned the royal palaces of Versailles, the poetry he wrote after being exiled by the Emperor Augustus made him a figure through which to question the relationship between authority and narrative. The Lives of Ovid in Seventeenth-Century French Culture not only nuances understanding of both Ovid and life-writing in this period, but also offers a fresh perspective on classical reception: its paradoxes, uses, and quarrels.
| Author | : Paul Murgatroyd |
| Publisher | : Taylor & Francis |
| Total Pages | : 277 |
| Release | : 2017-05-18 |
| Genre | : History |
| ISBN | : 1351758942 |
This volume offers up-to-date translations of all 21 epistles of Ovid’s Heroides. Each letter is accompanied by a preface explaining the mythological background, and an essay offering critical remarks on the poem, and discussion of the heroine and her treatment elsewhere in Classical literature. Where relevant, reception in later literature, film, music and art, and feminist aspects of the myth are also covered. The book is augmented by an introduction covering Ovid's life and works, the Augustan background, originality of the Heroides, dating, authenticity, and reception. This is a vital new resource for anyone studying the poetry of Ovid, classical myth, or women in the ancient world. A useful glossary of characters mentioned in the Heroides concludes the book.
| Author | : Victoria Rimell |
| Publisher | : Oxford University Press |
| Total Pages | : 438 |
| Release | : 2024-04-01 |
| Genre | : Poetry |
| ISBN | : 0198900864 |
The Ovidian Renaissance seems to have left the Remedia Amoris behind. The poem has remained marginal, read either as a reversal of the Ars Amatoria's teaching that brings the world of Ovidian elegy to a banal end, or as an over-determined supplement to the Ars which ironically fails in its ostensible aim of 'curing' the dissatisfied lover. While recent work has explored how the poem functions not just as a palinode to, but also as a continuation of, the Ars, the critical status quo continues to present it as a minor appendage rather than as an important chapter in Ovid's project as a poet of desire. Victoria Rimell's commentary resets critical perspectives by reading the Remedia as distinctive and original, and as a pivotal text within Ovid's oeuvre as a whole. In her immersive, creatively interpretative guide to the poem, the Remedia emerges as an intricate work that interacts with medical texts, works on rhetoric, law, magic and ritual, philosophical thinking about self-discipline, the irrational, consolation and therapy for the soul, as well as with Greco-Roman satire, lyric, epigram, and traditions of didactic and erotodidactic verse. The poem, Rimell argues, is a key node in Ovid's development of a poetics of paradox, reversibility, and auto-immunity.
| Author | : Jessica A. Westerhold |
| Publisher | : Cornell University Press |
| Total Pages | : 141 |
| Release | : 2023-07-15 |
| Genre | : Literary Criticism |
| ISBN | : 1501770365 |
Ovid's Tragic Heroines expands our understanding of Ovid's incorporation of Greek generic codes and the tragic heroines, Phaedra and Medea, while offering a new perspective on the Roman poet's persistent interest in these two characters and their paradigms. Ovid presents these two Attic tragic heroines as symbols of different passions that are defined by the specific combination of their gender and generic provenance. Their failure to be understood and their subsequent punishment are constructed as the result of their female "nature," and are generically marked as "tragic." Ovid's masculine poetic voice, by contrast, is given free rein to oscillate and play with poetic possibilities. Jessica A. Westerhold focuses on select passages from the poems Ars Amatoria, Heroides, and Metamorphoses. Building on existing scholarship, she analyzes the dynamic nature of generic categories and codes in Ovid's poetry, especially the interplay of elegy and epic. Further, her analysis of Ovid's reception applies the idea of the abject to elucidate Ovid's process of constructing gender and genre in his poetry. Ovid's Tragic Heroines incorporates established theories of the performativity of sex, gender, and kinship roles to understand the continued maintenance of the normative and abject subject positions Ovid's poetry creates. The resulting analysis reveals how Ovid's Phaedras and Medeas offer alternatives both to traditional gender roles and to material appropriate to a poem's genre, ultimately using the tragic code to introduce a new perspective to epic and elegy.
| Author | : Marguerite Johnson |
| Publisher | : Bloomsbury Publishing |
| Total Pages | : 193 |
| Release | : 2016-01-28 |
| Genre | : Literary Criticism |
| ISBN | : 147250674X |
The Medicamina Faciei Femineae is a didactic elegy that showcases an early example of Ovid's trademark combination of poetic instruction and trivial subject matter. Exploring female beauty and cosmeceuticals, with particular emphasis on the concept of cultus, the poem presents five practical recipes for treatments for Roman women. Covering both didactic parody and pharmacological reality, this deceptively complex poem possesses wit and vivacity and provides an important insight into Roman social mores and day-to-day activities. The first full study in English devoted to this little-researched but multi-faceted poem, Ovid on Cosmetics includes an introduction that situates the poem within its literary heritage of didactic and elegiac poetry, its place in Ovid's oeuvre and its relevance to social values, personal aesthetics and attitudes to female beauty in Roman society. The Latin text is presented on parallel pages alongside a new translation, and all Latin words and phrases are translated for the non-specialist reader. Detailed commentary notes elucidate the text and individual phrases still further. Ovid on Cosmetics presents and explicates this witty, subversive yet significant poem. Its attention to the technicalities of cosmeceuticals and cosmetics, including detailed analyses of individual ingredients and the effects of specific creams and makeup, make this work a significant contribution to the beauty industry in antiquity.
