Ordinary Oralities
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| Author | : Josephine Hoegaerts |
| Publisher | : Walter de Gruyter GmbH & Co KG |
| Total Pages | : 227 |
| Release | : 2023-08-07 |
| Genre | : History |
| ISBN | : 3111079430 |
Histories of voice are often written as accounts of greatness: great statesmen, notable rebels, grands discours, and famous exceptional speakers and singers populate our shelves. This focus on the great and exceptional has not only led to disproportionate attention to a small subset of historical actors (powerful, white, western men and the occasional token woman), but also obscures the broad range of vocal practices that have informed, co-created and given meaning to human lives and interactions in the past. For most historical actors, life did not consist of grand public speeches, but of private conversations, intimate whispers, hot gossip or interminable quarrels. This volume suggests an extended practice of eavesdropping: rather than listening out for exceptional voices, it listens in on the more mundane aspects of vocality, including speech and song, but also less formalized shouts, hisses, noises and silences. Ranging from the Scottish highlands to China, from the bedroom to the platform, and from the 18th until the 20th century, contributions to this volume seek out spaces and moments that have been documented idiosyncratically or with difficulty, and where the voice and its sounds can be of particular salience. In doing so, the volume argues for a heightened attention to who speaks, and whose voices resound in history, but refuses to take the modern equation between speech and presence/representation for granted.
| Author | : Stefano Dall'Aglio |
| Publisher | : Taylor & Francis |
| Total Pages | : 273 |
| Release | : 2016-11-25 |
| Genre | : Literary Criticism |
| ISBN | : 1317001001 |
This book studies the uses of orality in Italian society, across all classes, from the fifteenth to the seventeenth century, with an emphasis on the interrelationships between oral communication and the written word. The Introduction provides an overview of the topic as a whole and links the chapters together. Part 1 concerns public life in the states of northern, central, and southern Italy. The chapters examine a range of performances that used the spoken word or song: concerted shouts that expressed the feelings of the lower classes and were then recorded in writing; the proclamation of state policy by town criers; songs that gave news of executions; the exercise of power relations in society as recorded in trial records; and diplomatic orations and interactions. Part 2 centres on private entertainments. It considers the practices of the performance of poetry sung in social gatherings and on stage with and without improvisation; the extent to which lyric poets anticipated the singing of their verse and collaborated with composers; performances of comedies given as dinner entertainments for the governing body of republican Florence; and a reading of a prose work in a house in Venice, subsequently made famous through a printed account. Part 3 concerns collective religious practices. Its chapters study sermons in their own right and in relation to written texts, the battle to control spaces for public performance by civic and religious authorities, and singing texts in sacred spaces.
| Author | : Carl J. Couch |
| Publisher | : Transaction Publishers |
| Total Pages | : 302 |
| Release | : |
| Genre | : Language Arts & Disciplines |
| ISBN | : 9780202366845 |
The history of human society, as Carl Couch recounts it in his speculative final book, is a history of successive, sometimes overlapping information technologies used to process the varied symbolic representations that inform particular social contexts. Couch departs from earlier "media" theorists who ignored these contexts in order to concentrate on the technologies themselves. Here, instead, he adopts a consistent theory of interpersonal and intergroup relations to depict the essential interface between the technologies and the social contexts. He emphasizes the dynamic and formative capacities of such technologies, and places them within the major institutional relations of societies of any size. Social orders are viewed in these pages as inherently and reflexively shaped by the information technologies that participants in the institutions use to carry out their work. The manuscript was nearly complete in draft at the time of Couch's death. He has left a bold, synthetic statement, reclaiming the common ground of sociology and communication studies and articulating the indispensability of each for the other. With admirable scope, across historical epochs and cultures, he shows in detail the transformative power of information technologies. While the author hopes that a humane vision comes with each technological advance, he nonetheless describes the numerous instances of mass brutality and oppression that have resulted from the oligarchic control of those technologies. Couch's theory and substantive analysis speak directly to the interests of historians, sociologists, and communication scholars. In its review, Contemporary Sociology said: "The volume is full of smart insights and valuable information, a fitting final effort for a scholar of great distinction." Carl J. Couch was professor of sociology at the University of Iowa and was president of the Society for the Study of Symbolic Interaction which he helped to establish, and is known as the creator of the New Iowa School of Symbolic Interaction. He died in 1994. The Carl Couch Center for Social and Internet Research was established in his memory. David R. Maines is chairperson at the Department of Sociology and Anthropology, Oakland University, and editor of the Communication and Social Order series. Shing- Ling Chen is assistant professor of mass communication at the University of Northern Iowa.
