Nobiltà Di Dame

Nobiltà Di Dame
Author: Fabritio Caroso
Publisher: Oxford [Oxfordshire] ; New York : Oxford University Press
Total Pages: 384
Release: 1986
Genre: Language Arts & Disciplines
ISBN:

Fabritio Caroso was dancing master to some of the greatest princely families of Italy, and Nobiltà di dame, his sumptuous collection of ballroom dances and their music, reflects an age that believed that the person of high rank should be a work of art, uniting strength and beauty. Caroso's detailed instructions (including rules for steps, style and etiquetter, and forty-eight actual choreographies) are unequalled by any contemporary manual in their specificity and clarity. Most dances are preceeded by an engraving showing the opening position and illustrating many aspects of dress, posture, and gesture. A full scholarly apparatus, giving new information unavailable elsewhere, makes the book even more valuable to dancers and to students of dance and music at the junction of the Renaissance and Baroque eras.

The Native Races

The Native Races
Author: Hubert Howe Bancroft
Publisher:
Total Pages: 874
Release: 1882
Genre: British Columbia
ISBN:

History of the Indies

History of the Indies
Author: Bartolomé de las Casas
Publisher: HarperCollins Publishers
Total Pages: 340
Release: 1971
Genre: Biography & Autobiography
ISBN:

Theatre as Sign System

Theatre as Sign System
Author: Elaine Aston
Publisher: Routledge
Total Pages: 216
Release: 2013-12-16
Genre: Performing Arts
ISBN: 1136112286

This invaluable student handbook is the first detailed guide to explain in detail the relationship between the drama text and the theory and practice of drama in performance. Beginning at the beginning, with accessible explanations of the meanings and methods of semiotics, Theatre as Sign System addresses key drama texts and offers new and detailed information about the theories of performance.

The Genesis of Lachmann's Method

The Genesis of Lachmann's Method
Author: Sebastiano Timpanaro
Publisher: University of Chicago Press
Total Pages: 261
Release: 2005
Genre: Literary Criticism
ISBN: 0226804054

Until the modern period, the reproduction of written texts required manual transcription from earlier versions. This cumbersome process inevitably created errors and made it increasingly difficult to identify the original readings among multiple copies. Lachmann's method—associated with German classicist Karl Lachmann (1793-1851)—aimed to provide scholars with a scientific, systematic procedure to standardize the transmission of ancient texts. Although these guidelines for analysis were frequently challenged, they retained a paradigmatic value in philology for many years. In 1963, Italian philologist Sebastiano Timpanaro became the first to analyze in depth the history and limits of Lachmann's widely established theory with his publication, La genesi del metodo del Lachmann. This important work, which brought Timpanaro international repute, now appears in its first English translation. The Genesis of Lachmann's Method examines the origin, development, and validity of Lachmann's model as well as its association with Lachmann himself. It remains a fundamental work on the history and methods of philology, and Glenn W. Most's translation makes this seminal study available to an English-speaking audience. Revealing Timpanaro's extraordinary talent as a textual critic and world-class scholar, this book will be indispensable to classicists, textual critics, biblical scholars, historians of science, and literary theorists.

The Staging of Lope de Vega's Comedias (Classic Reprint)

The Staging of Lope de Vega's Comedias (Classic Reprint)
Author: Hugo Albert Rennert
Publisher: Forgotten Books
Total Pages: 66
Release: 2017-11-24
Genre:
ISBN: 9780260638939

Excerpt from The Staging of Lope De Vega's Comedias With the establishment of the first two permanent play-houses or corrales in Madrid, that in the Calle de la Cruz, in 1579, and the one in the Calle del Principe, in 1582, we may readily imagine that things were somewhat improved. Here, at all events, was a fixed stage, with seats for the auditors, which was a great step forward. Now, as nearly as we can determine, Spain's greatest dramatist, Lope de Vega, began to write for the public stage about 1585, or very shortly after the establishment of the Corral del Principe, to which theatre we also know that Lope, prior to 1588, was a very frequent visitor. In the absence of any definite information upon the point, it has seemed to me that an examination of the plays of Lope de Vega might throw some light upon the manner in which the comedia was put upon the stage in the latter part of the sixteenth, and the early years of the seventeenth centuries. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.

Stage Directions in Hamlet

Stage Directions in Hamlet
Author: Hardin L. Aasand
Publisher: Fairleigh Dickinson Univ Press
Total Pages: 242
Release: 2003
Genre: Drama
ISBN: 9780838639467

The subject of stage directions in 'Hamlet', those brief semiotic codes that are embellished by historical, theatrical, and cultural considerations, produces a rigorous examination in the fifteen essays contained in this collection. This volume encompasses essays that are guardedly inductive in their critical approaches, as well as those that critique modern productions that attempt to achieve Shakespearean effect through a modern aesthetic. The volume also includes essays that enunciate the production of stage business as a cultural interplay between productions and social agencies outside the theater.

Peruvian Prehistory

Peruvian Prehistory
Author: Richard W. Keatinge
Publisher: Cambridge University Press
Total Pages: 388
Release: 1988-03-10
Genre: History
ISBN: 9780521275552

Peruvian Prehistory offers an authoritative survey of the cultural evolution of Peru from the appearance of the first inhabitants around 10,000 BC to the arrival of the Spanish in 1534. The book is divided chronologically into three main parts, which examine in turn the highland and lowland zones in the Preceramic and Initial periods; the development of complex society at Chavin, Tiwanaku and Fluari and in the Moche and Nazca cultures; and the culmination of this process, the Pan-Andean empire of the Incas, and the way this can be studied through a combination of archaeology and ethnohistoric research. A fourth, concluding section deals with the often neglected tropical forest region of Peru and its formative influence on the evolution of Andean culture. The first collective assessment of Peruvian archaeology for a generation, this volume traces the processes of political, social and economic change in Andean civilisation in a manner that will attract many with no specialist interest in Peru.