Original Enlightenment And The Transformation Of Medieval Japanese Buddhism
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| Author | : Jacqueline I. Stone |
| Publisher | : University of Hawaii Press |
| Total Pages | : 578 |
| Release | : 2003-05-31 |
| Genre | : Religion |
| ISBN | : 9780824827717 |
Original enlightenment thought (hongaku shiso) dominated Buddhist intellectual circles throughout Japan’s medieval period. Enlightenment, this discourse claims, is neither a goal to be achieved nor a potential to be realized but the true status of all things. Every animate and inanimate object manifests the primordially enlightened Buddha just as it is. Seen in its true aspect, every activity of daily life—eating, sleeping, even one’s deluded thinking—is the Buddha’s conduct. Emerging from within the powerful Tendai School, ideas of original enlightenment were appropriated by a number of Buddhist traditions and influenced nascent theories about the kami (local deities) as well as medieval aesthetics and the literary and performing arts. Scholars and commentators have long recognized the historical importance of original enlightenment thought but differ heatedly over how it is to be understood. Some tout it as the pinnacle of the Buddhist philosophy of absolute non-dualism. Others claim to find in it the paradigmatic expression of a timeless Japanese spirituality. According other readings, it represents a dangerous anti-nomianism that undermined observance of moral precepts, precipitated a decline in Buddhist scholarship, and denied the need for religious discipline. Still others denounce it as an authoritarian ideology that, by sacralizing the given order, has in effect legitimized hierarchy and discriminative social practices. Often the acceptance or rejection of original enlightenment thought is seen as the fault line along which traditional Buddhist institutions are to be differentiated from the new Buddhist movements (Zen, Pure Land, and Nichiren) that arose during Japan’s medieval period. Jacqueline Stone’s groundbreaking study moves beyond the treatment of the original enlightenment doctrine as abstract philosophy to explore its historical dimension. Drawing on a wealth of medieval primary sources and modern Japanese scholarship, it places this discourse in its ritual, institutional, and social contexts, illuminating its importance to the maintenance of traditions of lineage and the secret transmission of knowledge that characterized several medieval Japanese elite culture. It sheds new light on interpretive strategies employed in pre-modern Japanese Buddhist texts, an area that hitherto has received a little attention. Through these and other lines of investigation, Stone problematizes entrenched notions of “corruption” in the medieval Buddhist establishment. Using the examples of Tendai and Nichiren Buddhism and their interactions throughout the medieval period, she calls into question both overly facile distinctions between “old” and “new” Buddhism and the long-standing scholarly assumptions that have perpetuated them. This study marks a significant contribution to ongoing debates over definitions of Buddhism in the Kamakura era (1185–1333), long regarded as a formative period in Japanese religion and culture. Stone argues that “original enlightenment thought” represents a substantial rethinking of Buddhist enlightenment that cuts across the distinction between “old” and “new” institutions and was particularly characteristic of the medieval period.
| Author | : Richard K. Payne |
| Publisher | : Routledge |
| Total Pages | : 289 |
| Release | : 2006-04-18 |
| Genre | : History |
| ISBN | : 1134242107 |
The medieval period of Japanese religious history is commonly known as one in which there was a radical transformation of the religious culture. This book suggests an alternate approach to understanding the dynamics of that transformation. One main topic of analysis focuses on what Buddhism - its practices and doctrines, its traditions and institutions - meant for medieval Japanese peoples themselves. This is achieved by using the notions of discourse and ideology and juxtaposing various topics on shared linguistic practices and discursive worlds of medieval Japanese Buddhism. Collating contributions from outstanding scholars in the field of Buddhist Studies, the editors have created an important work that builds on preliminary work on rethinking the importance and meaning of Kamakura Buddhism published recently in English, and adds greatly to the debate.