| Author | : William A. Coppedge |
| Publisher | : Wipf and Stock Publishers |
| Total Pages | : 305 |
| Release | : 2021-11-03 |
| Genre | : Religion |
| ISBN | : 1725290391 |
How do twenty-first century Christians communicate the Bible and their faith in today's mediascape? Members of the International Orality Network (ION) believe that the answer to that paramount question is: orality. For too long, they argue, presentations of Christianity have operated on a printed (literate) register, hindering many from receiving and growing in the Christian faith. Instead, they champion the spoken word and narrative presentations of the gospel message. In light of the church's shift to the Global South, how have such communication approaches been received by majority world Christians? This book explores the responses and reactions of local Ugandan Christians to this "oral renaissance." The investigation, grounded in ethnographic research, uncovers the complex relationships between local and international culture brokers--all of whom are seeking to establish particular "modern" identities. The research conclusions challenge static Western categorizations and point towards an integrated understanding of communication that appreciates the role of materiality and embodiment in a broader religious socioeconomic discourse as well as taking into account societal anticipations of a flourishing "modern" African Church. This book promises to stimulate dialogue for those concerned about the communication complexities that are facing the global church in the twenty-first century.
| Author | : Werner H. Kelber |
| Publisher | : Wipf and Stock Publishers |
| Total Pages | : 366 |
| Release | : 2016-09-30 |
| Genre | : Religion |
| ISBN | : 1498236707 |
In April 2008 a conference was convened at Rice University that brought together experts in the three monotheistic religions of Judaism, Christianity, and Islam. The papers discussed at the conference are presented here, revised and updated. The thirteen contributions comprise the keynote address by John Miles Foley; three essays on Judaism and the Hebrew Bible; three on the New Testament; three on the Qur'an; and two summarizing pieces, by the Africanist Ruth Finnegan and the Islamicist William Graham respectively. The central thesis of the book states that sacred Scripture was experienced by the three faiths less as a text contained between two covers and a literary genre, and far more as an oral phenomenon. In developing the performative, recitative aspects of the three religions, the authors directly or by implication challenge their distinctly textual identities. Instead of viewing the three faiths as quintessential religions of the book, these writers argue that the religions have been and continue to be appropriated not only as written but also very much as oral authorities, with the two media interpenetrating and mutually influencing each other in myriad ways.
| Author | : Leslie K. Arnovick |
| Publisher | : John Benjamins Publishing |
| Total Pages | : 208 |
| Release | : 2000-02-15 |
| Genre | : Language Arts & Disciplines |
| ISBN | : 9027299021 |
The purpose of Diachronic Pragmatics is to exemplify historical pragmatics in its twofold sense of constituting both a subject matter and a methodology. This book demonstrates how diachronic pragmatics, with its complementary diachronic function-to-form mapping and diachronic form-to-function mapping, can be used to trace pragmatic developments within the English language. Through a set of case studies it explores the evolution of such speech acts as promises, curses, blessings, and greetings and such speech events as flyting and sounding. Collectively these “illocutionary biographies” manifest the workings of several important pragmatic processes and trends: increased epistemicity, subjectification, and discursization (a special kind of pragmaticalization). It also establishes the centrality of cultural traditions in diachronic reconstruction, examining various de-institutionalizations of extra-linguistic context and their affect on speech act performance. Taken together, the case studies presented in Diachronic Pragmatics highlight the complex interactions of formal, semantic, and pragmatic processes over time. Illustrating the possibilities of historical pragmatic pursuit, this book stands as an invitation to further research in a new and important discipline.
