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| Author | : |
| Publisher | : |
| Total Pages | : 342 |
| Release | : 2016-01-20 |
| Genre | : Holocaust, Jewish (1939-1945) |
| ISBN | : 9780992468491 |
"This ... is a collection of articles, stories and histories that tell us of life and history in Lithuania and Latvia, emigrating to South Africa and early life and history in South Africa from about 1880 to 195O."--Volume 1, page ii.
| Author | : Matthew B. Schwartz |
| Publisher | : Wipf and Stock Publishers |
| Total Pages | : 309 |
| Release | : 2019-08-08 |
| Genre | : History |
| ISBN | : 1532644116 |
Using a readable question-and-answer format, Jews in America: The First 500 Years presents the activities of Jews in America since the beginnings of European settlement. It tells something of the story of how Jews came to the “golden land” and what they have done here—men and women, scientists and athletes, soldiers and merchants, settlers and scholars. It is indeed a remarkable story.
| Author | : Mrs Joan Perkin |
| Publisher | : Routledge |
| Total Pages | : 303 |
| Release | : 2002-11-01 |
| Genre | : History |
| ISBN | : 1134985630 |
The 'bonds of matrimony' describes with cruel precision the social and political status of married women in the nineteenth century. Women of all classes had only the most limited rights of possession in their own bodies and property yet, as this remarkable book shows, women of all classes found room to manoeuvre within the narrow limits imposed on them. Upper-class women frequently circumvented the onerous limitations of the law, while middle-class women sought through reform to change their legal status. For working-class women, such legal changes were irrelevant, but they too found ways to ameliorate their position. Joan Perkin demonstrates clearly in this outstanding book, full of human insights, that women were not content to remain inferior or subservient to men.
| Author | : Iain Pears |
| Publisher | : Vintage Canada |
| Total Pages | : 539 |
| Release | : 2010-08-06 |
| Genre | : Fiction |
| ISBN | : 0307370887 |
Three narratives, set in the fifth, fourteenth, and twentieth centuries, all revolving around an ancient text and each with a love story at its centre, are the elements of this brilliantly ingenious novel, a follow-up to the international bestseller An Instance of the Fingerpost. The centuries are the 5th (the final days of the Roman Empire); the 14th (the years of the Plague — the Black Death); and the 20th (World War II). The setting for each is the same — Provence — and each has at its heart a love story. The narratives intertwine seamlessly, and what joins them thematically is an ancient text — “The Dream of Scipio” — a work of neo-Platonism that poses timeless philosophical questions. What is the obligation of the individual in a society under siege? What is the role of learning when civilization itself is threatened, whether by acts of man or nature? Does virtue lie more in engagement or in neutrality? “Power without wisdom is tyranny; wisdom without power is pointless,” warns one of Pears’s characters. The Dream of Scipio is a bona fide novel of ideas, a dazzling feat of storytelling, fiction for our times.
| Author | : Marc Raboy |
| Publisher | : Oxford University Press |
| Total Pages | : 888 |
| Release | : 2016-06-28 |
| Genre | : Technology & Engineering |
| ISBN | : 0199313601 |
A little over a century ago, the world went wireless. Cables and all their limiting inefficiencies gave way to a revolutionary means of transmitting news and information almost everywhere, instantaneously. By means of "Hertzian waves," as radio waves were initially known, ships could now make contact with other ships (saving lives, such as on the doomed S.S. Titanic); financial markets could coordinate with other financial markets, establishing the price of commodities and fixing exchange rates; military commanders could connect with the front lines, positioning artillery and directing troop movements. Suddenly and irrevocably, time and space telescoped beyond what had been thought imaginable. Someone had not only imagined this networked world but realized it: Guglielmo Marconi. As Marc Raboy shows us in this enthralling and comprehensive biography, Marconi was the first truly global figure in modern communications. Born to an Italian father and an Irish mother, he was in many ways stateless, working his cosmopolitanism to advantage. Through a combination of skill, tenacity, luck, vision, and timing, Marconi popularized--and, more critically, patented--the use of radio waves. Soon after he burst into public view at the age of 22 with a demonstration of his wireless apparatus in London, 1896, he established his Wireless Telegraph & Signal Company and seemed unstoppable. He was decorated by the Czar of Russia, named an Italian Senator, knighted by King George V of England, and awarded the Nobel Prize for Physics--all before the age of 40. Until his death in 1937, Marconi was at the heart of every major innovation in electronic communication, courted by powerful scientific, political, and financial interests. He established stations and transmitters in every corner of the globe, from Newfoundland to Buenos Aires, Hawaii to Saint Petersburg. Based on original research and unpublished archival materials in four countries and several languages, Raboy's book is the first to connect significant parts of Marconi's story, from his early days in Italy, to his groundbreaking experiments, to his protean role in world affairs. Raboy also explores Marconi's relationshps with his wives, mistresses, and children, and examines in unsparing detail the last ten years of the inventor's life, when he returned to Italy and became a pillar of Benito Mussolini's fascist regime. Raboy's engrossing biography, which will stand as the authoritative work of its subject, proves that we still live in the world Marconi created.
