Ornament As Crisis
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| Author | : Sarah McGaughey |
| Publisher | : Northwestern University Press |
| Total Pages | : 349 |
| Release | : 2016-03-11 |
| Genre | : Literary Criticism |
| ISBN | : 0810131889 |
Ornament as Crisis explores the ways in which the novels of Hermann Broch’s Sleepwalkers (Schlafwandler) trilogy participate in and employ the history of architecture and architectural theory. Beginning with the visual and architectural experiences of the figures in each novel, Sarah McGaughey analyzes the role of architecture in the trilogy as a whole, while discussing work by Broch’s contemporaries on architecture. She argues that The Sleepwalkers allows us to better understand how literature responds and contributes to social, theoretical, and spatial concepts of architecture. Ornament as Crisis guides readers through the spaces of Broch’s mdernist masterpiece and the architectural debates of his time.
| Author | : Jörg H. Gleiter |
| Publisher | : Bozen-Bolzano University Press |
| Total Pages | : 25 |
| Release | : 2012-10-01 |
| Genre | : Design |
| ISBN | : 8860460484 |
The debates on ornament have reignited. As the digital age dawns, ornament — the very thing that modernity attempted to abolish at the beginning of the machine age — is making a comeback in architecture, design, and art. Opinions diverge when it comes to ornament, but less in the sense of taste than that the central questions of design crystallise on it. - But how does it now differ from machine ornament and classical ornament? Where do the affinities and continuities exist? Ornament Today raises the question of the change in the structure and status of ornament in the digital age.
| Author | : Siegfried Kracauer |
| Publisher | : Harvard University Press |
| Total Pages | : 420 |
| Release | : 1995 |
| Genre | : Family & Relationships |
| ISBN | : 9780674551633 |
The Mass Ornament today remains a refreshing tribute to popular culture, and its impressively interdisciplinary writings continue to shed light not only on Kracauer's later work but also on the ideas of the Frankfurt School, the genealogy of film theory and cultural studies, Weimar cultural politics, and, not least, the exigencies of intellectual exile.
| Author | : Kathleen Biddick |
| Publisher | : Duke University Press |
| Total Pages | : 332 |
| Release | : 1998 |
| Genre | : History |
| ISBN | : 9780822321996 |
An attempt to disrupt, critique and question the practices and assumptions of medieval studies in light of recent theoretical debates in postmodern, queer, feminist, and post-colonial theory.
| Author | : Antoine Picon |
| Publisher | : John Wiley & Sons |
| Total Pages | : 306 |
| Release | : 2014-05-29 |
| Genre | : Architecture |
| ISBN | : 111858824X |
Once condemned by Modernism and compared to a ‘crime’ by Adolf Loos, ornament has made a spectacular return in contemporary architecture. This is typified by the works of well-known architects such as Herzog & de Meuron, Sauerbruch Hutton, Farshid Moussavi Architecture and OMA. There is no doubt that these new ornamental tendencies are inseparable from innovations in computer technology. The proliferation of developments in design software has enabled architects to experiment afresh with texture, colour, pattern and topology. Though inextricably linked with digital tools and culture, Antoine Picon argues that some significant traits in ornament persist from earlier Western architectural traditions. These he defines as the ‘subjective’ – the human interaction that ornament requires in both its production and its reception – and the political. Contrary to the message conveyed by the founding fathers of modern architecture, traditional ornament was not meant only for pleasure. It conveyed vital information about the designation of buildings as well as about the rank of their owners. As such, it participated in the expression of social values, hierarchies and order. By bringing previous traditions in ornament under scrutiny, Picon makes us question the political issues at stake in today’s ornamental revival. What does it tell us about present-day culture? Why are we presently so fearful of meaning in architecture? Could it be that by steering so vehemently away from symbolism, contemporary architecture is evading any explicit contribution to collective values?
| Author | : Loretta Vandi |
| Publisher | : Routledge |
| Total Pages | : 399 |
| Release | : 2017-09-22 |
| Genre | : Art |
| ISBN | : 1351668587 |
These in-depth, historical, and critical essays study the meaning of ornament, the role it played in the formation of modernism, and its theoretical importance between the mid-nineteenth century and the late twentieth century in England and Germany. Ranging from Owen Jones to Ernst Gombrich through Gottfried Semper, Alois Riegl, August Schmarsow, Wilhelm Worringer, Adolf Loos, Henry van de Velde, and Hermann Muthesius, the contributors show how artistic theories are deeply related to the art practice of their own times, and how ornament is imbued with historical and social meaning.
