Othmar Schoeck
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Author | : Chris Walton |
Publisher | : University Rochester Press |
Total Pages | : 470 |
Release | : 2009 |
Genre | : Biography & Autobiography |
ISBN | : 1580463002 |
Places the Swiss composer Schoeck, master of a late-Romantic style both sensuous and stringent, in context and gives insight into his increasingly popular musical works.
Author | : John Ivan Simon |
Publisher | : Hal Leonard Corporation |
Total Pages | : 524 |
Release | : 2005 |
Genre | : Music |
ISBN | : 9781557835062 |
This provocative collection and major publishing event brings together the critical highlights of the well-known New York cultural critic John Simon. Covering a span of more than three decades, it includes previously published work from New York, The Hudson Review, National Review, Opera News, The New Leader, and other notable publications. This music volume is the most varied and contains both music reviews and essays on opera and classical performances and recordings, even Brazilian music, with CD references, that reflect Simon's most up-to-date views on the topic. A SAMPLE: Simon on Erik Satie: "The preferred word for Satie's music is depouillement, meaning stripping down, sobriety, concision, or bareness. 'The artist does not have the right to dispose needlessly of the hearer's time,' Satie proclaimed. But no one else's bareness, save that of a Greek statue or Renaissance nude, seems so fully, sensuously self-sufficient."
Author | : Laura Tunbridge |
Publisher | : Cambridge University Press |
Total Pages | : 255 |
Release | : 2010 |
Genre | : Music |
ISBN | : 0521896444 |
Investigates how other types of music have influenced the scope of the song cycle, from operas and symphonies to popular song --
Author | : D. J. Hoek |
Publisher | : Scarecrow Press |
Total Pages | : 374 |
Release | : 2007-02-15 |
Genre | : Music |
ISBN | : 1461700795 |
This new volume incorporates all entries from the previous editions by Arthur Wenk, expanding to cover writings drawn from periodicals, theses, dissertations, books, and Festschriften from 1940 to 2000. Over 9,000 references to analyses of works by over 1,000 composers of the nineteenth and twentieth centuries are included.
Author | : Sebastian D.G. Knowles |
Publisher | : Routledge |
Total Pages | : 395 |
Release | : 2014-01-21 |
Genre | : Music |
ISBN | : 1135656460 |
The contributors to this volume investigate several themes about music's relationship to the literary compositions of James Joyce: music as a condition to which Joyce aspired; music theory as a useful way of reading his works; and musical compositions inspired by or connected with him.
Author | : James Parsons |
Publisher | : Cambridge University Press |
Total Pages | : 543 |
Release | : 2004-07-01 |
Genre | : Music |
ISBN | : 1139826514 |
Beginning several generations before Schubert, the Lied first appears as domestic entertainment. In the century that follows it becomes one of the primary modes of music-making. By the time German song comes to its presumed conclusion with Richard Strauss's 1948 Vier letzte Lieder, this rich repertoire has moved beyond the home and keyboard accompaniment to the symphony hall. This is a 2004 introductory chronicle of this fascinating genre. In essays by eminent scholars, this Companion places the Lied in its full context - at once musical, literary, and cultural - with chapters devoted to focal composers as well as important issues, such as the way in which the Lied influenced other musical genres, its use as a musical commodity, and issues of performance. The volume is framed by a detailed chronology of German music and poetry from the late 1730s to the present and also contains a comprehensive bibliography.
Author | : Lawrence Kramer |
Publisher | : Routledge |
Total Pages | : 218 |
Release | : 2018-12-07 |
Genre | : Music |
ISBN | : 1135672490 |
Walt Whitman's poetry, especially his Civil War poetry, attracted settings by a wide variety of modern composers in both English- and German-speaking countries. The essays in this volume trace the transformation of Whitman's nineteenth-century texts into vehicles for confronting twentieth-century problems-aesthetic, social, and political. The contributors pay careful attention to music and poetry alike in examining how the Whitman settings become exemplary means of dealing with both the tragic and utopian faces of modernism. The book is accompanied by a recording by Joan Heller and Thomas Stumpf of complete Whitman cycles composed by Kurt Weill, George Crumb, and Lawrence Kramer, and the first recording of four Whitman songs composed in the 1920s by Marc Blitzstein.