| Author | : Christine Allison |
| Publisher | : Routledge |
| Total Pages | : 326 |
| Release | : 2001-09-14 |
| Genre | : Social Science |
| ISBN | : 1136746552 |
The Yezidis are a Kurdish-speaking religious minority, neither Muslim, Christian nor Jewish. Their ethnicity has been disputed, but most now claim Kurdish identity. Their heartland, including their holiest shrine, is in the Badinan province of Northern Iraq, and it is the communities in this area which are the main focus of this book. Their highly
| Author | : Elizabeth S. Cohen |
| Publisher | : Bloomsbury Publishing USA |
| Total Pages | : 442 |
| Release | : 2019-09-12 |
| Genre | : History |
| ISBN | : |
A clear, lively, and deeply informed survey of life in Renaissance Italy for students and general readers, this book presents a thoughtful cultural and social anthropology of practices, values, and negotiations. Lively and reader-friendly, this second edition of Daily Life in Renaissance Italy provides a colorful and accurate sense of how it felt to inhabit the Renaissance Italian world (1400–1600). In clearly written chapters, the book moves from Renaissance Italy's geography to its society, and then to family. It also looks at hierarchies, moralities, devices for keeping social order, media and communications and the arts, space, time, the life cycle, material culture, health, and illness, and finishes with work and play. This new edition is especially alert to the rich connections between Italy and the rest of Europe, and with Africa and Asia. The book synthesizes a great deal of recent scholarship on social and material history, paying additional attention to the arts and religion. Readers are given an inside view of people from every social class, elite and ordinary, men and women. Written for students of all levels, from secondary school up, it is also an accessible introduction for travelers to Italy.
| Author | : Chammah J. Kaunda |
| Publisher | : Fortress Press |
| Total Pages | : 434 |
| Release | : 2019-01-15 |
| Genre | : Religion |
| ISBN | : 1506447074 |
Through its strength in numbers and remarkable presence in politics, Pentecostalism has become a force to reckon with in twenty-first-century Zambian society. Yet, some fundamental questions in the study of Zambian Pentecostalism and politics remain largely unaddressed by African scholars. Situated within an interdisciplinary perspective, this unique volume explores the challenge of continuity in the Zambian Pentecostal understanding and practice of spiritual power in relation to political engagement. Chammah J. Kaunda argues that the challenge of Pentecostal political imagination is found in the inculturation of spiritual power with political praxis. The result of this inculturation is that Zambian Pentecostals sacralize the political authority of state power through the charisma of the national president and other major political personalities. It has also contributed to the construction of Zambian Pentecostal leadership that is deified rather than leadership that is formed through the struggles and experiences of the marginalized and powerless. Kaunda argues that the solution does not lie either in desacralization of powers or the separation between the church and the state, but rather in rethinking the Christ event as a paradigm for the recovery of Pentecostalism's sociopolitical prophetic dynamism.
| Author | : Chan E. Park |
| Publisher | : Bloomsbury Publishing |
| Total Pages | : 236 |
| Release | : 2023-11-16 |
| Genre | : Performing Arts |
| ISBN | : 1350174890 |
This book introduces readers to the historical, performative, and cultural context of pansori, a traditional Korean oral story-singing art. Written by a scholar-practitioner of the form, this study is structured in three parts and begins by introducing readers to the technical, aesthetic, and theoretical components of pansori, as well as the synthesis of vocal and percussive elements that stage the narrative. It moves on to reflect on the historical contexts of pansori, alongside Korea's transformation from Joseon monarchy to modern statehood. It argues that with colonial annexation came modernist influences that Korean dramatists and audiences used to create new genres of performance, using the common thread of pansori. The book's third part explores the interplay of preservation and innovation, beginning in the post-war period and continuing with developments in the 20th and 21st centuries that coincide with Korea's imprint on cultural globalization. Along with Korea's growth as a world economic center, a growing enthusiasm for Korean culture around the world has increased the transmission and visibility of pansori. This study argues that tradition and innovation are not as divergent as they are sometimes imagined to be and that tradition is the force that enables innovation. Drawing on Chan E. Park's ethnographic work and performance practice, this book interweaves expert knowledge of both the textual and performative aspects of pansori, rendering legible this dramatic tradition.