| Author | : Carolina Crijns |
| Publisher | : transcript Verlag |
| Total Pages | : 202 |
| Release | : 2023-09-30 |
| Genre | : Architecture |
| ISBN | : 3839467462 |
Under the premise that architecture makes life ›better‹, architecture is often presented as the ›solution‹ to social problems, made ›green‹ when promising sustainable futures, or fetishised as a cultural object for the creation of urban identities. Yet, what is it exactly that links architecture so closely to the pursuit of a good life? How is this link interrelated with crisis and crisis thinking? To what extent do belief systems in architecture influence its capacity to deal with crises? Carolina Crijns not only explores the transformative potential in radically rethinking architecture's central concepts but introduces a method of utopian speculation for practices ambitious of social change. With a preface by Sabine Knierbein.
| Author | : Susan Tucker |
| Publisher | : Temple University Press |
| Total Pages | : 352 |
| Release | : 2006 |
| Genre | : Crafts & Hobbies |
| ISBN | : 9781592134786 |
This book explores the history of scrapbook-making, its origins, uses, changing forms and purposes as well as the human agents behind the books themselves. Scrapbooks bring pleasure in both the making and consuming - and are one of the most enduring yet simultaneously changing cultural forms of the last two centuries. Despite the popularity of scrapbooks, no one has placed them within historical traditions until now. This volume considers the makers, their artefacts, And The viewers within the context of American culture. The volume's contributors do not show the reader how to make scrapbooks or improve techniques but instead explore the curious history of what others have done in the past and why these splendid examples of material and visual culture have such a significant place in many households.
| Author | : James Trilling |
| Publisher | : University of Washington Press |
| Total Pages | : 306 |
| Release | : 2003 |
| Genre | : Architecture |
| ISBN | : 9780295981482 |
This text is a wide-ranging consideration of the cultural and symbolic significance of ornament, its rejection by modernism and its subsequent reinvention. Trilling explains how ornament works, why it has to be explained and why it matters.
| Author | : Gülru Necipoğlu |
| Publisher | : Princeton University Press |
| Total Pages | : 464 |
| Release | : 2016-03-08 |
| Genre | : Architecture |
| ISBN | : 0691167281 |
This lavishly illustrated volume is the first major global history of ornament from the Middle Ages to today. Crossing historical and geographical boundaries in unprecedented ways and considering the role of ornament in both art and architecture, Histories of Ornament offers a nuanced examination that integrates medieval, Renaissance, baroque, and modern Euroamerican traditions with their Islamic, Indian, Chinese, and Mesoamerican counterparts. At a time when ornament has re-emerged in architectural practice and is a topic of growing interest to art and architectural historians, the book reveals how the long history of ornament illuminates its global resurgence today. Organized by thematic sections on the significance, influence, and role of ornament, the book addresses ornament's current revival in architecture, its historiography and theories, its transcontinental mobility in medieval and early modern Europe and the Middle East, and its place in the context of industrialization and modernism. Throughout, Histories of Ornament emphasizes the portability and politics of ornament, figuration versus abstraction, cross-cultural dialogues, and the constant negotiation of local and global traditions. Featuring original essays by more than two dozen scholars from around the world, this authoritative and wide-ranging book provides an indispensable reference on the histories of ornament in a global context. Contributors include: Michele Bacci (Fribourg University); Anna Contadini (University of London); Thomas B. F. Cummins (Harvard); Chanchal Dadlani (Wake Forest); Daniela del Pesco (Universita degli Studi Roma Tre); Vittoria Di Palma (USC); Anne Dunlop (University of Melbourne); Marzia Faietti (University of Bologna); María Judith Feliciano (independent scholar); Finbarr Barry Flood (NYU); Jonathan Hay (NYU); Christopher P. Heuer (Clark Art); Rémi Labrusse (Université Paris Ouest Nanterre la Défense); Gülru Necipoğlu (Harvard); Marco Rosario Nobile (University of Palermo); Oya Pancaroğlu (Bosphorus University); Spyros Papapetros (Princeton); Alina Payne (Harvard); Antoine Picon (Harvard); David Pullins (Harvard); Jennifer L. Roberts (Harvard); David J. Roxburgh (Harvard); Hashim Sarkis (MIT); Robin Schuldenfrei (Courtauld); Avinoam Shalem (Columbia); and Gerhard Wolf (KHI, Florence).