Author | : Robert Reilly |
Publisher | : Ignatius Press |
Total Pages | : 724 |
Release | : 2016-04-21 |
Genre | : Music |
ISBN | : 1681497042 |
The best music of the 20th century "developed our capacity for feeling, deepened our compassion, and furthered our quest for and understanding of what Aristotle called 'the perfect end of life' ". — from the Foreword by NPR music critic Ted Libbey The single greatest crisis of the 20th century was the loss of faith. Noise—and its acceptance as music—was the product of the resulting spiritual confusion and, in its turn, became the further cause of its spread. Likewise, the recovery of modern music, the theme to which this book is dedicated, stems from a spiritual recovery. This is made explicitly clear by the composers whose interviews with the author are collected in this book. Robert Reilly spells out the nature of the crisis and its solution in sections that serve as bookends to the chapters on individual composers. He does not contend that all of these composers underwent and recovered from the central crisis he describes, but they all lived and worked within its broader context, and soldiered on, writing beautiful music. For this, they suffered ridicule and neglect, and he believes their rehabilitation will change the reputation of modern music. It is the spirit of music that this book is most about, and in his efforts to discern it, Reilly has discovered many treasures. The purpose of this book is to share them, to entice you to listen—because beauty is contagious. English conductor John Eliot Gardiner writes that experiencing Bach's masterpieces "is a way of fully realizing the scale and scope of what it is to be human". The reader may be surprised by how many works of the 20th and 21st centuries of which this is also true.
Author | : John London |
Publisher | : Manchester University Press |
Total Pages | : 372 |
Release | : 2000 |
Genre | : Performing Arts |
ISBN | : 9780719059919 |
Were those who worked in the theatres of the Third Reich willing participants in the Nazi propaganda machine or artists independent of official ideology? To what extent did composers such as Richard Strauss and Carl Orff follow Nazi dogma? How did famous directors such as Gustaf Grüdgens and Jürgen Fehling react to the new regime? Why were Shakespeare and George Bernard Shaw among the most performed dramatists of the time? And why did the Nazis sanction Jewish theatre? This is the first book in English about theater in the entire Nazi period. The book is based on contemporary press reports, research in German archives, and interviews with surviving playwrights, actors, and musicians.
Author | : Fridolin J. Fassbind |
Publisher | : Fridolin J. Fassbind |
Total Pages | : 131 |
Release | : 2019-07-16 |
Genre | : Reference |
ISBN | : 1080998373 |
Starting in the Late Middle Ages, the Fassbind family history spans across almost a millennium until present day. Family trees go back to the 14th century and serve as orientation. Images and illustrations of personalities show the exponents of the individual Fassbind generations. Postcards of the hotel palaces during the Belle Époque reflect the pioneering spirit of the family and honors from a wide range of European royalties represent its business success. Ancestors’ achievements and notable positions in politics and military once brought influence and prestige to the family. The aforementioned appears in the first part of the book («The Golden Age»). With the outbreak of World War I, the Belle Époque ended and turbulent times dawned upon the family. The hotel business, in particular, faced lean years. These lasted until the end of World War II and put a lot of strain upon the family enterprises. The family eventually found economic relief in post-war years. At the same time, however, rapid social and technical change arose, which also took a grip of the Fassbind family and their companies. Family members had to adapt and opened a new chapter with new life and business models. Throughout this period, family ties loosened, and some branches lost contact altogether. Others continued to cultivate their relationships and met each other on a variety of family gatherings. This is especially true for the descendants of the Fassbind family in Arth and Lugano, who kept in touch throughout the decades and corresponded frequently. The second part of the book («Changing Times») focuses on these two branches. The third part of the book («A New Beginning») addresses the latest development of the Fassbind branch in Vitznau. It is the starting point for the further development of my history and that of my siblings and cousins.