On The Poet Objective And Subjective
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Author | : Dr Britta Martens |
Publisher | : Ashgate Publishing, Ltd. |
Total Pages | : 312 |
Release | : 2013-05-28 |
Genre | : Literary Criticism |
ISBN | : 1409478874 |
Taking an original approach to Robert Browning's poetics, Britta Martens focuses on a corpus of relatively neglected poems in Browning's own voice in which he reflects on his poetry, his self-conceptualization and his place in the poetic tradition. She analyzes his work in relation to Romanticism, Victorian reactions to the Romantic legacy, and wider nineteenth-century changes in poetic taste, to argue that in these poems, as in his more frequently studied dramatic monologues, Browning deploys varied dramatic methods of self-representation, often critically and ironically exposing the biases and limitations of the seemingly authoritative speaker 'Browning'. The poems thus become devices for Browning's detached evaluation of his own and of others' poetics, an evaluation never fully explicit but presented with elusive economy for the astute reader to interpret. The confrontation between the personal authorial voice and the dramatic voice in these poems provides revealing insights into the poet's highly self-conscious, conflicted and sustained engagement with the Romantic tradition and the diversely challenging reader expectations that he faces in a post-Romantic age. As the Victorian most rigorous in his rejection of Romantic self-expression, Browning is a key transitional figure between the sharply antagonistic periods of Romanticism and Modernism. He is also, as Martens persuasively demonstrates, a poet of complex contradictions and an illuminating case study for addressing the perennial issues of voice, authorial authority and self-reference.
Author | : Hongxin Jiang |
Publisher | : Cambridge Scholars Publishing |
Total Pages | : 218 |
Release | : 2022-09-30 |
Genre | : Literary Criticism |
ISBN | : 152758545X |
This timely book offers uplifting examples of major figures in Chinese and Western civilization from ancient to modern times who learned from and influenced each other. Rather than emphasizing cultural differences, this inspiring text highlights successful dialogue, commonalities, and mutual influences in this regard. Readers familiar with the Western canon will discover surprising influences of China on well-known Anglosphere writers and critics. Drawing on an expansive range of periods in the East and West from classical to contemporary times, it is a tour-de-force of theoretical range and practical impact. Starting with Confucius and Socrates, the chapters move chronologically on to address such major figures in Eastern writing as Zhuangzi, Qian Zhongshu, and Zhang Longxi, and Western figures including T.S. Eliot, Ezra Pound, William Empson, Nietzsche, and Fredric Jameson. The book will appeal to scholars and students at all educational levels, as well as the general public interested in understanding past and current East-West cultural relations.
Author | : Michael V. Di Fuccia |
Publisher | : Wipf and Stock Publishers |
Total Pages | : 293 |
Release | : 2016-10-27 |
Genre | : Religion |
ISBN | : 1498238726 |
In this book Michael Di Fuccia examines the theological import of Owen Barfield's poetic philosophy. He argues that philosophies of immanence fail to account for creativity, as is evident in the false shuttling between modernity's active construal and postmodernity's passive construal of subjectivity. In both extremes subjectivity actually dissolves, divesting one of any creative integrity. Di Fuccia shows how in Barfield's scheme the creative subject appears instead to inhabit a middle or medial realm, which upholds one's creative integrity. It is in this way that Barfield's poetic philosophy gestures toward a theological vision of poiēsis proper, wherein creativity is envisaged as neither purely passive nor purely active, but middle. Creativity, thus, is not immanent but mediated, a participation in God's primordial poiēsis.
Author | : Isobel Armstrong |
Publisher | : Routledge |
Total Pages | : 632 |
Release | : 2002-09-11 |
Genre | : Literary Collections |
ISBN | : 113497065X |
In a work that is uniquely comprehensive and theoretically astute, Isobel Armstrong rescues Victorian poetry from its longstanding sepia image as `a moralised form of romantic verse', and unearths its often subversive critique of nineteenth-century culture and politics.