| Author | : Marek Hlasko |
| Publisher | : Cornell University Press |
| Total Pages | : 182 |
| Release | : 2013-10-01 |
| Genre | : Biography & Autobiography |
| ISBN | : 1609090950 |
Marek Hlasko's literary autobiography is a vivid, first-hand account of the life of a young writer in 1950s Poland and a fascinating portrait of the ultimately short-lived rebel generation. Told in a voice suffused with grit and morbid humor, Hlasko's memoir was a classic of its time. In it he recounts his adventures and misadventures, moving swiftly from one tale to the next. Like many writers of his time, Hlasko also worked in screen writing, and his memoir provides a glimpse into just how markedly the medium of film affected him from his very earliest writing days. The memoir details his relationships with such giants of Polish culture as the filmmaker Roman Polanski and the novelist Jerzy Andrzejewski. Hlasko is the most prominent example of a writer who broke free from the Socialist-Realist formulae that dominated the literary scene in Poland since it fell under the influence of the Soviets. He made his literary debut in 1956 and immediately became a poster boy for Polish Literature. He subsequently worked at some of the most important newspapers and magazines for intellectual life in Warsaw. Hlasko was sent to Paris on an official mission in 1958, but when he published in an émigré Parisian press his novel of life in post-War Poland, he was denied a renewal of his passport. In effect, he was called back to Poland, and when he refused to return he was stripped of his Polish citizenship. He spent the rest of his life working in exile. Marek Hlasko was a rebel whose writing and iconoclastic way of life became an inspiration to those of his generation and after. Here, in the first English translation of his literary memoir, Ross Ufberg deftly renders Hlasko's wry and passionate voice.
| Author | : Joseph Litvak |
| Publisher | : Duke University Press |
| Total Pages | : 306 |
| Release | : 2009-11-25 |
| Genre | : Literary Criticism |
| ISBN | : 0822390841 |
In a bold rethinking of the Hollywood blacklist and McCarthyite America, Joseph Litvak reveals a political regime that did not end with the 1950s or even with the Cold War: a regime of compulsory sycophancy, in which the good citizen is an informer, ready to denounce anyone who will not play the part of the earnest, patriotic American. While many scholars have noted the anti-Semitism underlying the House Un-American Activities Committee’s (HUAC’s) anti-Communism, Litvak draws on the work of Theodor W. Adorno, Hannah Arendt, Alain Badiou, and Max Horkheimer to show how the committee conflated Jewishness with what he calls “comic cosmopolitanism,” an intolerably seductive happiness, centered in Hollywood and New York, in show business and intellectual circles. He maintains that HUAC took the comic irreverence of the “uncooperative” witnesses as a crime against an American identity based on self-repudiation and the willingness to “name names.” Litvak proposes that sycophancy was (and continues to be) the price exacted for assimilation into mainstream American culture, not just for Jews, but also for homosexuals, immigrants, and other groups deemed threatening to American rectitude. Litvak traces the outlines of comic cosmopolitanism in a series of performances in film and theater and before HUAC, performances by Jewish artists and intellectuals such as Zero Mostel, Judy Holliday, and Abraham Polonsky. At the same time, through an uncompromising analysis of work by informers including Jerome Robbins, Elia Kazan, and Budd Schulberg, he explains the triumph of a stoolpigeon culture that still thrives in the America of the early twenty-first century.
| Author | : Rupert Isaacson |
| Publisher | : Grove Press |
| Total Pages | : 306 |
| Release | : 2004-02 |
| Genre | : History |
| ISBN | : 9780802140517 |
Brought up on stories and myths of the Kalahari Bushmen, Rupert Isaacson journeys to the dry vast grassland -- which stretches across South Africa, Botswana, and Namibia -- to find out the truth behind these childhood stories. Deep in the Kalahari, Isaacson meets the last groups of Bushmen still living the traditional way, caught between their ancient culture and the growing need to protect and reclaim their dwindling hunting grounds. Little by little he is drawn into the fascinating web of ritual and prophecy that make up the Bushman reality. He hears of shamans who turn into lions, sees leopards conjured from the landscape as though by magic. He attends trance-inducing dances and witnesses incredible healings. But he also sees the heart-wrenching social problems of a dispossessed people. What follows is an adventure of an intensity he could never have predicted. The Healing Land records Isaacson's personal transformation amid these extraordinary people, and his passionate contribution to their political struggle. It captures his enchantment with the character, corruption, kindness, and confusion of a place that has wrenched itself from the Stone Age into the new millennium.
| Author | : Vanda Krefft |
| Publisher | : HarperCollins |
| Total Pages | : 1501 |
| Release | : 2017-11-28 |
| Genre | : Biography & Autobiography |
| ISBN | : 0062680676 |
A riveting story of ambition, greed, and genius unfolding at the dawn of modern America. This landmark biography brings into focus a fascinating brilliant entrepreneur—like Steve Jobs or Walt Disney, a true American visionary—who risked everything to realize his bold dream of a Hollywood empire. Although a major Hollywood studio still bears William Fox’s name, the man himself has mostly been forgotten by history, even written off as a failure. Now, in this fascinating biography, Vanda Krefft corrects the record, explaining why Fox’s legacy is central to the history of Hollywood. At the heart of William Fox’s life was the myth of the American Dream. His story intertwines the fate of the nineteenth-century immigrants who flooded into New York, the city’s vibrant and ruthless gilded age history, and the birth of America’s movie industry amid the dawn of the modern era. Drawing on a decade of original research, The Man Who Made the Movies offers a rich, compelling look at a complex man emblematic of his time, one of the most fascinating and formative eras in American history. Growing up in Lower East Side tenements, the eldest son of impoverished Hungarian immigrants, Fox began selling candy on the street. That entrepreneurial ambition eventually grew one small Brooklyn theater into a $300 million empire of deluxe studios and theaters that rivaled those of Adolph Zukor, Marcus Loew, and the Warner brothers, and launched stars such as Theda Bara. Amid the euphoric roaring twenties, the early movie moguls waged a fierce battle for control of their industry. A fearless risk-taker, Fox won and was hailed as a genius—until a confluence of circumstances, culminating with the 1929 stock market crash, led to his ruin.
