Old And Middle English C890 C1400
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| Author | : Mark Atherton |
| Publisher | : Teach Yourself |
| Total Pages | : 291 |
| Release | : 2012-01-20 |
| Genre | : Language Arts & Disciplines |
| ISBN | : 1444132210 |
This product is most effective when used in conjunction with the corresponding double CD. - You can purchase the book and double CD as a pack (ISBN: 9781444104196)@font-face { }p.MsoNormal, li.MsoNormal, div.MsoNormal { margin: 0cm 0cm 0.0001pt; font-size: 12pt; font-family: ""Times New Roman""; }div.Section1 { page: Section1; } - The double CD is also sold separately (ISBN: 9781444104202) Learn Old English (Anglo-Saxon) with this best-selling course from Teach Yourself - the No. 1 brand in language learning. Equally suited to general reader, historian and student of literature, this new edition teaches vocabulary and grammar through original texts, with audio support, traces the roots of modern English words, and explores the Anglo-Saxon cultural context through poems, prose and historical documents. Learn effortlessly with a new easy-to-read page design and interactive features: NOT GOT MUCH TIME? One-, five- and ten-minute introductions to key principles to get you started. AUTHOR INSIGHTS Lots of instant help with common problems and quick tips for success, based on the author's many years of experience. GRAMMAR TIPS Easy-to-follow building blocks to give you a clear understanding. USEFUL VOCABULARY Easy to find and learn, to build a solid foundation for understanding. TEST YOURSELF Tests in the book and online to keep track of your progress. EXTEND YOUR KNOWLEDGE Extra online articles to give you a richer understanding of the culture and history of Anglo-Saxon England.
| Author | : Elizabeth Solopova |
| Publisher | : Bloomsbury Publishing |
| Total Pages | : 304 |
| Release | : 2007-07-20 |
| Genre | : Study Aids |
| ISBN | : 1350310336 |
Key Concepts in Medieval Literature introduces students to the major authors, themes and genres of the English Middle Ages. These are discussed in concise focused essays, accompanied by summaries and recommendations for further reading, highlighting the need to see texts in context, both historically and linguistically.
| Author | : |
| Publisher | : University of Pennsylvania Press |
| Total Pages | : 1248 |
| Release | : 2017-01-31 |
| Genre | : Literary Collections |
| ISBN | : 0812293215 |
From the riddling song of a bawdy onion that moves between kitchen and bedroom to the thrilling account of Beowulf's battle with a treasure-hoarding dragon, from the heart-rending lament of a lone castaway to the embodied speech of the cross upon which Christ was crucified, from the anxiety of Eve, who carries "a sumptuous secret in her hands / And a tempting truth hidden in her heart," to the trust of Noah who builds "a sea-floater, a wave-walking / Ocean-home with rooms for all creatures," the world of the Anglo-Saxon poets is a place of harshness, beauty, and wonder. Now for the first time, the entire Old English poetic corpus—including poems and fragments discovered only within the past fifty years—is rendered into modern strong-stress, alliterative verse in a masterful translation by Craig Williamson. Accompanied by an introduction by noted medievalist Tom Shippey on the literary scope and vision of these timeless poems and Williamson's own introductions to the individual works and his essay on translating Old English poetry, the texts transport us back to the medieval scriptorium or ancient mead-hall, to share a herdsman's recounting of the story of the world's creation or a people's sorrow at the death of a beloved king, to be present at the clash of battle or to puzzle over the sacred and profane answers to riddles posed over a thousand years ago. This is poetry as stunning in its vitality as it is true to its sources. Were Williamson's idiom not so modern, we might think that the Anglo-Saxon poets had taken up the lyre again and begun to sing once more.
| Author | : Bradford Lee Eden |
| Publisher | : McFarland |
| Total Pages | : 217 |
| Release | : 2010-04-13 |
| Genre | : Literary Criticism |
| ISBN | : 0786456604 |
The twentieth century witnessed a dramatic rise in fantasy writing and few works became as popular or have endured as long as the novels of J.R.R. Tolkien. Surprisingly, little critical attention has been paid to the presence of music in his novels. This collection of essays explores the multitude of musical-literary allusions and themes intertwined throughout Tolkien's body of work. Of particular interest is Tolkien's scholarly work with medieval music and its presentation and performance practice, as well as the musical influences of his Victorian and Edwardian background. Discographies of Tolkien-influenced music of the 20th and 21st centuries are included.
| Author | : Daniel Donoghue |
| Publisher | : John Wiley & Sons |
| Total Pages | : 160 |
| Release | : 2008-04-15 |
| Genre | : Literary Criticism |
| ISBN | : 0470776803 |
This innovative and intriguing introduction to Old English literature is structured around what the author calls ‘figures’ from Anglo-Saxon culture: the Vow, the Hall, the Miracle, the Pulpit, and the Scholar. An innovative and intriguing introduction to Old English literature. Structured around ‘figures’ from Anglo-Saxon culture: the Vow, the Hall, the Miracle, the Pulpit, and the Scholar. Situates Old English literary texts within a cultural framework. Creates new connections between different genres, periods and authors. Combines close textual analysis with historical context. Based on the author’s many years experience of teaching Old English literature. The author is co-editor with Seamus Heaney of Beowulf: A Verse Translation (2001) and recently published with Blackwell Lady Godiva: A Literary History of the Legend (2003).
