Oratorical Culture In Nineteenth Century America
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| Author | : Gregory Clark |
| Publisher | : SIU Press |
| Total Pages | : 296 |
| Release | : 1993 |
| Genre | : History |
| ISBN | : 9780809317394 |
Gregory Clark and S. Michael Halloran bring together nine essays that explore change in both the theory and the practice of rhetoric in the nineteenth-century United States. In their introductory essay, Clark and Halloran argue that at the beginning of the nineteenth century, rhetoric encompassed a neoclassical oratorical culture in which speakers articulated common values to establish consensual moral authority that directed community thought and action. As the century progressed, however, moral authority shifted from the civic realm to the professional, thus expanding participation in the community as it fragmented the community itself. Clark and Halloran argue that this shift was a transformation in which rhetoric was reconceived to meet changing cultural needs. Part I examines the theories and practices of rhetoric that dominated at the beginning of the century. The essays in this section include "Edward Everett and Neoclassical Oratory in Genteel America" by Ronald F. Reid, "The Oratorical Poetic of Timothy Dwight" by Gregory Clark, "The Sermon as Public Discourse: Austin Phelps and the Conservative Homiletic Tradition in Nineteenth-Century America" by Russel Hirst, and "A Rhetoric of Citizenship in Nineteenth-Century America" by P. Joy Rouse. Part 2 examines rhetorical changes in the culture that developed during that century. The essays include "The Popularization of Nineteenth-Century Rhetoric: Elocution and the Private Learner" by Nan Johnson, "Rhetorical Power in the Victorian Parlor: Godey’s Lady’s Book and the Gendering of Nineteenth-Century Rhetoric" by Nicole Tonkovich, "Jane Addams and the Social Rhetoric of Democracy" by Catherine Peaden, "The Divergence of Purpose and Practice on the Chatauqua: Keith Vawter’s Self-Defense" by Frederick J. Antczak and Edith Siemers, and "The Rhetoric of Picturesque Scenery: A Nineteenth-Century Epideictic" by S. Michael Halloran.
| Author | : Paul Fryer |
| Publisher | : McFarland |
| Total Pages | : 239 |
| Release | : 2012-11-01 |
| Genre | : Performing Arts |
| ISBN | : 078646075X |
This collection of new essays explores the role played by women practitioners in the arts during the period often referred to as the Belle Epoque, a turn of the century period in which the modern media (audio and film recording, broadcasting, etc.) began to become a reality. Exploring the careers and creative lives of both the famous (Sarah Bernhardt) and the less so (Pauline Townsend) across a remarkable range of artistic activity from composition through oratory to fine art and film directing, these essays attempt to reveal, in some cases for the first time, women's true impact on the arts at the turn of the 19th century.
| Author | : Robert Fanuzzi |
| Publisher | : U of Minnesota Press |
| Total Pages | : 375 |
| Release | : |
| Genre | : History |
| ISBN | : 145290605X |
Echoes of Thomas Paine and Enlightenment thought resonate throughout the abolitionist movement and in the efforts of its leaders to create an anti-slavery reading public. In Abolition's Public Sphere Robert Fanuzzi critically examines the writings of William Lloyd Garrison, Frederick Douglass, Henry David Thoreau, and Sarah and Angelina Grimke and their massive abolition publicity campaign--pamphlets, newspapers, petitions, and public gatherings--geared to an audience of white male citizens, free black noncitizens, women, and the enslaved. Including provocative readings of Thoreau's Walden and of the symbolic space of Boston's Faneuil Hall, Abolition's Public Sphere demonstrates how abolitionist public discourse sought to reenact eighteenth-century scenarios of revolution and democracy in the antebellum era. Fanuzzi illustrates how the dissemination of abolitionist tracts served to create an "imaginary public" that promoted and provoked the discussion of slavery. However, by embracing Enlightenment abstractions of liberty, reason, and progress, Fanuzzi argues, abolitionist strategy introduced aesthetic concerns that challenged political institutions of the public sphere and prevailing notions of citizenship. Insightful and thought-provoking, Abolition's Public Sphere questions standard versions of abolitionist history and, in the process, our understanding of democracy itself.