| Author | : Iris Brecke |
| Publisher | : Walter de Gruyter GmbH & Co KG |
| Total Pages | : 182 |
| Release | : 2023-11-20 |
| Genre | : History |
| ISBN | : 3111308030 |
This book investigates the complex reception of Terence in Ovid and a number of allusions to the Terentian comedies in the love elegies and the exilic elegiac epistle Tristia 2. The genres of Latin love elegy and New Comedy are often seen as closely connected in research, and one leading view is that Latin love elegy to a large degree springs out of the comic genre. However, though both genres are strongly rooted in social practise and presents interpersonal relationships in a non-mythological, everyday setting, there are also major differences between them. Marriage, for instance, is the conventional goal for the young lover withing the comic genre, whereas the elegiac lover should avoid it. Taking into account both the similarities and the crucial differences between the comic genre and Latin love elegy, and key elegiac topoi such as seruitium amoris and militia amoris, this book demonstrates an intricate connection between Ovid and Terence, and a complex nexus of allusions that goes straight to the core of Ovid’s elegiac authorship. Winner of the Trends in Classics Book Prize 2023
| Author | : Gareth Williams |
| Publisher | : Oxford University Press |
| Total Pages | : 417 |
| Release | : 2022 |
| Genre | : Literary Collections |
| ISBN | : 0197610331 |
"This volume contains sixteen essays on various aspects of Ovid's engagement with philosophical trends and topics. Ovid has long been celebrated for the versatility of his poetic imagination, the diversity of his generic experimentation throughout his long career, and his intimate engagement with the Greco-Roman literary tradition that precedes him; but what of his engagement with the philosophical tradition? Ovid's close familiarity with philosophical ideas and with specific philosophical texts has long been recognized, perhaps most prominently in the Pythagorean, Platonic, Empedoclean, and Lucretian shades that color his Metamorphoses. This philosophical component, however, has often been perceived as a feature subordinate to Ovid's larger literary agenda; and because of the controlling influence conceded to that literary impulse, readings of the philosophical dimension have often focused on the perceived distortion, ironizing, or parodying of philosophical sources and ideas. This book counters this tendency by (i) considering Ovid's seriousness of engagement with, and his possible critique of, the philosophical writings that inform his works; (ii) questioning the feasibility of separating out the categories of the "philosophical" and the "literary" in the first place; (iii) exploring the ways in which Ovid may offer unusual, controversial, or provocative reactions to received philosophical ideas; and (iv) investigating the case to be made for viewing the Ovidian corpus not just as a body of writings that are often philosophically inflected, but also as texts that may themselves be read as philosophically adventurous and experimental"--
| Author | : Asher Z. Milbauer |
| Publisher | : Routledge |
| Total Pages | : 389 |
| Release | : 2020-06-10 |
| Genre | : Literary Criticism |
| ISBN | : 1000070018 |
Prompted by centuries of warfare, political oppression, natural disasters, and economic collapses, exile has had an enormous impact not only on individuals who have undergone transplantation from one culture to another but also on the host societies they have joined and those worlds they have left behind. Written by prominent literary critics, creative authors, and artists, the essays gathered within Exile in Global Literature and Culture: Homes Found and Lost meditate upon the painful journeys—geographic, spiritual, emotional, psychological—brought about due to exilic rupture, loss, and dislocation. Yet exile also fosters potential pleasures and rewards: to extend scholar Martin Tucker’s formulation, wherever the exile might land in flight, he bears with him the sweetness of survival, the triumph of transcendence, the luxury of liminality, and the invitation to innovate and invent in new lands. Indeed, exile embodies both blessing and curse, homes found and lost. Furthermore, this book adheres to (and tests) the premise that exile‘s deepest and innermost currents are manifested through writing and other artistic forms.
| Author | : Katharine Mawford |
| Publisher | : Walter de Gruyter GmbH & Co KG |
| Total Pages | : 363 |
| Release | : 2021-07-05 |
| Genre | : Literary Criticism |
| ISBN | : 3110728923 |
Although the recent ‘memory boom’ has led to increasing interdisciplinary interest, there is a significant gap relating to the examination of this topic in Classics. In particular, there is need for a systematic exploration of ancient memory and its use as a critical and methodological tool for delving into ancient literature. The present volume provides just such an approach, theorising the use and role of memory in Graeco-Roman thought and literature, and building on the background of memory studies. The volume’s contributors apply theoretical models such as memoryscapes, civic and cultural memory, and memory loss to a range of authors, from Homeric epic to Senecan drama, and from historiography to Cicero’s recollections of performances. The chapters are divided into four sections according to the main perspective taken. These are: 1) the Mechanics of Memory, 2) Collective memory, 3) Female Memory, and 4) Oblivion. This modern approach to ancient memory will be useful for scholars working across the range of Greek and Roman literature, as well as for students, and a broader interdisciplinary audience interested in the intersection of memory studies and Classics.