| Author | : Andrzej M. Łęcki |
| Publisher | : Peter Lang |
| Total Pages | : 290 |
| Release | : 2010 |
| Genre | : Foreign Language Study |
| ISBN | : 9783631600276 |
This book explores the diachronic emergence of the verb have in English in its various grammatical uses. The development of grammatical functions of have is analysed from pragmatic-semantic, morphosyntactic and phonetic angles. Apart from the well-known and formerly studied cases of the rise of perfect and obligative have, the author describes the developments of the had better structure as well as causative have which have not received much scholarly attention thus far. He shows that the first examples of the fully grammaticalised constructions with have generally appear earlier than it is commonly believed. He also offers possible motivations behind the growth of obligative and causative have. This book proves that the changes leading to the rise of new grammatical constructions occur in a specific order: pragmatic-semantic changes precede morphosyntactic changes and phonetic reductions are the last to take place.
| Author | : Elaine Treharne |
| Publisher | : OUP Oxford |
| Total Pages | : 792 |
| Release | : 2010-04-15 |
| Genre | : Literary Criticism |
| ISBN | : 0191613592 |
The study of medieval literature has experienced a revolution in the last two decades, which has reinvigorated many parts of the discipline and changed the shape of the subject in relation to the scholarship of the previous generation. 'New' texts (laws and penitentials, women's writing, drama records), innovative fields and objects of study (the history of the book, the study of space and the body, medieval masculinities), and original ways of studying them (the Sociology of the Text, performance studies) have emerged. This has brought fresh vigour and impetus to medieval studies, and impacted significantly on cognate periods and areas. The Oxford Handbook of Medieval Literature in English brings together the insights of these new fields and approaches with those of more familiar texts and methods of study, to provide a comprehensive overview of the state of medieval literature today. It also returns to first principles in posing fundamental questions about the nature, scope, and significance of the discipline, and the directions that it might take in the next decade. The Handbook contains 44 newly commissioned essays from both world-leading scholars and exciting new scholarly voices. Topics covered range from the canonical genres of Saints' lives, sermons, romance, lyric poetry, and heroic poetry; major themes including monstrosity and marginality, patronage and literary politics, manuscript studies and vernacularity are investigated; and there are close readings of key texts, such as Beowulf, Wulf and Eadwacer, and Ancrene Wisse and key authors from Ælfric to Geoffrey Chaucer, Langland, and the Gawain Poet.
| Author | : Lynda Mugglestone |
| Publisher | : OUP Oxford |
| Total Pages | : 624 |
| Release | : 2012-11-29 |
| Genre | : Language Arts & Disciplines |
| ISBN | : 0191639419 |
Lynda Mugglestone's hugely popular The Oxford History of English is now updated and entirely reset in a new edition featuring David Crystal's new take on the future of English in the wider world. In accounts made vivid with examples from a vast range of documentary evidence that includes letters, diaries, and private records, fifteen scholars trace the history of English from its ancient Indo-European origins to the present. They cover the language's versions, written and spoken, revel in its rich variety over fifteen centuries, and chart its varied progress nationally, regionally, and throughout the world. With scholarship at once impeccable and approachable, the authors describe and explain the constantly changing sounds, words, meanings, and grammar of English. This is a book for everyone interested in the language, present and past.
| Author | : Clare A. Lees |
| Publisher | : Cambridge University Press |
| Total Pages | : 910 |
| Release | : 2012-11-29 |
| Genre | : Literary Criticism |
| ISBN | : 131617509X |
Informed by multicultural, multidisciplinary perspectives, The Cambridge History of Early Medieval English Literature offers a new exploration of the earliest writing in Britain and Ireland, from the end of the Roman Empire to the mid-twelfth century. Beginning with an account of writing itself, as well as of scripts and manuscript art, subsequent chapters examine the earliest texts from England, Ireland, Scotland and Wales, and the tremendous breadth of Anglo-Latin literature. Chapters on English learning and literature in the ninth century and the later formation of English poetry and prose also convey the profound cultural confidence of the period. Providing a discussion of essential texts, including Beowulf and the writings of Bede, this History captures the sheer inventiveness and vitality of early medieval literary culture through topics as diverse as the literature of English law, liturgical and devotional writing, the workings of science and the history of women's writing.
| Author | : Hollie L. S. Morgan |
| Publisher | : Boydell & Brewer |
| Total Pages | : 268 |
| Release | : 2017 |
| Genre | : History |
| ISBN | : 1903153719 |
First full-length interdisciplinary study of the effect of these everyday surroundings on literature, culture and the collective consciousness of the late middle ages. The bed, and the chamber which contained it, was something of a cultural and social phenomenon in late-medieval England. Their introduction into some aristocratic and bourgeois households captured the imagination of late-medievalEnglish society. The bed and chamber stood for much more than simply a place to rest one's head: they were symbols of authority, unparalleled spaces of intimacy, sanctuaries both for the powerless and the powerful. This change inphysical domestic space shaped the ways in which people thought about less tangible concepts such as gender politics, communication, God, sex and emotions. Furthermore, the practical uses of beds and chambers shaped and were shaped by artistic and literary production. This volume offers the first interdisciplinary study of the cultural meanings of beds and chambers in late-medieval England. It draws on a vast array of literary, pragmatic and visual sources, including romances, saints' lives, lyrics, plays, wills, probate inventories, letters, church and civil court documents, manuscript illumination and physical objects, to shed new light on the ways in which beds and chambersfunctioned as both physical and conceptual spaces. Hollie L.S. Morgan is a Research Fellow in the School of History and Heritage, University of Lincoln.