| Author | : Wendy Dasler Johnson |
| Publisher | : SIU Press |
| Total Pages | : 282 |
| Release | : 2016-08-10 |
| Genre | : Language Arts & Disciplines |
| ISBN | : 0809335018 |
At a time when a woman speaking before a mixed-gender audience risked acquiring the label “promiscuous,” thousands of women presented their views about social or moral issues through sentimental poetry, a blend of affect with intellect that allowed their participation in public debate. Bridging literary and rhetorical histories, traditional and semiotic interpretations, Antebellum American Women's Poetry: A Rhetoric of Sentiment explores an often overlooked, yet significant and persuasive pre–Civil War American discourse. Considering the logos, ethos, and pathos—aims, writing personae, and audience appeal—of poems by African American abolitionist Frances Watkins Harper, working-class prophet Lydia Huntley Sigourney, and feminist socialite Julia Ward Howe, Wendy Dasler Johnson demonstrates that sentimental poetry was an inportant component of antebellum social activism. She articulates the ethos of the poems of Harper, who presents herself as a properly domestic black woman, nevertheless stepping boldly into Northern pulpits to insist slavery be abolished; the poetry of Sigourney, whose speaker is a feisty, working-class, ambiguously gendered prophet; and the works of Howe, who juggles her fame as the reformist “Battle Hymn” lyricist and motherhood of five children with an erotic Continental sentimentalism. Antebellum American Women's Poetry makes a strong case for restoration of a compelling system of persuasion through poetry usually dismissed from studies of rhetoric. This remarkable book will change the way we think about women’s rhetoric in the nineteenth century, inviting readers to hear and respond to urgent, muffled appeals for justice in our own day.
| Author | : Roger Thompson |
| Publisher | : SIU Press |
| Total Pages | : 175 |
| Release | : 2017-11-08 |
| Genre | : Language Arts & Disciplines |
| ISBN | : 0809336138 |
Much has been written about Ralph Waldo Emerson’s fundamental contributions to American literature and culture as an essayist, philosopher, lecturer, and poet. But despite wide agreement among literary and rhetorical scholars on the need for further study of Emerson as a rhetorical theorist, little has been published on the subject. This book fills that gap, reenvisioning Emerson’s work through his significant engagement with rhetorical theory in the course of his career and providing a more profound understanding of Emerson’s influence on American ideology. Moving beyond dominant literary critical thinking, Thompson argues that for Emerson, rhetoric was both imaginative and nonsystematic. This book covers the influences of rhetoricians from a range of periods on Emerson’s model of rhetoric. Drawing on Emerson’s manuscript notes, journal entries, and some of his rarely discussed essays and lectures as well as his more famous works, the author bridges the divide between literary and rhetorical studies, expanding our understanding of this iconic nineteenth-century man of letters.
| Author | : Paul Stob |
| Publisher | : MSU Press |
| Total Pages | : 280 |
| Release | : 2020-04-01 |
| Genre | : History |
| ISBN | : 1628953977 |
In response to denunciations of populism as undemocratic and anti-intellectual, Intellectual Populism argues that populism has contributed to a distinct and democratic intellectual tradition in which ordinary people assume leading roles in the pursuit of knowledge. Focusing on the Gilded Age and Progressive Era, the decades that saw the birth of populism in the United States, this book uses case studies of certain intellectual figures to trace the key rhetorical appeals that proved capable of resisting the status quo and building alternative communities of inquiry. As this book shows, Robert Ingersoll (1833–1899), Mary Baker Eddy (1821–1910), Thomas Davidson (1840–1900), Booker T. Washington (1856–1915), and Zitkála-Šá (1876–1938) deployed populist rhetoric to rally ordinary people as thinkers in new intellectual efforts. Through these case studies, Intellectual Populism demonstrates how orators and advocates can channel the frustrations and energies of the American people toward productive, democratic, intellectual ends.