| Author | : Charlotte Eubanks |
| Publisher | : Univ of California Press |
| Total Pages | : 288 |
| Release | : 2011 |
| Genre | : History |
| ISBN | : 0520265610 |
"This is an exciting exploration of the world of Buddhist attitudes towards religious texts, from Indian scriptures to Japanese medieval tales. Its emphasis on discursive strategies—how Buddhist texts function and what they expect of their readers/users (especially, the connection between books, their content, and their readers' bodies)—is a welcome new perspective."—Fabio Rambelli, author of Buddhist Materiality "Miracles of Book and Body is fluidly written and engaging. This book brings the reader to an awareness of the range and foci of medieval 'popular' readings of sutra literature, and Eubanks provides an important perspective to interpreting these narratives that is original and stimulating."—Thomas W. Hare, author of Zeami: Performance Notes "Charlotte Eubanks' sophisticated, insightful and readable study of the physicalities of sutra texts and sutra recitation makes sense of some of the strangest phenomena in medieval Japan. By disentangling the literal and metaphorical meanings in Buddhist setsuwa, Eubanks explains such things as how memorizing a text is an embodiment thereof, how texts can become sentient beings, and why the scroll is an appropriate format for recording dharma. Her work is both important and engaging."—Margaret H. Childs, University of Kansas "Drawing on an impressive range of Mahayana scriptures and medieval Japanese didactic tales, Eubanks unpacks recurrent tropes correlating text and flesh to reveal surprising connections among the literary, material, and ritual dimensions of Buddhist textual culture. Elegantly written and theoretically astute, this volume will be welcomed not only by specialists in Buddhist literature but also by readers interested in broader issues of text-based religious practice."—Jacqueline Stone, author of Original Enlightenment and the Transformation of Medieval Japanese Buddhism
| Author | : Edward R. Drott |
| Publisher | : University of Hawaii Press |
| Total Pages | : 249 |
| Release | : 2016-04-30 |
| Genre | : History |
| ISBN | : 0824851501 |
Scholars have long remarked on the frequency with which Japanese myths portrayed gods (kami) as old men or okina. Many of these “sacred elders” came to be featured in premodern theater, most prominently in Noh. In the closing decades of the twentieth-century, as the number of Japan’s senior citizens climbed steadily, the sacred elder of premodern myth became a subject of renewed interest and was seen by some as evidence that the elderly in Japan had once been accorded a level of respect unknown in recent times. In Buddhism and the Transformation of Old Age in Medieval Japan, Edward Drott charts the shifting sets of meanings ascribed to old age in medieval Japan, tracing the processes by which the aged body was transformed into a symbol of otherworldly power and the cultural, political, and religious circumstances that inspired its reimagination. Drott examines how the aged body was used to conceptualize forms of difference and to convey religious meanings in a variety of texts: official chronicles, literary works, Buddhist legends and didactic tales. In early Japan, old age was most commonly seen as a mark of negative distinction, one that represented the ugliness, barrenness, and pollution against which the imperial court sought to define itself. From the late-Heian period, however, certain Buddhist authors seized upon the aged body as a symbolic medium though which to challenge traditional dichotomies between center and margin, high and low, and purity and defilement, crafting narratives that associated aged saints and avatars with the cults, lineages, sacred sites, or religious practices these authors sought to promote. Contributing to a burgeoning literature on religion and the body, Buddhism and the Transformation of Old Age in Medieval Japan applies approaches developed in gender studies to “denaturalize” old age as a matter of representation, identity, and performance. By tracking the ideological uses of old age in premodern Japan, this work breaks new ground, revealing the role of religion in the construction of generational categories and the ways in which religious ideas and practices can serve not only to naturalize, but also challenge “common sense” about the body.
| Author | : Mark L. Blum |
| Publisher | : Oxford University Press |
| Total Pages | : 320 |
| Release | : 2005-12-29 |
| Genre | : Religion |
| ISBN | : 0195350995 |
Rennyo Shonin (1415-1499) is considered the "second founder" of Shin Buddhism. Under his leadership, the Honganji branch grew in size and power, becoming a national organization with great wealth and influence. Rennyo's success lay in conveying an attractive spiritual message while exerting effective administrative control. A savvy politician as well as religious leader, ennyo played a significant role in political, economic, and institutional developments. Though he is undeniably one of the most influential persons in the history of Japanese religion, his legacy remains enigmatic and largely overlooked by the West. This volume offers an assessment of Rennyo's contribution to Buddhist thought and the Honganji religious organization. A collection of 16 previously unpublished essays by both Japanese and non-Japanese scholars in the areas of historical studies, Shinshu studies, and comparative religion, it is the first book to confront many of the major questions surrounding the phenomenal growth of Honganji under Rennyo's leadership. The authors examine such topics as the source of Rennyo's charisma, the soteriological implications of his thought against the background of other movements in Pure Land Buddhism, and the relationship between his ideas and the growth of his church. This collection is an important first step in bringing this important figure to an audience outside Japan. It will be of significant interest to scholars in the fields of Japanese religion, Japanese social history, comparative religion, and the sociology of religion.
