Oliver Stones Usa
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Author | : Robert Brent Toplin |
Publisher | : |
Total Pages | : 368 |
Release | : 2000 |
Genre | : Performing Arts |
ISBN | : |
Challenging audiences and critics alike, the films of Oliver Stone have compelled many viewers to re-examine some of their most revered beliefs about America's past. Stone has generated enormous controversy and debate among those who take issue with his dramatic use of history. This book brings Stone face to face with some of his most thoughtful critics and supporters and allows him room to respond to their views. Writers including David Halberstam, Stephen Ambrose, Arthur Schlesinger Jr, Walter LaFeber and Robert Rosenstone critique Stone's most contested films to show how they may distort, amplify or transcend the historical realities they appear to depict.
Author | : Robert Brent Toplin |
Publisher | : |
Total Pages | : 368 |
Release | : 2000 |
Genre | : Performing Arts |
ISBN | : |
Challenging audiences and critics alike, the films of Oliver Stone have compelled many viewers to re-examine some of their most revered beliefs about America's past. Stone has generated enormous controversy and debate among those who take issue with his dramatic use of history. This book brings Stone face to face with some of his most thoughtful critics and supporters and allows him room to respond to their views. Writers including David Halberstam, Stephen Ambrose, Arthur Schlesinger Jr, Walter LaFeber and Robert Rosenstone critique Stone's most contested films to show how they may distort, amplify or transcend the historical realities they appear to depict.
Author | : Susan Mackey-kallis |
Publisher | : Routledge |
Total Pages | : 238 |
Release | : 2019-05-28 |
Genre | : Social Science |
ISBN | : 1000303136 |
This book represents an illustrated, critical analysis of filmmaker Oliver Stone and his works, placing him in the tradition of American political artists. Oliver Stone—polemicist, leftist, artist, and—surprisingly for politically conservative America—mainstream director—is one of the most controversial American filmmakers in Hollywood. His films i
Author | : Oliver Stone |
Publisher | : Simon and Schuster |
Total Pages | : 784 |
Release | : 2013-10-15 |
Genre | : History |
ISBN | : 1451613520 |
Companion to the documentary series of the same name.
Author | : Robert Brent Toplin |
Publisher | : |
Total Pages | : 968 |
Release | : 1999 |
Genre | : |
ISBN | : |
Author | : James Michael Welsh |
Publisher | : Rowman & Littlefield |
Total Pages | : 375 |
Release | : 2013 |
Genre | : Performing Arts |
ISBN | : 081088352X |
This reference volume provides an evaluation of Oliver Stone's work as a screenwriter, producer, and director.
Author | : Trevor McCrisken |
Publisher | : Rutgers University Press |
Total Pages | : 244 |
Release | : 2005 |
Genre | : Performing Arts |
ISBN | : 9780813536217 |
Hollywood has a growing fascination with America's past. This book offers an analysis of how and why contemporary Hollywood films have sought to mediate American history. It considers whether or how far contemporary films have begun to unravel the unifying myths of earlier films and periods.
Author | : Peter Karsten |
Publisher | : SAGE |
Total Pages | : 1385 |
Release | : 2006 |
Genre | : Business & Economics |
ISBN | : 0761930973 |
Author | : James S. Olson |
Publisher | : John Wiley & Sons |
Total Pages | : 248 |
Release | : 2011-09-23 |
Genre | : History |
ISBN | : 1444358413 |
Where the Domino Fell recounts the history of American involvement in Vietnam from the end of World War II, clarifying the political aims, military strategy, and social and economic factors that contributed to the participants' actions. Provides an accessible, concise narrative history of the Vietnam conflict A new final chapter examines Vietnam through the lens of Oliver Stone’s films and opens up a discussion of the War in popular culture A chronology, a glossary, and a bibliography all serve as helpful reference points for students
Author | : Chris Davies |
Publisher | : Bloomsbury Publishing |
Total Pages | : 257 |
Release | : 2019-03-21 |
Genre | : History |
ISBN | : 1350105015 |
Following the release of Ridley Scott's Gladiator in 2000 the ancient world epic has experienced a revival in studio and audience interest. Building on existing scholarship on the Cold War epics of the 1950s-60s, including Ben-Hur, Spartacus and The Robe, this original study explores the current cycle of ancient world epics in cinema within the social and political climate created by September 11th 2001. Examining films produced against the backdrop of the War on Terror and subsequent invasions of Iraq and Afghanistan, this book assesses the relationship between mainstream cinema and American society through depictions of the ancient world, conflict and faith. Davies explores how these films evoke depictions of the Second World War, the Vietnam War and the Western in portraying warfare in the ancient world, as well as discussing the influence of genre hybridisation, narration and reception theory. He questions the extent to which ancient world epics utilise allegory, analogy and allusion to parallel past and present in an industry often dictated by market forces. Featuring analysis of Alexander, Troy, 300, Centurion, The Eagle, The Passion of the Christ and more, this book offers new insight on the continued evolution of the ancient world epic in cinema.