| Author | : Carolyn Skinner |
| Publisher | : SIU Press |
| Total Pages | : 238 |
| Release | : 2014-01-27 |
| Genre | : Language Arts & Disciplines |
| ISBN | : 0809333015 |
Women physicians in nineteenth-century America faced a unique challenge in gaining acceptance to the medical field as it began its transformation into a professional institution. The profession had begun to increasingly insist on masculine traits as signs of competency. Not only were these traits inaccessible to women according to nineteenth-century gender ideology, but showing competence as a medical professional was not enough. Whether women could or should be physicians hinged mostly on maintaining their femininity while displaying the newly established standard traits of successful practitioners of medicine. Women Physicians and Professional Ethos provides a unique example of how women influenced both popular and medical discourse. This volume is especially notable because it considers the work of African American and American Indian women professionals. Drawing on a range of books, articles, and speeches, Carolyn Skinner analyzes the rhetorical practices of nineteenth-century American women physicians. She redefines ethos in a way that reflects the persuasive efforts of women who claimed the authority and expertise of the physician with great difficulty. Descriptions of ethos have traditionally been based on masculine communication and behavior, leaving women’s rhetorical situations largely unaccounted for. Skinner’s feminist model considers the constraints imposed by material resources and social position, the reciprocity between speaker and audience, the effect of one rhetor’s choices on the options available to others, the connections between ethos and genre, the potential for ethos to be developed and used collectively by similarly situated people, and the role ethos plays in promoting social change. Extending recent theorizations of ethos as a spatial, ecological, and potentially communal concept, Skinneridentifies nineteenth-century women physicians’ rhetorical strategies and outlines a feminist model of ethos that gives readers a more nuanced understanding of how this mode of persuasion operates for all speakers and writers.
| Author | : David D. Hall |
| Publisher | : UNC Press Books |
| Total Pages | : 4704 |
| Release | : 2015-10-08 |
| Genre | : History |
| ISBN | : 1469628961 |
The five volumes in A History of the Book in America offer a sweeping chronicle of our country's print production and culture from colonial times to the end of the twentieth century. This interdisciplinary, collaborative work of scholarship examines the book trades as they have developed and spread throughout the United States; provides a history of U.S. literary cultures; investigates the practice of reading and, more broadly, the uses of literacy; and links literary culture with larger themes in American history. Now available for the first time, this complete Omnibus ebook contains all 5 volumes of this landmark work. Volume 1 The Colonial Book in the Atlantic World Edited by Hugh Amory and David D. Hall 664 pp., 51 illus. Volume 2 An Extensive Republic: Print, Culture, and Society in the New Nation, 1790-1840 Edited by Robert A. Gross and Mary Kelley 712 pp., 66 illus. Volume 3 The Industrial Book, 1840-1880 Edited by Scott E. Casper, Jeffrey D. Groves, Stephen W. Nissenbaum, and Michael Winship 560 pp., 43 illus. Volume 4 Print in Motion: The Expansion of Publishing and Reading in the United States, 1880-1940 Edited by Carl F. Kaestle and Janice A. Radway 688 pp., 74 illus. Volume 5 The Enduring Book: Print Culture in Postwar America Edited by David Paul Nord, Joan Shelley Rubin, and Michael Schudson 632 pp., 95 illus.
| Author | : Franklin E Court |
| Publisher | : Syracuse University Press |
| Total Pages | : 222 |
| Release | : 2001-04-01 |
| Genre | : Language Arts & Disciplines |
| ISBN | : 9780815628828 |
At the outset of the eighteenth century, college language study in America concentrated on classical rhetoric. By the end of the century, due to educational innovations from Scotland, courses in rhetoric in American schools expanded to include oratory, disputation, English grammatical lessons, and the reading of English literary selections. This study of English and American literature was born in the study of moral philosophy. Combining the study of moral philosophy with language study created a course emphasis that early American professors called "philosophical criticism." The term, philosophical, carried a meaning for them that was associated with a commitment to civic responsibility, to civic discourse, and to ancient school texts such as Cicero's De Oratore where the word oratory was used to denote, according to Cicero, the mastery of all knowledge either "by scientific investigation or by the methods of dialectic." The classroom practice of disputation was also at the center of what literary historians have deemed the "oratorical tradition," a late eighteenth and early nineteenth-century cultural phenomenon that, until now, has received little scholarly attention over the years.
| Author | : J. Matthew Gallman |
| Publisher | : Oxford University Press |
| Total Pages | : 273 |
| Release | : 2006-04-15 |
| Genre | : Biography & Autobiography |
| ISBN | : 0195161459 |
One of the most celebrated women of her time, Anna Elizabeth Dickinson was a charismatic orator, writer, and actress, who rose to fame during the Civil War. In "America's Joan of Arc," Gallman offers the first full-length biography of Dickinson to appear in over half a century.