| Author | : Jacqueline I. Stone |
| Publisher | : University of Hawaii Press |
| Total Pages | : 633 |
| Release | : 2016-11-30 |
| Genre | : History |
| ISBN | : 0824867653 |
Buddhists across Asia have often aspired to die with a clear and focused mind, as the historical Buddha himself is said to have done. This book explores how the ideal of dying with right mindfulness was appropriated, disseminated, and transformed in premodern Japan, focusing on the late tenth through early fourteenth centuries. By concentrating one’s thoughts on the Buddha in one’s last moments, it was said even an ignorant and sinful person could escape the cycle of deluded rebirth and achieve birth in a buddha’s pure land, where liberation would be assured. Conversely, the slightest mental distraction at that final juncture could send even a devout practitioner tumbling down into the hells or other miserable rebirth realms. The ideal of mindful death thus generated both hope and anxiety and created a demand for ritual specialists who could act as religious guides at the deathbed. Buddhist death management in Japan has been studied chiefly from the standpoint of funerals and mortuary rites. Right Thoughts at the Last Moment investigates a largely untold side of that story: how early medieval Japanese prepared for death, and how desire for ritual assistance in one’s last hours contributed to Buddhist preeminence in death-related matters. It represents the first book-length study in a Western language to examine how the Buddhist ideal of mindful death was appropriated in a specific historical context. Practice for one’s last hours occupied the intersections of multiple, often disparate approaches that Buddhism offered for coping with death. Because they crossed sectarian lines and eventually permeated all social levels, deathbed practices afford insights into broader issues in medieval Japanese religion, including intellectual developments, devotional practices, pollution concerns, ritual performance, and divisions of labor among religious professionals. They also allow us to see beyond the categories of “old” versus “new” Buddhism, or establishment Buddhism versus marginal heterodoxies, which have characterized much scholarship to date. Enlivened by cogent examples, this study draws on a wealth of sources including ritual instructions, hagiographies, doctrinal writings, didactic tales, courtier diaries, historical records, letters, and relevant art historical material to explore the interplay of doctrinal ideals and on-the-ground practice.
| Author | : Bernard Faure |
| Publisher | : Princeton University Press |
| Total Pages | : 347 |
| Release | : 2020-10-06 |
| Genre | : Religion |
| ISBN | : 0691219567 |
Bernard Faure's previous works are well known as guides to some of the more elusive aspects of the Chinese tradition of Chan Buddhism and its outgrowth, Japanese Zen. Continuing his efforts to look at Chan/Zen with a full array of postmodernist critical techniques, Faure now probes the imaginaire, or mental universe, of the Buddhist Soto Zen master Keizan Jokin (1268-1325). Although Faure's new book may be read at one level as an intellectual biography, Keizan is portrayed here less as an original thinker than as a representative of his culture and an example of the paradoxes of the Soto school. The Chan/Zen doctrine that he avowed was allegedly reasonable and demythologizing, but he lived in a psychological world that was just as imbued with the marvelous as was that of his contemporary Dante Alighieri. Drawing on his own dreams to demonstrate that he possessed the magical authority that he felt to reside also in icons and relics, Keizan strove to use these "visions of power" to buttress his influence as a patriarch. To reveal the historical, institutional, ritual, and visionary elements in Keizan's life and thought and to compare these to Soto doctrine, Faure draws on largely neglected texts, particularly the Record of Tokoku (a chronicle that begins with Keizan's account of the origins of the first of the monasteries that he established) and the kirigami, or secret initiation documents.
