A Critical Inquiry Into the Scottish Language with the View of Illustrating the Rise and Progress of Civilisation in Scotland
Author | : Francisque Michel |
Publisher | : |
Total Pages | : 480 |
Release | : 1882 |
Genre | : English language |
ISBN | : |
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Author | : Francisque Michel |
Publisher | : |
Total Pages | : 480 |
Release | : 1882 |
Genre | : English language |
ISBN | : |
Author | : Stéphane Mallarmé |
Publisher | : OUP Oxford |
Total Pages | : 316 |
Release | : 2008-11-13 |
Genre | : Poetry |
ISBN | : 0191623091 |
'sense too definite cancels your indistinct literature' Stéphane Mallarmé was the most radically innovative of nineteenth-century poets. His writings, with their richly sensuous texture and air of slyly intangible mystery, perplexed or outraged many early readers; yet no writer has more profoundly influenced the course of modern poetry - in English as well as in French. In both form and content, his poems created new ways of conveying existential doubt, fragmentation, and discontinuity. This is the fullest collection of Mallarmé's poetry ever published in English, and the only edition in any language that presents his Poésies in the last arrangement known to have been approved by the author. Apart from verse, it includes all the prose poems and the unique, unclassifiable Un Coup de dés... (A Dice Throw...). The lucid, wide-ranging introduction and invaluable notes help an understanding of this astonishing poet's work. ABOUT THE SERIES: For over 100 years Oxford World's Classics has made available the widest range of literature from around the globe. Each affordable volume reflects Oxford's commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, helpful notes to clarify the text, up-to-date bibliographies for further study, and much more.
Author | : Pierre Kjellberg |
Publisher | : Schiffer Publishing |
Total Pages | : 696 |
Release | : 1994 |
Genre | : Art |
ISBN | : |
An illustrated encyclopedia with 1000 photos of over 700 nineteenth century French sculptors including Rodin, Barye, d'Angers and Carpeaux, with biographies, listings of works (with size and foundry when known), museum pieces in France and elsewhere, and recent sales. Also provides an overview of 19th century bronze sculpture, the foundries that cast the bronzes, and methods used to cast works.
Author | : Mario Praz |
Publisher | : [London] : Collins |
Total Pages | : 532 |
Release | : 1956 |
Genre | : Devil in literature |
ISBN | : |
Mario Paz has, in the Romantic Agony, acutely analyzed the effect of the traditions of Byron and De Sade upon poets and painters from 1800 to 1900. It is the analysis of a mood in literature. The mood may ve been transient, but it was widespread, and it was expressed in dreams of "luxurious cruelties," "fatal women," corpse-passions, and the sinful agonies of delight. Professo Praz has described the whole Romantic literature under one of its most characteristic aspects, that of erotic sensibility.
Author | : Bashford Dean |
Publisher | : Metropolitan Museum of Art |
Total Pages | : 379 |
Release | : 1929-02-01 |
Genre | : Antiques & Collectibles |
ISBN | : |
This catalogue features daggers in numerous examples dating from the fourteenth to the eighteenth century and provides a history of not only the daggers in The Metropolitan Museum of Art's collection, but also the broader history of daggers in general. The illuminating text traces the dagger's development and mode of use throughout the time period while also differentiating it from concurrent development of swords. Included in the text are helpful line illustrations that better show the form and decoration of the daggers, accompanied by a plate section, which allows for easy comparison of the works.
Author | : Victor Arwas |
Publisher | : Papadakis Publisher |
Total Pages | : 124 |
Release | : 1996 |
Genre | : Art Glass |
ISBN | : 1901092003 |
-- Published to coincide with a major exhibition. -- Examines in depth the historical background of each designer and firm, their styles and techniques. This introduction to the most innovative period of goth century glass-making was published to coincide with The Art of Glass - Art Nouveau to Art Deco exhibition at the Sunderland Museum and Art Gallery. The fascinating history of art glass in this Period begins in the 1880's with the precursors to Art Nouveau, follows the creations of Galle, Daum and Muller Freres. It continues with the development of opalescent, frosted and clear molded glass -- especially Lalique, Art Deco, functionalism, Orrefors and English and Scottish glass. But it is above all the glass itself, beautifully reproduced in full color, that brings to life one of the most exciting and creative periods in the history of art glass.
Author | : Charles Coulston Gillispie |
Publisher | : Princeton University Press |
Total Pages | : 615 |
Release | : 2009-01-10 |
Genre | : Science |
ISBN | : 1400824613 |
By the end of the eighteenth century, the French dominated the world of science. And although science and politics had little to do with each other directly, there were increasingly frequent intersections. This is a study of those transactions between science and state, knowledge and power--on the eve of the French Revolution. Charles Gillispie explores how the links between science and polity in France were related to governmental reform, modernization of the economy, and professionalization of science and engineering.
Author | : Leora Auslander |
Publisher | : Univ of California Press |
Total Pages | : 512 |
Release | : 2023-04-28 |
Genre | : History |
ISBN | : 0520920945 |
Louis XIV, regency, rococo, neoclassical, empire, art nouveau, and historicist pastiche: furniture styles march across French history as regimes rise and fall. In this extraordinary social history, Leora Auslander explores the changing meaning of furniture from the mid-seventeenth to the early twentieth century, revealing how the aesthetics of everyday life were as integral to political events as to economic and social transformations. Enriched by Auslander's experience as a cabinetmaker, this work demonstrates how furniture served to represent and even generate its makers' and consumers' identities.