Author | : |
Publisher | : |
Total Pages | : 802 |
Release | : 1893 |
Genre | : Religion |
ISBN | : |
Author | : Donald Graham French |
Publisher | : |
Total Pages | : 96 |
Release | : 1910 |
Genre | : Poetry |
ISBN | : |
Author | : Raman Selden |
Publisher | : Taylor & Francis |
Total Pages | : 155 |
Release | : 2023-07-14 |
Genre | : Literary Criticism |
ISBN | : 100090850X |
First published in 1984 Criticism and Objectivity argues that literary critics should not abandon the concept of knowledge. English literary criticism has long considered ‘theory’ to be alien to the felt experience of readers and writers; the Romantic attitude towards reason and feeling has continued to inhibit the conceptual development of criticism. The similarities between the role of theory in science and in literary criticism imply the need for ‘objectivity’ to be redefined rather than abandoned. While accepting that tests are relatively open structures defying final interpretations, Dr Selden argues that their plurality is as much the effect of historical conditions as of the nature of language or subjectivity. He calls for an historical criticism capable of ‘conducting’ the voices of the text without resorting to formalism or reducing the text to its ‘background’. This book will be of interest to students of literary theory.
Author | : Paul E. Kerry |
Publisher | : Rowman & Littlefield |
Total Pages | : 395 |
Release | : 2018-06-20 |
Genre | : Literary Criticism |
ISBN | : 1683930665 |
That Thomas Carlyle was influential in his own lifetime and continues to be so over 130 years after his death is a proposition with which few will disagree. His role as his generation’s foremost interpreter of German thought, his distinctive rhetorical style, his approach to history via the “innumerable biographies” of great men, and his almost unparalleled record of correspondence with contemporaries both great and small, makes him a necessary figure of study in multiple fields. Thomas Carlyle and the Idea of Influence positions Carlyle as an ideal representative figure through which to study that complex interplay between past and present most commonly referred to as influence. Approached from a theoretically ecumenical perspective by the volume's introduction and eighteen essays, influence is itself refigured through a number of complementary metaphorical frames: influence as organic inheritance; influence as aesthetic infection; influence as palimpsest; influence as mythology; influence as network; and more. Individual essays connect Carlyle with the persons and publications of Mathilde Blind, Orestes Brownson, John Bunyan, G. K. Chesterton, Benjamin Disraeli, George Eliot, T. S. Eliot, Ralph Waldo Emerson, Johann Wolfgang von Goethe, James Joyce, William Keenan, Windham Lewis, Jules Michelet, John Stuart Mill, Robert Owen, Spencer Stanhope, John Sterling, and others. Considered as a whole, Thomas Carlyle and the Idea of Influence assembles a web of conceptual and intertextual connections that both challenges received understandings of influence itself and establishes a standard by which to measure future assertions of Carlyle's enduring intellectual legacy in the twenty-first century and beyond.
Author | : Sitanshu Yashaschandra |
Publisher | : Taylor & Francis |
Total Pages | : 310 |
Release | : 2023-12-19 |
Genre | : Social Science |
ISBN | : 1003833748 |
This volume forms part of the Critical Discourses in South Asia series, which deals with schools, movements, and discursive practices in major South Asian languages. It offers crucial insights into the making of Gujarati literature and its critical tradition across a century / several centuries. The book presents one of a kind historiography of Gujarati literature and of its critical discourse. It brings together English translations of major writings of influential figures dealing with literary criticism and theory, aesthetic and performative traditions, and re-interpretations of primary concepts and categories in Gujarati. It initiates an exploration into Gujarati critical discourse from the heather to neglected pre-colonial centuries and presents key texts in literary and cultural studies, some of which are being made available for the first time into English. These seminal essays explore complex interconnections understand the dynamics of critical discursive situations in Gujarati literature and to carefully construct a mobile post of observation that matches those dynamics. They offer a radical departure from the widespread historiographical practice in Indian writings of disregarding pre-colonial literary critical discourse. The book also offers a new and indigenous periodization of Gujarati literature and its critical discourse, derived from a fresh perception of Gujarati and Indian literary culture. Comprehensive and authoritative, this volume offers an overview of the history of critical thought in Gujrati literature in South Asia. It will be essential for scholars and researchers of Gujarati language and literature, literary criticism, literary theory, comparative literature, Indian literature, cultural studies, art and aesthetics, performance studies, history, sociology, regional studies, and South Asian studies. It will also interest the Gujarati-speaking diaspora and those working on the intellectual history of Gujarat and Western India and conservation of the language and their culture.
Author | : Douglas Burnham |
Publisher | : A&C Black |
Total Pages | : 204 |
Release | : 2010-05-20 |
Genre | : Philosophy |
ISBN | : 1847065856 |