One Drop Rule
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| Author | : Yaba Blay |
| Publisher | : Beacon Press |
| Total Pages | : 290 |
| Release | : 2021-02-16 |
| Genre | : Social Science |
| ISBN | : 0807073369 |
Challenges narrow perceptions of Blackness as both an identity and lived reality to understand the diversity of what it means to be Black in the US and around the world What exactly is Blackness and what does it mean to be Black? Is Blackness a matter of biology or consciousness? Who determines who is Black and who is not? Who’s Black, who’s not, and who cares? In the United States, a Black person has come to be defined as any person with any known Black ancestry. Statutorily referred to as “the rule of hypodescent,” this definition of Blackness is more popularly known as the “one-drop rule,” meaning that a person with any trace of Black ancestry, however small or (in)visible, cannot be considered White. A method of social order that began almost immediately after the arrival of enslaved Africans in America, by 1910 it was the law in almost all southern states. At a time when the one-drop rule functioned to protect and preserve White racial purity, Blackness was both a matter of biology and the law. One was either Black or White. Period. Has the social and political landscape changed one hundred years later? One Drop explores the extent to which historical definitions of race continue to shape contemporary racial identities and lived experiences of racial difference. Featuring the perspectives of 60 contributors representing 25 countries and combining candid narratives with striking portraiture, this book provides living testimony to the diversity of Blackness. Although contributors use varying terms to self-identify, they all see themselves as part of the larger racial, cultural, and social group generally referred to as Black. They have all had their identity called into question simply because they do not fit neatly into the stereotypical “Black box”—dark skin, “kinky” hair, broad nose, full lips, etc. Most have been asked “What are you?” or the more politically correct “Where are you from?” throughout their lives. It is through contributors’ lived experiences with and lived imaginings of Black identity that we can visualize multiple possibilities for Blackness.
| Author | : Pamela Thornton |
| Publisher | : Createspace Independent Pub |
| Total Pages | : 78 |
| Release | : 2012-08-01 |
| Genre | : Fiction |
| ISBN | : 9781477452127 |
This is what time has been waiting for, another historical fictional writer who takes you back in time to an era that defined the rich history of America's past. If you love the writing styles of Zora Neale Hurston or Earnest J. Gaines, then you will love this book of short stories.
| Author | : Sarah Valentine |
| Publisher | : St. Martin's Press |
| Total Pages | : 288 |
| Release | : 2019-08-06 |
| Genre | : Biography & Autobiography |
| ISBN | : 1250146763 |
The stunning and provocative coming-of-age memoir about Sarah Valentine's childhood as a white girl in the suburbs of Pittsburgh, and her discovery that her father was a black man. At the age of 27, Sarah Valentine discovered that she was not, in fact, the white girl she had always believed herself to be. She learned the truth of her paternity: that her father was a black man. And she learned the truth about her own identity: mixed race. And so Sarah began the difficult and absorbing journey of changing her identity from white to black. In this memoir, Sarah details the story of the discovery of her identity, how she overcame depression to come to terms with this identity, and, perhaps most importantly, asks: why? Her entire family and community had conspired to maintain her white identity. The supreme discomfort her white family and community felt about addressing issues of race–her race–is a microcosm of race relationships in America. A black woman who lived her formative years identifying as white, Sarah's story is a kind of Rachel Dolezal in reverse, though her "passing" was less intentional than conspiracy. This memoir is an examination of the cost of being black in America, and how one woman threw off the racial identity she'd grown up with, in order to embrace a new one.
| Author | : Frank W. Sweet |
| Publisher | : Backintyme |
| Total Pages | : 557 |
| Release | : 2005 |
| Genre | : History |
| ISBN | : 0939479230 |
Annotation. This analysis of the nearly 300 appealed court cases that decided the "race" of individual Americans may be the most thorough study of the legal history of the U.S. color line yet published.
| Author | : Kimberly Jade Norwood |
| Publisher | : Routledge |
| Total Pages | : 257 |
| Release | : 2013-12-17 |
| Genre | : Social Science |
| ISBN | : 131781956X |
In the United States, as in many parts of the world, people are discriminated against based on the color of their skin. This type of skin tone bias, or colorism, is both related to and distinct from discrimination on the basis of race, with which it is often conflated. Preferential treatment of lighter skin tones over darker occurs within racial and ethnic groups as well as between them. While America has made progress in issues of race over the past decades, discrimination on the basis of color continues to be a constant and often unremarked part of life. In Color Matters, Kimberly Jade Norwood has collected the most up-to-date research on this insidious form of discrimination, including perspectives from the disciplines of history, law, sociology, and psychology. Anchored with historical chapters that show how the influence and legacy of slavery have shaped the treatment of skin color in American society, the contributors to this volume bring to light the ways in which colorism affects us all--influencing what we wear, who we see on television, and even which child we might pick to adopt. Sure to be an eye-opening collection for anyone curious about how race and color continue to affect society, Color Matters provides students of race in America with wide-ranging overview of a crucial topic.
