On Painting

On Painting
Author: Leon Battista Alberti
Publisher: Yale University Press
Total Pages: 148
Release: 1966-01-01
Genre: Art
ISBN: 9780300000016

Alberti’s Della Pittura was the first modern analytical study of painting, a pioneering treatise on the theory of art. A systematic description of the one-point perspective construction, it was primarily designed to persuade both patron and painter in the Renaissance to discard the old tastes in painting for the new. John R. Spencer's translation of Della Pittura is based on all the known manuscripts and is edited with an Introduction and Notes.

Gruppé on Painting

Gruppé on Painting
Author: Emile A. Gruppé
Publisher:
Total Pages: 176
Release: 1976
Genre: Art
ISBN:

Dust jacket notes: "Vibrant, fresh, immediate! The direct oil painting technique is an intense reaction to nature, a race with time to capture the color, the light and shadow, the design and the spirit of a subject in a few short hours. And now, Emile Gruppe - master of the direct oil painting technique - shows how you can use the broad strokes and lively colors of this spontaneous approach to infuse your own paintings with vitality, vigor, and on-the-spot freshness. A firm believer in using the best materials for the best results, Gruppe begins with a quick review of his favorite brushes, colors, easels, and painting surfaces. Next, he covers the basics of good design, what to look for and how to orchestrate what you see: masses, lines, values, and relationships. Turning to color, a fundamental element of his painting technique, Gruppe discusses complements, color harmony, color vibration, local color, reflected color, and using color to create atmospheric perspective. He explains how color appears on various kinds of days - foggy, clear, cloudy - and under different lighting conditions - front lighting, backlighting, sidelighting. In subsequent chapters, the author focuses on composing seascapes and landscapes; he explains how to paint rocks, ocean, lighthouses, boats, piers, pilings, roads, trees, streams, snow, mountains, valleys. Then, in full-color step-by-step demonstrations, the author shows how he captures a subject in his unique, exuberant, on-the-spot style.

Leon Battista Alberti: On Painting

Leon Battista Alberti: On Painting
Author: Leon Battista Alberti
Publisher: Cambridge University Press
Total Pages: 231
Release: 2011-05-09
Genre: Art
ISBN: 1107000629

In this volume Rocco Sinisgalli presents a new English translation and critical examination of Alberti's seminal text.

Leonardo on Painting

Leonardo on Painting
Author: Leonardo
Publisher: Yale University Press
Total Pages: 340
Release: 2001-01-01
Genre: Art
ISBN: 9780300090956

This is a selection of Leonardo da Vinci's writings on painting. Martin Kemp and Margaret Walker have edited material not only from his so-called Treatise on Painting but also from his surviving manuscripts and from other primary sources.

Foucault on Painting

Foucault on Painting
Author: Catherine M. Soussloff
Publisher: U of Minnesota Press
Total Pages: 260
Release: 2017-11-23
Genre: Philosophy
ISBN: 1452955050

Michel Foucault had been concerned about painting and the meaning of the image from his earliest publications, yet this aspect of his thought is largely neglected within the disciplines of art history and aesthetic theory. In Foucault on Painting, Catherine M. Soussloff argues that Foucault’s sustained engagement with European art history critically addresses present concerns about the mediated nature of the image in the digital age. Foucault’s writing on painting covers four discrete periods in European art history (seventeenth-century southern Baroque, mid-nineteenth century French painting, Surrealism, and figurative painting in the 1960s and ‘70s) as well as five individual artists: Velázquez, Manet, Magritte, Paul Reyberolle, and Gérard Fromanger. As Soussloff reveals in this book, Foucault followed a French intellectual tradition dating back to the seventeenth century, which understands painting as a separate area of knowledge. Painting, a practice long considered silent in its operations and effects, afforded Foucault an ideal discipline to think about history and philosophy simultaneously. Using a comparative approach grounded in art history and aesthetics, Soussloff explores the meaning of painting for Foucault’s philosophy, and for contemporary art theory, proposing a new relevance for a Foucauldian view of ethics and the pleasures and predicaments of contemporary existence.

Wet

Wet
Author: Mira Schor
Publisher: Duke University Press
Total Pages: 284
Release: 1997
Genre: Art
ISBN: 9780822319153

Taking aim at the mostly male bastion of art theory and criticism, Mira Schor brings a maverick perspective and provocative voice to the issues of contemporary painting, gender representation, and feminist art. Writing from her dual perspective of a practicing painter and art critic, Schor's writing has been widely read over the past fifteen years in Artforum, Art Journal, Heresies, and M/E/A/N/I/N/G, a journal she coedited. Collected here, these essays challenge established hierarchies of the art world of the 1980s and 1990s and document the intellectual and artistic development that have marked Schor's own progress as a critic. Bridging the gap between art practice, artwork, and critical theory, Wet includes some of Schor's most influential essays that have made a significant contribution to debates over essentialism. Articles range from discussions of contemporary women artists Ida Applebroog, Mary Kelly, and the Guerrilla Girls, to "Figure/Ground," an examination of utopian modernism's fear of the "goo" of painting and femininity. From the provocative "Representations of the Penis," which suggests novel readings of familiar images of masculinity and introduces new ones, to "Appropriated Sexuality," a trenchant analysis of David Salle's depiction of women, Wet is a fascinating and informative collection. Complemented by over twenty illustrations, the essays in Wet reveal Schor's remarkable ability to see and to make others see art in a radically new light.

Imaginative Realism

Imaginative Realism
Author: James Gurney
Publisher: Andrews McMeel Publishing
Total Pages: 228
Release: 2009-10-20
Genre: Art
ISBN: 0740785508

A examination of time-tested methods used by artists since the Renaissance to make realistic pictures of imagined things.

Gouache in 4 Easy Steps

Gouache in 4 Easy Steps
Author: Anna Koliadych
Publisher: Page Street Publishing
Total Pages: 439
Release: 2021-03-23
Genre: Art
ISBN: 1645672344

15-Minute Watercolor Masterpieces, Anna’s first book, is one of our strongest selling titles. She made watercolor approachable, fun and easier than ever—and now she’s doing the same with the latest painting trend, gouache. A marriage between acrylics and watercolor, gouache is the next big thing in the art world—it’s easier to control than watercolor and allows for richer pigments and easy fixes, making it a great option for beginners. Anna shows you just how magical gouache can be—and each of her 50 projects can be completed in just five easy-to-follow steps. Divided into chapters on beautiful landscapes, colorful flowers and plants, cute animals and more, readers will have a big variety of projects to choose from. And each step is accompanied by an image, making it even easier for readers to follow along. Anna is the founder of DearAnnArt, an online art community with hundreds of thousands of followers.

Hensche on Painting

Hensche on Painting
Author: John W. Robichaux
Publisher: Courier Corporation
Total Pages: 82
Release: 2005-01-01
Genre: Art
ISBN: 0486437280

An artist for over seventy years and a teacher for more than sixty, painter Henry Hensche (1901–1992) placed great emphasis in his classes on Monet's Impressionist tradition of seeing and painting color under the influence of light. Hensche taught his students to "see the light, not the object," says his biographer John Robichaux. This book reveals the basic painting philosophy and methodology of a great teacher, as expounded in his famous classes and workshops on Cape Cod.