| Author | : James L. Ford |
| Publisher | : Oxford University Press |
| Total Pages | : 354 |
| Release | : 2006-08-24 |
| Genre | : Religion |
| ISBN | : 9780199720040 |
This is the first book-length study in any language of Jō kei (1155-1213), a prominent Buddhist cleric of the Hossō (Yog=ac=ara) school, whose life bridged the momentous transition from Heian (794-1185) to Kamakura (1185-1333) Japan. "Kamakura Buddhism" has drawn notable scholarly attention, largely because it marks the emergence of new schools-Pure Land, Nichiren, and Zen-that came to dominate the Buddhist landscape of Japan. Although Jōkei is invariably cited as one of the leading representatives of established Buddhism during the Kamakura period, he has been seriously neglected by Western scholars. In this book, James L. Ford aims to shed light on this pivotal and long-overlooked figure. Ford argues convincingly that Jōkei is an ideal personage through which to peer anew into the socio-religious dynamics of early medieval Japan. Indeed, Jōkei is uniquely linked to a number of decisive trends and issues of dispute including: the conflict between the established schools and Hōnen's exclusive nenbutsu movement; the precept-revival movement; doctrinal reform efforts; the proliferation of prominent "reclusive monks" (tonseisō); the escalation of fundraising (kanjin) campaigns and popular propagation; and the conspicuous revival of devotion toward 'Sákyamuni and Maitreya. Jōkei represents a paradigm within established Buddhism that recognized the necessity of accessing other powers through esoteric practices, ritual performances, and objects of devotion. While Jōkei is best known as a leading critic of Hōnen's exclusive nenbutsu movement and a conservative defender of normative Buddhist principles, he was also a progressive reformer in his own right. Far from defending the status quo, Jōkei envisioned a more accessible, harmonious, and monastically upright form of Buddhism. Through a detailed examination of Jōkei's extensive writings and activities, Ford challenges many received interpretations of Jōkei's legacy and the transformation of Buddhism in early medieval Japan. This book fills a significant lacuna in Buddhist scholarship
| Author | : Brook Ziporyn |
| Publisher | : Open Court |
| Total Pages | : 475 |
| Release | : 2015-10-28 |
| Genre | : Philosophy |
| ISBN | : 0812699270 |
Being and Ambiguity is a brilliant work of philosophy, filled with insights, jokes, and topical examples. Professor Ziporyn draws on the works of such Western thinkers as Wittgenstein, Nietzsche, Freud, Sartre, and Hegel, but develops his main argument from Tiantai school of Chinese Buddhism. This important work introduces Tiantai Buddhism to the reader and demonstrates its relevance to profound philosophical issues. Ziporyn argues that we can make both of the claims below simultaneously: This book is about everything. It contains the answers to all philosophical problems which ever shall exist. This book is all claptrap. It is completely devoid of objective validity of any kind. These claims are not contradictory. Rather, they state the same thing in two different ways. To be objective truth is to be subjective claptrap, and vise versa. All interchanges of any kind - conversations, daydreams, sensations - are not only about something but also about everything. Thus, this book concerns itself with no less than the nature of what is and what it means for something to be what it is. It provides a new approach to the basic Western philosophical and psychological issues of identity, determinacy, being, desire, boredom, addiction, love and truth.
| Author | : Kevin Gray Carr |
| Publisher | : University of Hawaii Press |
| Total Pages | : 262 |
| Release | : 2012-11-30 |
| Genre | : History |
| ISBN | : 0824865723 |
Plotting the Prince traces the development of conceptual maps of the world created through the telling of stories about Prince Shōtoku (573?–622?), an eminent statesman who is credited with founding Buddhism in Japan. It analyzes his place in the sacred landscape and the material relics of the cult of personality dedicated to him, focusing on the art created from the tenth to fourteenth centuries. The book asks not only who Shōtoku was, but also how images of his life served the needs of devotees in early medieval Japan. Even today Shōtoku evokes images of a half-real, half-mythical figure who embodied the highest political, social, and religious ideals. Taking up his story about four centuries after his death, this study traces the genesis and progression of Shōtoku’s sacred personas in art to illustrate their connection to major religious centers such as Shitenno-ji and Hōryū-ji. It argues that mapping and storytelling are sister acts—both structuring the world in subtle but compelling ways—that combined in visual narratives of Shōtoku’s life to shape conceptions of religious legitimacy, communal history, and sacred geography. Plotting the Prince introduces much new material and presents provocative interpretations that call upon art historians to rethink fundamental conceptions of narrative and cultic imagery. It offers social and political historians a textured look at the creation of communal identities on both local and state levels, scholars of religion a substantially new way of understanding key developments in doctrine and practice, and those studying the past in general a clear instance of visual hagiography taking precedence over the textual tradition.
