Old Norse Myths as Political Ideologies
| Author | : Nicolas Meylan |
| Publisher | : |
| Total Pages | : |
| Release | : 2020 |
| Genre | : Ideology |
| ISBN | : 9782503588223 |
Old Norse Myths As Political Ideologies
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Old Norse Myths as Political Ideologies
| Author | : Nicolas Meylan |
| Publisher | : |
| Total Pages | : 260 |
| Release | : 2020-10-15 |
| Genre | : Electronic books |
| ISBN | : 9782503588216 |
The mythology of the Norse world has long been a source of fascination, from the first written texts of thirteenth-century Iceland up to the modern period. Most studies, however, have focused on the content of the narratives themselves, rather than the broader political contexts in which these myths have been explored. This volume offers a timely corrective to this broader trend by offering one of the first in-depth examinations of the political uses of Norse mythology within specific historical contexts. Tracing the changing interests and usages of Norse myths from the medieval period, via the nineteenth century and the importance of ancient Norse beliefs to both the Romantic and volkisch movements, up to the co-option of mythology and symbolism by political groups across the twentieth and early twenty-first centuries, the papers gathered here offer new and critical insights into the changing nature of historiography and the political agendas that Old Norse myths are made to serve, as well as shedding new light on the way in which 'myths' are conceptualized.
Theorizing Old Norse Myth
| Author | : Stefan Brink |
| Publisher | : Brepols Publishers |
| Total Pages | : 0 |
| Release | : 2017 |
| Genre | : Mythology |
| ISBN | : 9782503553030 |
This collection explores the theoretical and methodological foundations through which we understand Old Norse myths and the mythological world, and the medieval sources in which we find expressions of these. Some contributions take a broad, comparative perspective; some address specific details of Old Norse myths and mythology; and some devote their attention to questions concerning either individual gods and deities, or more topographical and spatial matters (such as conceptions of pagan cult sites). The elements discussed provide an introductory and general overview of scholarly enquiry into myth and ritual, as well as an attempt to define myth and theory for Old Norse scholarship. The articles also offer a rehabilitation of the comparative method alongside a discussion of the concept of 'cultural memory' and of the cognitive functions that myths may have performed in early Scandinavian society. Particular subjects of interest include analyses of the enigmatic god Heimdallr, the more well-known Oðinn, the deities, the female asynjur, and the 'elves' or alfar. Text-based discussions are set alongside recent archaeological discoveries of cult buildings and cult sites in Scandinavia, together with a discussion of the most enigmatic site of all: Uppsala in Sweden. The key themes discussed throughout this volume are brought together in the concluding chapter, in a comprehensive summary that sheds new light on current scholarly perspectives.
Norse Mythology: The Illustrated Edition
| Author | : Neil Gaiman |
| Publisher | : W. W. Norton & Company |
| Total Pages | : 258 |
| Release | : 2024-11-12 |
| Genre | : Fiction |
| ISBN | : 1324089407 |
The #1 New York Times bestseller—a “gripping, suspenseful” (Washington Post) retelling of Norse myths—now with spectacular illustrations. In this dazzling, illustrated edition of the instant classic that has sold more than a million copies, award-winning illustrator Levi Pinfold brings Neil Gaiman’s bravura rendition of the Norse gods and their world to life. Bursting off the page with breathtaking, full-color art are tales of fierce battles with giants, storied quests for knowledge, and the gods in Asgard: Odin, the highest of the high, wise, daring, and cunning; Thor, Odin’s son, incredibly strong, yet not the wisest of gods; and Loki—son of a giant—blood brother to Odin and a trickster and unsurpassable manipulator. Gaiman fashions these primeval stories into a novelistic arc that takes us from the genesis of the legendary nine worlds to Ragnorak, the twilight of the gods and the rebirth of a new time. Through his epic storytelling and Pinfold’s enthralling images, these gods emerge with their fiercely competitive natures, their susceptibility to being duped and to duping others, and their tendency to let passion ignite their actions, breathing vivid life into these long-ago myths. “Who else but Neil Gaiman could become an accomplice of the gods, using the sorcery of words to make their stories new?” —Maria Tatar, translator and editor of The Annotated Brothers Grimm “Gaiman brings rakish mischief and severe glamour to the Norse canon.” —The New Yorker “Remarkable. . . . Gaiman has provided an enchanting contemporary interpretation of the Viking ethos.” —Lisa L. Hannett, Atlantic “A lively, funny and very human rendition of Thor the thunder god, his father Odin and the dark-hearted trickster Loki (plus countless other gods and monsters).” —Petra Mayer, NP
Old Norse Folklore
| Author | : Stephen A. Mitchell |
| Publisher | : Cornell University Press |
| Total Pages | : 309 |
| Release | : 2023-12-15 |
| Genre | : Literary Criticism |
| ISBN | : 150177347X |
The medieval northern world consisted of a vast and culturally diverse region both geographically, from roughly Greenland to Novgorod and culturally, as one of the last areas of Europe to be converted to Christianity. Old Norse Folklore explores the complexities of thisfascinating world in case studies and theoretical essays that connect orality and performance theory to memory studies, and myths relating to pre-Christian Nordic religion to innovations within late medieval pilgrimage song culture. Old Norse Folklore provides critical new perspectives on the Old Norse world, some of which appear in this volume for the first time in English. Stephen A. Mitchell presents emerging methodologies by analyzing Old Norse materials to offer a better understandings ofunderstanding of Old Norse materials. He examines, interprets, and re-interprets the medieval data bequeathed to us by posterity—myths, legends, riddles, charms, court culture, conversion narratives, landscapes, and mindscapes—targeting largely overlooked, yet important sources of cultural insights.
