Opacity Minority Improvisation
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Author | : Anna T. |
Publisher | : transcript Verlag |
Total Pages | : 231 |
Release | : 2020-05-31 |
Genre | : Social Science |
ISBN | : 3839451337 |
The expression »to come out of the closet« calls for an analysis of how language and notional as well as social spaces interact and intersect to constitute »queer«. This performative book, a product of artistic research, is an exploration of the proverbial closet through linguistics, queer, and postcolonial theory. It is a project in which opacity, minority, and improvisation happen on the levels of content, analysis, and typography. Eleven queer slangs from around the world become part of an exploration of queerness and knowledge from the Periphery through autoethnography, Édouard Glissant's concept of opacity, José Muñoz's disidentifications, and Gloria Anzaldúa's performative writing. Theory, personal accounts, and art are interwoven to offer an interdisciplinary reading of the slangs as queer methods of survival and resistance.
Author | : Teddy G. Goetz, M.D., M.S. |
Publisher | : American Psychiatric Pub |
Total Pages | : 422 |
Release | : 2023-11-08 |
Genre | : Medical |
ISBN | : 1615374728 |
Author | : Gilles Mouëllic |
Publisher | : |
Total Pages | : 0 |
Release | : 2013 |
Genre | : Arts in general |
ISBN | : 9789089645517 |
Gilles Mouëllic examines improvisational practices that can be specifically attributed to the cinema and argues in favors of their powers as instigators of unprecedented forms of expression. Improvising Cinema reflects both on the permanence of attempting improvisation and the relationship between technology and aesthetics. Mouëllic concludes preservation becomes even more invaluable in the case of improvisation, as the creative act exists only within the brief time span of the performance.
Author | : David Borgo |
Publisher | : Bloomsbury Publishing USA |
Total Pages | : 314 |
Release | : 2022-02-10 |
Genre | : Music |
ISBN | : 1501368869 |
The revised edition of Sync or Swarm promotes an ecological view of musicking, moving us from a subject-centered to a system-centered view of improvisation. It explores cycles of organismic self-regulation, cycles of sensorimotor coupling between organism and environment, and cycles of intersubjective interaction mediated via socio-technological networks. Chapters funnel outward, from the solo improviser (Evan Parker), to nonlinear group dynamics (Sam Rivers trio), to networks that comprise improvisational communities, to pedagogical dynamics that affect how individuals learn, completing the hermeneutic circle. Winner of the Society for Ethnomusicology's Alan Merriam prize in its first edition, the revised edition features new sections that highlight electro-acoustic and transcultural improvisation, and concomitant issues of human-machine interaction and postcolonial studies.
Author | : James C. Scott |
Publisher | : Yale University Press |
Total Pages | : 462 |
Release | : 2020-03-17 |
Genre | : Political Science |
ISBN | : 0300252986 |
“One of the most profound and illuminating studies of this century to have been published in recent decades.”—John Gray, New York Times Book Review Hailed as “a magisterial critique of top-down social planning” by the New York Times, this essential work analyzes disasters from Russia to Tanzania to uncover why states so often fail—sometimes catastrophically—in grand efforts to engineer their society or their environment, and uncovers the conditions common to all such planning disasters. “Beautifully written, this book calls into sharp relief the nature of the world we now inhabit.”—New Yorker “A tour de force.”— Charles Tilly, Columbia University
Author | : Stefano Harney |
Publisher | : Autonomedia |
Total Pages | : 0 |
Release | : 2013 |
Genre | : African Americans |
ISBN | : 9781570272677 |
In this series of essays Fred Moten and Stefano Harney draw on the theory and practice of the black radical tradition as it supports, inspires and extends contemporary social and political thought and aesthetic critique. Today the general wealth of social life finds itself confronted by mutations in the mechanisms of control, from the proliferation of capitalist logistics through governance by credit and management of pedagogy. Working from and within the social poesis of life in the undercommons Moten and Harney develop and expand an array of concepts.
Author | : Andrey Tarkovsky |
Publisher | : University of Texas Press |
Total Pages | : 260 |
Release | : 1989-04 |
Genre | : Performing Arts |
ISBN | : 9780292776241 |
A director reveals the original inspirations for his films, their history, his methods of work, and the problems of visual creativity
Author | : Christos Giannou |
Publisher | : |
Total Pages | : 364 |
Release | : 2009 |
Genre | : Amputees |
ISBN | : |
Accompanying CD-ROM contains graphic footage of various war wound surgeries.
Author | : Charles J. Fombrun |
Publisher | : Harvard Business Review Press |
Total Pages | : 482 |
Release | : 1996 |
Genre | : Corporate image |
ISBN | : 9780875846330 |
This work provides an analysis of the determinants and effects of reputation management. It demonstrates the economic value of a corporate reputation, quantifying the economic returns for well-regarded companies, and presents recommendations and processes for assessing and improving reputation. INDICE: Introduction: why reputations matter. Part 1 The hidden value of a good reputation: going for the gold; what's in a name?; enlightened self-inter... Etc.
Author | : Saidiya Hartman |
Publisher | : W. W. Norton & Company |
Total Pages | : 491 |
Release | : 2022-10-11 |
Genre | : History |
ISBN | : 1324021594 |
The groundbreaking debut by the award-winning author of Wayward Lives, Beautiful Experiments, revised and updated. Saidiya Hartman has been praised as “one of our most brilliant contemporary thinkers” (Claudia Rankine, New York Times Book Review) and “a lodestar for a generation of students and, increasingly, for politically engaged people outside the academy” (Alexis Okeowo, The New Yorker). In Scenes of Subjection—Hartman’s first book, now revised and expanded—her singular talents and analytical framework turn away from the “terrible spectacle” and toward the forms of routine terror and quotidian violence characteristic of slavery, illuminating the intertwining of injury, subjugation, and selfhood even in abolitionist depictions of enslavement. By attending to the withheld and overlooked at the margins of the historical archive, Hartman radically reshapes our understanding of history, in a work as resonant today as it was on first publication, now for a new generation of readers. This 25th anniversary edition features a new preface by the author, a foreword by Keeanga-Yamahtta Taylor, an afterword by Marisa J. Fuentes and Sarah Haley, notations with Cameron Rowland, and compositions by Torkwase Dyson.