| Author | : Bliss Broyard |
| Publisher | : Little, Brown |
| Total Pages | : 379 |
| Release | : 2007-09-27 |
| Genre | : Biography & Autobiography |
| ISBN | : 0316019739 |
In this acclaimed memoir, Bliss Broyard, daughter of the literary critic Anatole Broyard, examines her father's choice to hide his racial identity, and the impact of this revelation on her own life. Two months before he died, renowned literary critic Anatole Broyard called his grown son and daughter to his side to impart a secret he had kept all their lives and most of his own: he was black. Born in the French Quarter in 1920, Anatole had begun to conceal his racial identity after his family moved to Brooklyn and his parents resorted to "passing" in order to get work. As he grew older and entered the ranks of the New York literary elite, he maintained the favßade. Now his daughter Bliss tries to make sense of his choices. Seeking out unknown relatives in New York, Los Angeles, and New Orleans, Bliss uncovers the 250-year history of her family in America and chronicles her own evolution from privilged WASP to a woman of mixed-race ancestry.
| Author | : A. B. Wilkinson |
| Publisher | : UNC Press Books |
| Total Pages | : 337 |
| Release | : 2020-08-06 |
| Genre | : Social Science |
| ISBN | : 146965900X |
The history of race in North America is still often conceived of in black and white terms. In this book, A. B. Wilkinson complicates that history by investigating how people of mixed African, European, and Native American heritage—commonly referred to as "Mulattoes," "Mustees," and "mixed bloods"—were integral to the construction of colonial racial ideologies. Thousands of mixed-heritage people appear in the records of English colonies, largely in the Chesapeake, Carolinas, and Caribbean, and this book provides a clear and compelling picture of their lives before the advent of the so-called one-drop rule. Wilkinson explores the ways mixed-heritage people viewed themselves and explains how they—along with their African and Indigenous American forebears—resisted the formation of a rigid racial order and fought for freedom in seventeenth- and eighteenth-century societies shaped by colonial labor and legal systems. As contemporary U.S. society continues to grapple with institutional racism rooted in a settler colonial past, this book illuminates the earliest ideas of racial mixture in British America well before the founding of the United States.
| Author | : Thomas Chatterton Williams |
| Publisher | : W. W. Norton & Company |
| Total Pages | : 192 |
| Release | : 2019-10-15 |
| Genre | : Biography & Autobiography |
| ISBN | : 0393608875 |
A meditation on race and identity from one of our most provocative cultural critics. A reckoning with the way we choose to see and define ourselves, Self-Portrait in Black and White is the searching story of one American family’s multigenerational transformation from what is called black to what is assumed to be white. Thomas Chatterton Williams, the son of a “black” father from the segregated South and a “white” mother from the West, spent his whole life believing the dictum that a single drop of “black blood” makes a person black. This was so fundamental to his self-conception that he’d never rigorously reflected on its foundations—but the shock of his experience as the black father of two extremely white-looking children led him to question these long-held convictions. It is not that he has come to believe that he is no longer black or that his kids are white, Williams notes. It is that these categories cannot adequately capture either of them—or anyone else, for that matter. Beautifully written and bound to upset received opinions on race, Self-Portrait in Black and White is an urgent work for our time.
| Author | : Scott Malcomson |
| Publisher | : Farrar, Straus and Giroux |
| Total Pages | : 598 |
| Release | : 2000-10-04 |
| Genre | : History |
| ISBN | : 142993607X |
A bold and original retelling of the story of race in America Why has a nation founded upon precepts of freedom and universal humanity continually produced, through its preoccupation with race, a divided and constrained populace? This question is the starting point for Scott Malcomson's riveting and deeply researched account, which amplifies history with memoir and reportage. From the beginning, Malcomson shows, a nation obsessed with invention began to create a new idea of race, investing it with unprecedented moral and social meaning. A succession of visionaries and opportunists, self-promoters and would-be reformers carried on the process, helping to define "black," "white," and "Indian" in opposition to one another, and in service to the aspirations and anxieties of each era. But the people who had to live within those definitions found them constraining. They sought to escape the limits of race imposed by escaping from other races or by controlling, confining, eliminating, or absorbing them, in a sad, absurd parade of events. Such efforts have never truly succeeded, yet their legacy haunts us, as we unhappily re-enact the drama of separatism in our schools, workplaces, and communities. By not only recounting the shared American tragicomedy of race but helping us to own, even to embrace it, this important book offers us a way at last to move beyond it.
| Author | : Gail Lukasik |
| Publisher | : Simon and Schuster |
| Total Pages | : 376 |
| Release | : 2017-10-17 |
| Genre | : Biography & Autobiography |
| ISBN | : 151072415X |
White Like Her: My Family’s Story of Race and Racial Passing is the story of Gail Lukasik’s mother’s “passing,” Gail’s struggle with the shame of her mother’s choice, and her subsequent journey of self-discovery and redemption. In the historical context of the Jim Crow South, Gail explores her mother’s decision to pass, how she hid her secret even from her own husband, and the price she paid for choosing whiteness. Haunted by her mother’s fear and shame, Gail embarks on a quest to uncover her mother’s racial lineage, tracing her family back to eighteenth-century colonial Louisiana. In coming to terms with her decision to publicly out her mother, Gail changed how she looks at race and heritage. With a foreword written by Kenyatta Berry, host of PBS's Genealogy Roadshow, this unique and fascinating story of coming to terms with oneself breaks down barriers.
