Oil Paintings In Public Ownership In London
Download Oil Paintings In Public Ownership In London full books in PDF, epub, and Kindle. Read online free Oil Paintings In Public Ownership In London ebook anywhere anytime directly on your device. Fast Download speed and no annoying ads. We cannot guarantee that every ebooks is available!
Author | : Public Catalogue Foundation |
Publisher | : |
Total Pages | : 142 |
Release | : 2005 |
Genre | : Art |
ISBN | : |
All the publicly owned oil paintings in the Slade School of Fine Arts and University College London have been brought together in this comprehensive volume.
Author | : Public Catalogue Foundation |
Publisher | : |
Total Pages | : 320 |
Release | : 2009 |
Genre | : Art |
ISBN | : |
An amazing publication that brings together all the publicly owned oil paintings in The City of London in one concise volume.
Author | : Christopher Wright |
Publisher | : Yale University Press |
Total Pages | : 950 |
Release | : 2006-01-01 |
Genre | : Art |
ISBN | : 9780300117301 |
This book sets a new standard as a work of reference. It covers British and Irish art in public collections from the beginning of the sixteenth century to the end of the nineteenth, and it encompasses nearly 9,000 painters and 90,000 paintings in more than 1,700 separate collections. The book includes as well pictures that are now lost, some as a consequence of the Second World War and others because of de-accessioning, mostly from 1950 to about 1975 when Victorian art was out of fashion. By listing many tens of thousands of previously unpublished works, including around 13,000 which do not yet have any form of attribution, this book becomes a unique and indispensable work of reference, one that will transform the study of British and Irish painting.
Author | : Public Catalogue Foundation |
Publisher | : |
Total Pages | : 296 |
Release | : 2006 |
Genre | : Art |
ISBN | : |
This catalogue reveals all the oil paintings from the Museum's various locations around the country 1,870 works in total. This includes a significant body of work by Connard, Knight, Lavery, the Nashes, Nevinson, Orpen and Weight.
Author | : Sonia Roe |
Publisher | : |
Total Pages | : 396 |
Release | : 2008 |
Genre | : Art |
ISBN | : |
The Victoria and Albert Museum's collection of oil paintings is less well known than its encyclopaedic holdings of sculpture and applied arts, watercolours, miniatures and other works on paper. However, the museum has also acquired oil paintings since its foundation, and currently has over 2,500 works in this medium. The Victoria and Albert Museum initially collected and displayed oil paintings to tell the story of British art and provide exemplary material for designers: it continues to do so to elucidate the history of art and design from the Middle Ages to the present. Since the nineteenth century the V & A set high standards in its published catalogues. Its combined holdings of paintings, miniatures, watercolours and drawings now run to tens of thousands of items. This is the museum's first illustrated summary catalogue of oil paintings which are shown through thousands of photographs. Trade Orders: Professional Discount Only
Author | : Andrew Ellis |
Publisher | : |
Total Pages | : 272 |
Release | : 2008 |
Genre | : Art |
ISBN | : |
"This volume shows some 1,600 oil paintings in public ownership in the county of Hertfordshire. Drawn from over 40 collections across the county including museums, art galleries, council buildings, educational establishments and public libraries, the paintings in this catalogue provide a fascinating insight into the cultural heritage of the county. The catalogue includes Bushey Museum and Art Gallery with its nationally important holding of paintings by Hubert von Herkomer and his students, together with several fine eighteenth-century paintings in the Watford Museum collection and Letchworth Museum and Art Gallery's holding of early twentieth-century British works."--BOOK JACKET.
Author | : Sonia Roe |
Publisher | : |
Total Pages | : 396 |
Release | : 2007 |
Genre | : Art |
ISBN | : |
For just over a century, the British Government has collected works of art by mainly British artists from the 16th century to the present day. With over 13,000 works in a broad range of media, this unique collection is displayed in Government buildings in the UK and around the world. Bringing together all the oil paintings in the Collection for the first time, this catalogue provides an important insight into the key role the Government Art Collection plays in promoting British art and culture. This is the 19th catalogue in the Oil Paintings in Public Ownership series published by the Public Catalogue Foundation. Consisting of over 350 pages, the catalogue lists 2,499 works and show color photographs of almost every one together with some 40 page color reproductions. Trade Orders: Professional Discount Only
Author | : Public Catalogue Foundation |
Publisher | : |
Total Pages | : 404 |
Release | : 2007 |
Genre | : Art |
ISBN | : |
This catalogue displays the great wealth of publicly owned oil paintings in the vast county of North Yorkshire. Over 2,700 paintings are reproduced in colour from 41 collections.
Author | : Sonia Roe |
Publisher | : |
Total Pages | : 342 |
Release | : 2007 |
Genre | : Antiques & Collectibles |
ISBN | : |
"This catalogue reveals all the oil paintings in public collections in the City of Southhampton, part of the ceremonial county of Hampshire, together with those from the Isle of Wight."--Dust Jacket.
Author | : John Maddicott |
Publisher | : Oxford University Press |
Total Pages | : 240 |
Release | : 2021-12-07 |
Genre | : History |
ISBN | : 0192649442 |
Between Scholarship and Church Politics describes the life and career of John Prideaux, rector of Exeter College, Oxford, 1612-1642, regius professor of divinity, 1615-1642, and bishop of Worcester, 1641-1646. Prideaux was the leading representative of the 'old guard' in the Church of England - Calvinist believers in the doctrines of grace and predestination, who set themselves against the growing power of the Arminian modernisers within the Church, largely the followers of Archbishop Laud. But Prideaux was also an outstandingly successful head of his Oxford college and made it a home for foreign scholars and students. Devoted to teaching, the writers of numerous books for undergraduates and theology students, and thoroughly involved in his College's everyday affairs, he was a model rector. In this study, John Maddicott addresses at length both with Prideaux's political and ecclesiastical career and his role in the College, while also paying particular attention to his personality, his family life (he was twice married and had nine children), and to his wide circle of relatives, colleagues, and allies. Born the son of a Devonshire yeoman and brought up on a farm on the edge of Dartmoor, he rose to occupy some of the highest offices in the university of Oxford and in the church: a result of his intellectual power, his ambition, his learning and scholarship, and his capacity for hard work. Between Scholarship and Church Politics is as much a study of character as a contribution to the political and church history of early Stuart England.