Minni and Muninn
| Author | : Pernille Hermann |
| Publisher | : Brepols Publishers |
| Total Pages | : 0 |
| Release | : 2014 |
| Genre | : Civilization, Medieval, in literature |
| ISBN | : 9782503549101 |
This volume consists of articles about terms for, concepts of and functions of memory. The articles deal with medieval Norse texts, such as sagas, myths, skaldic poems, laws and historiographical writings, and they refer to theoretical insights from international memory studies that have developed recently. In recent years, various branches of memory studies have provided useful tools of analysis that offer new ways of understanding medieval cultures. The articles in this collection draw on these new theoretical tools for studying - and conceptualizing - memory, in order to reassess the function of memory in medieval Nordic culture. Despite its interdisciplinary and comparative basis, the volume remains very much an empirical study of memory and memory-dependent issues as these took form in the Nordic world.
Ideology and Power in the Viking and Middle Ages
| Author | : Gro Steinsland |
| Publisher | : BRILL |
| Total Pages | : 421 |
| Release | : 2011-04-21 |
| Genre | : Political Science |
| ISBN | : 9004205063 |
This book analyses the Nordic pre-Christian ideology of rulership, and its confrontation with, survival into and adaptation to the European Christian ideals during the transition from the Viking to the Middle Ages from the ninth to the thirteenth century.
Northern Myths, Modern Identities
| Author | : Simon Halink |
| Publisher | : BRILL |
| Total Pages | : 273 |
| Release | : 2019-05-15 |
| Genre | : History |
| ISBN | : 9004398430 |
This anthology of essays, Northern Myths, Modern Identities, explores the various ways in which ancient mythologies have been cultivated in the cultural construction of ethnic, national and supra-national identities from 1800 to the present. How were Old Norse, Finno-Ugric and Frisian myths employed as rhetorical devices in national narratives? And how did (and do) these new interpretations convey a sense of ‘northernness’? This volume approaches these issues from an interdisciplinary and international perspective, and brings together case studies from Scandinavia, the Baltic region, Friesland, Britain, the United States and even Japan. Thus, it provides a unique insight into the reception history and uses of northern myths in the present, and their role in the creation of modern identities. Contributors are: Tim van Gerven, Gylfi Gunnlaugsson, Simon Halink, Sumarliði R. Ísleifsson, Otto S. Knottnerus, Joep Leerssen, Daisy Neijmann, Han Nijdam, Robert A. Saunders, Katja Schulz, Tom Shippey, Carline Tromp, and Kendra Willson.
Northern Antiquities
| Author | : Paul Henri Mallet |
| Publisher | : London : H.B. Bohn |
| Total Pages | : 594 |
| Release | : 1847 |
| Genre | : Mythology, Norse |
| ISBN | : |
Ancestral North
| Author | : Ross Hagen |
| Publisher | : Lexington Books |
| Total Pages | : 253 |
| Release | : 2024-04-11 |
| Genre | : Music |
| ISBN | : 1666917575 |
Ancestral North: Spirituality and Cultural Imagination in Nordic Ritual Folk Music offers a detailed exploration of Nordic ritual folk music, a music scene focused on the revival of ancient folkways and archaic music that has found remarkable popularity around the globe. Once the domain of Viking reenactors and neopagan practitioners, the niche sonic and visual aesthetics of this music have found widespread visibility through a new generation of popular films, television series, and video games. The authors argue that many of these musical and media products connect with longstanding cultural attitudes about the Nordic region that conceive of it as wild, exotic, and dangerous, while also being a place of honor, community, and virtue. As such, the Nordic region and its music often becomes a vessel for reactionary escapes from all manner of modern discontentment. However, the authors also posit that spending time re-creating the music of an imaginary past offers participants the possibility for engagement and re-enchantment in the multicultural present.
